Waiting for the American Dream in the provocative, disturbing, razor-sharp Pass Over

Kaleb Alexander & Mazin Elsadig. Set design by Julia Kim. Lighting design by Chris Malkowski. Costume design by Vanessa Fischer. Photo by Cesar Ghisilieri. Obsidian Theatre takes us to the edge of the world in an urban Black neighbourhood in America with its provocative, mind-blowing production of Antoinette Nwandu’s Pass Over, directed by Philip Akin,Continue reading “Waiting for the American Dream in the provocative, disturbing, razor-sharp Pass Over”

Love & hate, abandonment & connection in the searing, electric Fool for Love

Cara Gee & Eion Bailey. Set design by Lorenzo Savoini. Costume design by Shannon Lea Doyle. Lighting design by Simon Rossiter. Photo by Dahlia Katz.   Soulpepper Theatre presents a searing, electric production of Sam Shepard’s Fool for Love, directed by Frank Cox-O’Connell and running at the Young Centre. The shifting temperatures of love/hate andContinue reading “Love & hate, abandonment & connection in the searing, electric Fool for Love”

Absurd, uncomfortable & ultimately human interactions in the darkly funny, unsettling Little Menace: Pinter Plays

Diego Matamoros, Alex McCooeye, Gregory Prest & Maev Beaty. Set & costume design by Shannon Lea Doyle. Lighting design by Simon Rossiter. Photo by Dahlia Katz. Soulpepper opened its darkly funny, unsettling buffet of short Pinter plays at the Young Centre last night with Harold Pinter’s Little Menace: Pinter Plays, directed by Thomas Moschopoulos; and featuringContinue reading “Absurd, uncomfortable & ultimately human interactions in the darkly funny, unsettling Little Menace: Pinter Plays”

Poetry 500 years in the making in Soulpepper’s exquisite, haunting, wondrous Orlando

Set & lighting design by Lorenzo Savoini. Costume design by Gillian Gallow. Photo by Aleksander Antonijevic.   Soulpepper Theatre brings Virginia Woolf’s Orlando to the stage with an exquisite Canadian premiere of Sarah Ruhl’s stage adaptation of the magical time-travelling, gender-fluid tale, directed by Katrina Darychuck. Starting off in Elizabethan England, we find Orlando (SarahContinue reading “Poetry 500 years in the making in Soulpepper’s exquisite, haunting, wondrous Orlando”

Dreams, desires & the drive for freedom in thoughtful & farcical Up the Garden Path

Obsidian Theatre opened its production of Lisa Codrington’s Up the Garden Path, directed by Philip Aikin, at Theatre Passe Muraille (TPM) last week – and I caught the show last night, which also happened to be Barbados Night, and the house was packed with an enthusiastic and appreciative, mostly Bajan, audience. Set in the lateContinue reading “Dreams, desires & the drive for freedom in thoughtful & farcical Up the Garden Path”