SummerWorks: Post-nuclear disaster bravery, vision quest & hope in the powerful, moving, resonant Bleeders

d’bi.young anitafrika and Watah Theatre wrap the Orisha Trilogy’s epic exploration of the Black diaspora, divinity and the environment with Bleeders, a dub opera running in the Theatre Centre Mainspace as part of SummerWorks. Part One of the Trilogy, Esu Crossing the Middle Passage, speaks to the past; Part Two, She Mami Wata and theContinue reading “SummerWorks: Post-nuclear disaster bravery, vision quest & hope in the powerful, moving, resonant Bleeders”

Fire & water in magical, sensuous & moving She Mami Wata & The Pussy WitchHunt

d’bi.young anitafrika’s epic exploration of the Black diaspora, activism, divinity and sexuality in The Orisha Trilogy – starting with Esu Crossing the Middle Passage – continues with The Watah Theatre’s production of She Mami Wata and The Pussy WitchHunt: The Orisha Trilogy Part 2. Directed by Blakka Ellis, assisted by Wendy Olunike Adeliyi, with choreographyContinue reading “Fire & water in magical, sensuous & moving She Mami Wata & The Pussy WitchHunt”

Powerful, deeply moving & bold investigation into the origins & echoes of the Black diaspora in Esu Crossing the Middle Passage

How do I describe what I witnessed at the matinee of The Watah Theatre’s production of d’bi.young anitafrika’s Esu Crossing the Middle Passage at Storefront Theatre yesterday? Written and performed by d’bi.young anitafrika, assistant directed by Charmaine Headley and choreographed by BaKari I. Lindsay, with music direction by tuku, and live vocals/music by tuku andContinue reading “Powerful, deeply moving & bold investigation into the origins & echoes of the Black diaspora in Esu Crossing the Middle Passage”