Foreground: James Phelan, Tina McCulloch, Emmet Leahy and William Laxamana. Background: Martin McGuane. Set design by Tim O’Connell and Sean Treacy. Costume design by Bernadette Hunt. Lighting design by Karlos Griffith. Photo by Gregory Breen. The Toronto Irish Players take us to a time of desperate hope and dreams, leaving and staying behind, with itsContinue reading “Saying goodbye to the youth of Ireland in the lyrical, hopeful, entertaining Many Young Men of Twenty”
Tag Archives: 1960s
Love, marriage, friendship & infidelity in the intensely intimate, brilliantly executed Betrayal
Virgilia Griffith & Ryan Hollyman. Set & costume design by Ken MacKenzie. Lighting design by Rebecca Picherack. Photo by Dahlia Katz. Soulpepper rounds out its summer programming with its intensely intimate, brilliantly executed production of Harold Pinter’s Betrayal, directed by Andrea Donaldson and running at the Young Centre. A compelling look at intricate, overlapping websContinue reading “Love, marriage, friendship & infidelity in the intensely intimate, brilliantly executed Betrayal”
Inside the brilliant mind of the man behind the message, silenced by stroke in the mercurial, theatrical, moving The Message
R.H. Thomson. Set designed by Camellia Koo. Costumes designed by Charlotte Dean. Lighting design by Rebecca Picherack. Video design by Carla Ritchie. Photo by Cylla von Tiedemann. Tarragon Theatre takes us into the brilliant, lighting-fast mind of professor turned internationally hailed pop star prophet Marshall McLuhan with its mercurial, theatrical and moving world premiere ofContinue reading “Inside the brilliant mind of the man behind the message, silenced by stroke in the mercurial, theatrical, moving The Message”
SummerWorks: Art, madness, longing & inspiration in the visceral, cerebral, deeply moving The Red Horse is Leaving
Moleman Productions presents a multimedia, multidisciplinary work in progress with its SummerWorks production of The Red Horse is Leaving; running for three performances in the Toronto Media Arts Centre Main Gallery. Written and co-directed by Erika Batdorf, with excerpts from artist Thaya Whitten’s journals and performance talks, and co-directed and choreographed by Kate Digby, theContinue reading “SummerWorks: Art, madness, longing & inspiration in the visceral, cerebral, deeply moving The Red Horse is Leaving”
Liberty at any cost – hardened life choices in Toronto Irish Players’ Big Maggie
Saw another marvelous Toronto Irish Players (TIP) production yesterday afternoon – this time, John B. Keane’s Big Maggie, directed by Harvey Levkoe, on now at Alumnae Theatre. Big Maggie is set in 1960s rural Ireland, where recently widowed Maggie Polpin (Janice Hansen) is delighted at her newfound freedom from a philandering lout of a husbandContinue reading “Liberty at any cost – hardened life choices in Toronto Irish Players’ Big Maggie”
life with more cowbell 