Toronto Fringe: Getting in & out of Scientology in the hilarious, heartbreaking, irreverent Squeeze My Cans

Cathy Schenkelberg. Sound & production design by Victoria (Toy) Deiorio. Photo by Michael C. Daft.   Squeeze My Cans presents Squeeze My Cans, the true story of Cathy Schenkelberg’s indoctrination into and exit from Scientology—a multimedia solo show trip that is by turns hilarious, heartbreaking, irreverent, infuriating and terrifying. Written and performed by Schenkelberg, andContinue reading “Toronto Fringe: Getting in & out of Scientology in the hilarious, heartbreaking, irreverent Squeeze My Cans”

Remembering Nonnie Griffin

Photo from Bluffs Monitor.   Nonnie Griffin and I became mutual fans, from opposite sides of the stage, while working on two different productions at Alumnae Theatre in 2008: she as the formidable Irish matriarch in Lucy Brennan’s Daughter of the House and I as the compassionate, no-nonsense oncology nurse in Margaret Edson’s Wit. IContinue reading “Remembering Nonnie Griffin”

Interview: Blues singer/songwriter & actor Carolyn Fe

Carolyn Fe, Sugat Ko cover. Photo by litratista.com   Carolyn Fe is a multi-talented, award-winning actress, blues singer/songwriter and host of the online syndicated radio show Unsung and On the Side. I had the pleasure of getting to know her while she was in Toronto, performing in the Nightwood Theatre/Sulong Theatre co-production of the worldContinue reading “Interview: Blues singer/songwriter & actor Carolyn Fe”

Toronto Fringe: Art, longing & acceptance in the poetic, heart-wrenching, gender-bending The Bird Killer

Clockwise, from bottom left: Emerjade Simms, Tymika Tafari, Subhash Santosh, Mo Zeighami, Evan Mackenzie & Mike Ricci. Photo by Patrick J. Horan.   LET ME IN presents Justine Christensen’s poetic, heart-wrenching modern-day, gender-bending adaptation of Anton Chekhov’s The Seagull with its Toronto Fringe production of The Bird Killer, directed by Patrick J. Horan and runningContinue reading “Toronto Fringe: Art, longing & acceptance in the poetic, heart-wrenching, gender-bending The Bird Killer”

The impact of stories drawn from love & memory in TPM’s genuine, funny, haunting The Drawer Boy

Andrew Moodie, Craig Lauzon & Graham Conway. Set and costume design by Joanna Yu. Lighting design by Michelle Ramsay. Photo by Michael Cooper. Theatre Passe Muraille (TPM) opened its remount of Michael Healey’s The Drawer Boy, directed by Factory Theatre AD Nina Lee Aquino, assisted by Cole Alvis, to a sold out house last night.Continue reading “The impact of stories drawn from love & memory in TPM’s genuine, funny, haunting The Drawer Boy”