Power, connection & identity in the potent, magical, eye-opening Watah Theatre Double Bill

“A world without fairy tales and myths would be as drab as life without music.”—The Watah Theatre The Watah Theatre presents a Double Bill of biomythographies, including an excerpt reading of d’bi.young anitafrika’s Once Upon A Black Boy and the world premiere of Najla Nubyanluv’s I Cannot Lose My Mind, running in the Studio at Streetcar Crowsnest.Continue reading “Power, connection & identity in the potent, magical, eye-opening Watah Theatre Double Bill”

Reclamation & salvation—stories of Black women’s lives told with candor, sass & humour in powerful, theatrical for colored girls

Karen Glave, d’bi.young anitafrika, Ordena Stephens-Thompson, Akosua Amo-Adem, Evangelia Kambites, Tamara Brown & SATE in for colored girls—photo by Cylla von Tiedemann   Soulpepper opened its production of Ntozake Shange’s for colored girls who have committed suicide / when the rainbow is enuf, directed by Djanet Sears with assistance from Mumbi Tindyebwa Otu, to aContinue reading “Reclamation & salvation—stories of Black women’s lives told with candor, sass & humour in powerful, theatrical for colored girls”

SummerWorks: A young woman’s journey through confusing, crazy times toward empowerment & love in The Emancipation of Ms. Lovely

“Today my heart broke,” said the seed, “it itched and ached, I was smashed to pieces.” “Ahh,” said the burning sun, “you were growing, to blossom you have to break.” – Ngozi Paul With today’s hand-held devices, and instant news and social media access, bad news travels even faster than before. The nature of theContinue reading “SummerWorks: A young woman’s journey through confusing, crazy times toward empowerment & love in The Emancipation of Ms. Lovely”