Art @ home

As we gradually begin to emerge from “stay at home” to a world of increased contact with others—including mask wearing and physical distancing—we may have come to know and appreciate our own surroundings with renewed hearts and minds. While waiting for the green light to safely visit a museum or attend a performance event, manyContinue reading “Art @ home”

Magical, disturbing, provocative art at ARTiculations’ 2019 Curio Shadow Box Show

I had the great pleasure of attending the opening reception of ARTiculations’ 6th annual Curio Shadow Box Show as a first-time participant last night. An open call exhibition, the show features approximately 40 boxes—all the same size, provided by ARTiculations upon registration—most of which are for sale. It was my first time out to seeContinue reading “Magical, disturbing, provocative art at ARTiculations’ 2019 Curio Shadow Box Show”

Toronto Fringe: Art, longing & acceptance in the poetic, heart-wrenching, gender-bending The Bird Killer

Clockwise, from bottom left: Emerjade Simms, Tymika Tafari, Subhash Santosh, Mo Zeighami, Evan Mackenzie & Mike Ricci. Photo by Patrick J. Horan.   LET ME IN presents Justine Christensen’s poetic, heart-wrenching modern-day, gender-bending adaptation of Anton Chekhov’s The Seagull with its Toronto Fringe production of The Bird Killer, directed by Patrick J. Horan and runningContinue reading “Toronto Fringe: Art, longing & acceptance in the poetic, heart-wrenching, gender-bending The Bird Killer”

Culture, identity & the meaning of the blues in Soulpepper’s powerful, entertaining Ma Rainey’s Black Bottom

Top: Alex Poch-Goldin. Bottom: Marcel Stewart, Diego Matamoros, Beau Dixon, Neville Edwards & Alana Bridgewater. Set & lighting design by Ken MacKenzie. Costume design by Alexandra Lord. Photo by Cylla von Tiedemann. Soulpepper takes us to 1920s Chicago, where the race, power and creative exploitation collide in a lively, tension-filled recording studio session in AugustContinue reading “Culture, identity & the meaning of the blues in Soulpepper’s powerful, entertaining Ma Rainey’s Black Bottom”