Landon & Matt’s most excellent interdimensional adventure in the playful, imaginative Life in a Box

Top to bottom: Matthew Finlan & Landon Doak. Photo by Fiona Sauder.

 

Bad Hats Theatre takes us on a most excellent interdimensional adventure with its live episodic TV musical Life in a Box; music and lyrics by Landon Doak, book by Matthew Finlan and directed by Fiona Sauder. When two fun-loving BFF/roommates survive a solar flare that turns the Earth into a burnt marshmallow, they travel back in time in an attempt to avert disaster in this hilarious, imaginative and playful trip of friendship, quantum physics and legal weed enjoyment. Better late than never for me as I joined this party with a friend at the Grand Canyon Theatre last night.

Played out as three episodes of a TV show called Life in a Box—the playing area and staging set within a cut-out, drawn-on TV screen window on a canvas screen—characters Landon (Landon Doak) and Matt (Matthew Finlan) are actors, best friends and roommates who share a basement apartment, good times and some good weed in Toronto. Their rambunctious fun is interrupted when Earth is hit by a solar flare, turning most of it into a burnt wasteland—prompting the boys to come up with a plan to save the world. Thanks to Matt’s book smarts, they’re able to construct a rudimentary time machine and travel back in time to warn their past selves and alert the authorities of the impending apocalypse.

They take a trip through time and land in 2013, but things don’t go as planned—especially on the trip back to the future—and both must rely on their wits and instinct to make it back to 2019. To keep hope alive, they must remember Matt’s motto: “There’s always a way.”

Featuring great tunes—inspired by music theatre stylings, rock and rap—delivered by some impressive vocals from Doak (who also plays acoustic guitar and ukulele) and Finlan (with sound design, arrangements and production by Lyon Smith, assisted by Victor Pokinko), Life in a Box is a big fun, musical comedy TV show adventure that incorporates physical theatre and even commercials shouting out production sponsors, delivered live (like in Prairie Home Companion).

Doak and Finlan give outstanding, high-octane performances as the two dudes on a mission; friendship, loyalty and a dedication to having fun make for an entertaining and endearing bromance adventure. Complementary opposites, Doak brings a child-like sense of wonder and playfulness to Landon; while not academically smart, Landon is resourceful and always has an emergency joint on hand. Finlan’s actor/dancer Matt carries off sharp wit and invention with slapdash ease; a positive, hopeful force for the pair, Matt’s extensive reading and ability to improvise the science take them on a journey neither could have imagined in their wildest dreams or most excellent highs.

With shouts to set designer Remington North and lighting designer Steve Vargo for their work on this awesome, trippy environment, featuring a behind the screen apparatus that allows for climbing and all kinds of play structure-enabled action. And to Rebecca Ballarin, who directed the original two-episode production at Toronto Fringe 2018.

Life in a Box is in its final week, closing on September 28 at the Grand Canyon Theatre (2 Osler St., Toronto); advance tickets available online. While you’re waiting for the show to start (or during intermission), get yourself a beverage and a snack box at the bar (snack boxes include a yummy selection of treats, plus a raffle ticket for an awesome prize!). Note: Due to mature themes, this is an adult musical.

 

Tea time at the end of the world in the surreal, intimate, unsettling Escaped Alone

Clockwise, from bottom left: Brenda Robins, Clare Coulter, Maria Vacratsis & Kyra Harper. Set & costume design by Teresa Przybylski. Lighting design by Jennifer Lennon. Photo by Cylla von Tiedemann.

 

Soulpepper and Necessary Angel, with an all-female cast and production team, take us to the edge of calamity—in a suburban backyard where four 70-something neighbours chat over tea before the impending apocalypse—with the Canadian premiere of Caryl Churchill’s surreal, intimate and unsettling Escaped Alone, directed by Jennifer Tarver and running at the Young Centre.

Gathered in a backyard, Mrs. Jarrett (Clare Coulter), Vi (Brenda Robins), Lena (Kyra Harper) and Sally (Maria Vacratsis) share gossip, memories and catch up. There are children and grandchildren to update about, and changes to the landscape of local shops to recall and relay—especially for Vi, who’s been away for six years. And amidst the candid and intimate conversation, where one can finish another’s sentence and the short-hand is such that sentences sometimes don’t even need to be finished, each woman breaks out to share her inner world. Her fears, her regrets, her reminiscences.

It is in these moments that we see another side of these otherwise sociable, animated women. Mrs. Jarrett is a walking, talking 21st century Book of Revelations, in which the everyday and the terrifying combine in an absurd, horrific and dark-humoured alchemy. Vi, a hairdresser by trade, may or may not have killed her husband in self-defence; and, while Sally acknowledges the complexity of their situation, she has a different take on that fateful moment. Sally struggles with her own demons: her efficacy in her career as a health care professional and her fear of cats. And the sensitive Lena looks back on her life as an office worker with mixed feelings of vague, wistful regret and amazement at time flown by.

Told through a collage of conversation, memory, musings and peaks into these women’s interior lives, the mundanity and complexity of everyday life—juxtaposed with the absurdity of meeting over tea in the face of impending catastrophe—is both darkly funny and chilling. The uncertainty of what comes next—whether it’s impending calamity threatening the world at large or the aging mind in a life of transition—while these four women are gathered together in friendship, each faces her mortality alone.

Compelling, sharply drawn work from the ensemble, from Coulter’s grouchy, pragmatic Mrs. Jarrett; to Robins’ edgy, irreverent Vi; Harper’s nervous, child-like Lena; and Vacratsis’ earnest, uneasy Sally. Teresa Przybylski’s minimalist set combines four ordinary, but different, chairs with hundreds of white paper birds, frozen in murmuration, suspended above; and is nicely complemented by Verne Good’s understated, haunting sound design. The effect is magical, disturbing and ultimately theatrical.

Escaped Alone continues at the Young Centre until November 25. Get advance tickets online or call the box office: 416-866-8666 or 1-888-898-1188.

Check out the production teaser:

And have a look at this great Intermission piece by actor Maria Vacratsis, as told to Bailey Green.

SummerWorks: Powerful, moving & darkly funny apocalyptic musical And Now, The End

HERO-And-Now-the-End-149-620x500A musical about an impending apocalypse by asteroid? Count me in!

Ante Up Productions’ And Now, The End at SummerWorks – by writing team Victoria Hauser, Emily Nixon, Drew O’Hara, Zach Parkhurst and Jake Vanderham, with music, lyrics and music direction by Vanderham, and direction by Esther Jun – is just the thing.

Roxton, a small Canadian town, becomes a microcosm for a what-if scenario of an upcoming global-scale disaster, where we see the practical, social, emotional and psychological effects on humanity. The opening scene between the Doctor (Amir Haidar) and Patient (Zach Parkhurst) sets the tone: the Doctor’s job has become about assisted suicide.

Attempts to stop Asteroid AXS-677’s trajectory towards Earth have failed and citizens have been told that it will collide in a year, in effect ending the world. The news throws society into chaos, forcing people to rely on transistor radios and landlines to maintain communication. Buddies Dan (Paolo Santalucia) and Scott (Jeff Yung) have taken advantage of the situation at the local, now abandoned, radio station where they once worked low-level jobs to start their own radio show, providing news, views and music. Cathy’s (Tamara Bernier Evans) astronaut husband is stranded on a space station and befriends her neighbour’s brother Frances (Troy Adams), who has returned home to find his brother’s family gone. School’s out for high school seniors Johnny (Hugh Ritchie) and Clare (Ruth Goodwin), but these BFFs will never really graduate. And Inez (Kaleigh Gorka) is alone and will give birth within the year.

The score soars and moves, with gorgeous cello arrangements, beautiful lyrics and strong vocals from the ensemble. Full cast choral work book-ends the show with “Beneath Our Falling Sky” to set the scene and the finale “Look To The Burning Horizon,” a bittersweet, hopeful anthem for what’s to come. Santalucia’s and Yung’s scenes provide great comic relief (“Listen To Our Show”). Gorka and Haidar give a lovely performance of the passionate and conflicted love song “Kiss Me;” while Bernier Evans’ moving “Parts of You” is a heartbreaking grasp at the memory of what her husband looks like – and Adams is equally moving as the man who reluctantly stands in for that memory (“Crazy”). Goodwin’s account of an incident from Clare’s past, one that has repercussions today (“Look in the Eyes”), is a beautifully rendered ballad of pain and conflicting emotions. Ritchie’s “Frogs in the Rain,” a song about Johnny and Clare’s childhood adventures, brought tears to my eyes.

These are complex relationships, made all the more poignant by the countdown to impact: One year, one month, one week. One day.

With shouts to Beth Kates’ set design: the sterile white environment, the abandoned personal artifacts, and the moving flats with black light-activated illustrations of the constellations, are starkly beautiful – not to mention eerie.

And Now, The End is a powerful, moving and darkly funny apocalyptic musical with an outstanding cast and score.

Do the Mirvish folks know about this?

There are two more performances for this run, playing at the Theatre Passe Muraille main space: tonight (Sat, Aug 16) at 10 p.m. and Sun, Aug 17 at 5 p.m. You can also follow And Now, The End on Facebook.