Love, joy & connection in the deeply moving, inspiring Between Breaths

Darryl Hopkins, Steve O’Connell & Berni Stapleton. Set & costume design by Shawn Kerwin. Lighting design by Leigh Ann Vardy. Photo by Rich Blenkinsopp. Factory Theatre continues the celebration of its 50th anniversary with a presentation of Artistic Fraud of Newfoundland’s production of Robert Chafe’s Between Breaths, directed by Jillian Keiley, assisted by Sharon King-Campbell,Continue reading “Love, joy & connection in the deeply moving, inspiring Between Breaths”

Tragic Indigenous love story & pointed satire in the profoundly moving, playful, poetic Almighty Voice and His Wife

James Dallas Smith & Michaela Washburn. Set & video design by Ken MacKenzie. Costume design by Kinoo Arcentales. Lighting design by Jennifer Lennon. Photo by Dahlia Katz. Biography meets pointed satire in Soulpepper’s production of Daniel David Moses’ Almighty Voice and His Wife; directed by Jani Lauzon, who performed in the Great Canadian Theatre Company’sContinue reading “Tragic Indigenous love story & pointed satire in the profoundly moving, playful, poetic Almighty Voice and His Wife”

Literary family snapshots told with unflinching candor & wry humour in Pamela Williams’ Evelyn’s Stories

Cover photo of Evelyn by Pamela Williams.   I had the pleasure of attending the launch of Pamela Williams’ new book Evelyn’s Stories at a reading to a packed room on Sunday at the Tranzac Club. Known mostly for her beautiful, haunting black and white photographs of cemetery sculpture, Williams has assembled a collection ofContinue reading “Literary family snapshots told with unflinching candor & wry humour in Pamela Williams’ Evelyn’s Stories”

A photo album of family, love & memento mori in the profoundly moving, nostalgic, candid Dividing Lines/Líneas Divisorias

Beatriz Pizano & Julia (projected photo). Scenography by Trevor Schwellnus, with associate lighting designer Rebecca Vandevelde. Costume design by Andjelija Djuric. Photo by Jeremy Mimnagh.   “They say blood is thicker than water — I say, love is thicker than blood.” Aluna Theatre premieres Beatriz Pizano’s Dividing Lines/Líneas Divisorias, a photo album of family, love andContinue reading “A photo album of family, love & memento mori in the profoundly moving, nostalgic, candid Dividing Lines/Líneas Divisorias”

Truth & reconciliation through music, one step at a time, in the inspirational, intersectional I Call myself Princess

Marion Newman & Aaron Wells. Set design by Christine Urquhart. Costume design by Snezana Pesic. Lighting design by Kaitlin Hickey. Photo by Dahlia Katz. Paper Canoe Projects and Cahoots Theatre join forces with Native Earth to present Jani Lauzon’s I Call myself Princess, directed by Marjorie Chan, with associate director Keith Barker and music directionContinue reading “Truth & reconciliation through music, one step at a time, in the inspirational, intersectional I Call myself Princess”

A delightful, insightful evening with Oscar in the witty, thoughtful Introducing Mr. Wilde, or Work is the Curse of the Drinking Class

Red Sandcastle Theatre A.D. Rosemary Doyle has teamed up with Jennifer Watson and Dorian Hart to launch The Wilde Festival, which opened with its inaugural production of Neil Titley’s one-man show Introducing Mr. Wilde, or Work is the Curse of the Drinking Class at Red Sandcastle’s storefront space at Queen St. East and Logan, TorontoContinue reading “A delightful, insightful evening with Oscar in the witty, thoughtful Introducing Mr. Wilde, or Work is the Curse of the Drinking Class”