The oil industry on trial for crimes against humanity in the gripping, intimate Athabasca

David S. Craig & Richard Greenblatt. Set & costume design by Anahita Dehbonehie. Lighting design by Jennifer Lennon. Photo by Samantha Gaetz.   Convergence Theatre presents the world premiere of Athabasca, created and performed by David S. Craig and Richard Greenblatt, and directed by Aaron Willis, assisted by Keshia Palm (who also appears as Huan,Continue reading “The oil industry on trial for crimes against humanity in the gripping, intimate Athabasca”

The incendiary aftermath of lives in distress in the powerful, theatrical After the Fire

Louise Lambert, Jesse Gervais, Sheldon Elter & Kaitlyn Riordan. Set & costume design by Alison Yanota. Lighting design by Kaileigh Krysztofiak. Photo by Dahlia Katz.   Punctuate! Theatre and Alberta Aboriginal Performing Arts, in association with Native Earth Performing Arts and The Theatre Centre, opened the world premiere of Matthew MacKenzie’s powerful, theatrical After theContinue reading “The incendiary aftermath of lives in distress in the powerful, theatrical After the Fire”

Valentines through the ages & the private face of grief in Shotgun Juliet’s intimate, tender Jewel

Pip Dwyer in Jewel. Photo by Jackie Smulan.   Shotgun Juliet opened its production of Joan MacLeod’s Jewel, directed by Matthew Eger, to a packed house at Red Sandcastle Theatre last night. Jewel was inspired by the sinking of the Ocean Ranger oil rig off the coast of Newfoundland during a Valentine’s Day storm on the AtlanticContinue reading “Valentines through the ages & the private face of grief in Shotgun Juliet’s intimate, tender Jewel”

Toronto Fringe: Trippy good times as philosophy meets stand-up meets storytelling in Graham Clark’s Not Here

Graham Clark returns to Toronto Fringe—or does he?—with Graham Clark’s Not Here, running in the Theatre Passe Muraille (TPM) Backspace. Speaking to us via video from a small monitor mounted in front of a masked “surrogate” performer’s face, Clark gives a multimedia talking head performance—and the surrogate provides accompanying posture and hand gestures. Going fromContinue reading “Toronto Fringe: Trippy good times as philosophy meets stand-up meets storytelling in Graham Clark’s Not Here”