Pride & BLM divide between friends in the provocative, fierce, meta Every Day She Rose

Adrian Shepherd-Gawinski & Monice Peter (as Mark and Cathy-Ann). Set design by Michelle Tracey. Costume design by Ming Wong. Lighting design by Rebecca Picherack. Photo by Cylla von Tiedemann. Nightwood Theatre continues its 40th season with the premiere of Andrea Scott and Nick Green’s Every Day She Rose, co-directed by Andrea Donaldson and Sedina Fiati,Continue reading “Pride & BLM divide between friends in the provocative, fierce, meta Every Day She Rose”

Waiting for the American Dream in the provocative, disturbing, razor-sharp Pass Over

Kaleb Alexander & Mazin Elsadig. Set design by Julia Kim. Lighting design by Chris Malkowski. Costume design by Vanessa Fischer. Photo by Cesar Ghisilieri. Obsidian Theatre takes us to the edge of the world in an urban Black neighbourhood in America with its provocative, mind-blowing production of Antoinette Nwandu’s Pass Over, directed by Philip Akin,Continue reading “Waiting for the American Dream in the provocative, disturbing, razor-sharp Pass Over”

Looking beyond mental illness to see the person in the intense, affecting The Valley

Photo by Keagan Heathers. Graphic design by Ali Carroll.   Don’t Look Down Theatre Company, in support of CAMH, presents an intense, affecting production of Joan McLeod’s The Valley, directed by co-Artistic Director Ryan James and running in the Theatre Passe Muraille (TPM) Backspace. Inspired by the shocking 2007 tasering death of Robert Dziekanski duringContinue reading “Looking beyond mental illness to see the person in the intense, affecting The Valley”

Truth & reconciliation through music, one step at a time, in the inspirational, intersectional I Call myself Princess

Marion Newman & Aaron Wells. Set design by Christine Urquhart. Costume design by Snezana Pesic. Lighting design by Kaitlin Hickey. Photo by Dahlia Katz. Paper Canoe Projects and Cahoots Theatre join forces with Native Earth to present Jani Lauzon’s I Call myself Princess, directed by Marjorie Chan, with associate director Keith Barker and music directionContinue reading “Truth & reconciliation through music, one step at a time, in the inspirational, intersectional I Call myself Princess”