A dark, mind-bending existential trip in the surreal, intense Paperhead comic

Cover art for Paperhead by Jonathan Kociuba

 

Multi-talented illustrator Jonathan Kociuba is primarily known for his collaborations with the Urban Ninja Squadron of street artists, his “Space Pirate” character, and album cover and poster work. He’s also the lead singer for indie rock band Summer and Youth; and he’s recently released a new comic, Paperhead. I met Kociuba a few years ago while I was out reviewing Bug at Super Wonder Gallery (he designed their poster); and I saw him again this past Fall at a Killer B Cinema event at The Imperial Pub. He sent me a copy of Paperhead, along with the teaser book and as a copy of All of This (co-created with writer Suzanne Alyssa Andrew, released in May 2018) in an envelope he illustrated with a zombie.

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Zombie envelope illustration by Jonathan Kociuba

In the surreal, meta Paperhead, artist Steve Barker works through his break-up demons as he creates a rom-comic that highlights the positive moments of his relationship with Lily—and inadvertently opens a portal between the real world and the world of his comic book creations in the process. The lines between his real life and the comics blur as the worlds collide and merge, forcing him to confront his characters, and face some brutally honest truths. Searching for answers and closure, and diving deep into the panels of his own work, will he ever resurface?

A dark, mind-bending existential trip—featuring sharply rendered illustrations, dark humour and introspection—Paperhead is an eerily dramatic and intense ride with a Twilight Zone edge.

Check out and purchase Kociuba’s comics and artwork, and connect with him via his website.

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Toronto Fringe NSTF: Deeply moving, interwoven look at the faces of loss & coping in Piece by Piece

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Mary Francis Moore & Virgilia Griffith in Piece by Piece

The loss of a loved one – to death, cognitive illness or break-up – is hard on everyone, especially on those who are left behind.

The McGuffin Company explores loss and coping in Alison Lawrence’s Piece by Piece, directed by David Ferry and running at the Factory Theatre Mainspace as part of the Next Stage Theatre Festival.

The play is anchored by Steffi (Virgilia Griffith), a teen who has recently lost her mother to illness and her grief-stricken father Bert (Brian Young) to alcohol. Finding herself unable to return to school, Steffi returns daily to the ICU where her mother died – and this is where the interwoven stories of the play converge: Frank (Terrence Bryant), a professor who’s lost his mind to Alzheimer’s, and his wife Barb (Linda Goranson), who’s at her wit’s end looking after her changed husband; and geriatric specialist John (John Cleland), on Frank’s health care team, who’s dealing with a loss of his own – his wife Jessie’s (Mary Francis Moore) multiple miscarriages and behavioural changes, and the subsequent distance between them.

The ensemble does a remarkable job navigating the complex character relationships and responses as the stages of grief play out in various scenarios – with simmering rage, biting anger, dark humour and inconsolable tears – and revelations for each other and for themselves emerge.

Griffith is outstanding as Steffi, a smart-ass kid who’s wise beyond her years, her tough guy exterior masking the heartbroken child beneath – and her frank, often irreverent and humourous, monologues carry the audience through the process from her point of view and add context to the scenes that follow. Young does a nice job as her pathetically self-involved father Bert, who you can’t help but feel bad for as he stumbles around within his grief, even as he ignores his daughter while finding solace at the bottom of a tall boy. Bryant brings a lovely fragile quality to Frank, a once highly articulate and intelligent man whose mind has lost its way; and Goranson captures the complex layers of an exhausted wife struggling with her own frustration and pain as she tries to cope with his deteriorating condition – losing a beloved husband of 47 years before her eyes while he’s still alive. No doormat, Barb has chutzpah, but must come to the realization that she can’t function alone in this. Moore is edgy, raw and heartbreaking as Jessie, who distracts herself with the tragedies of others to avoid living in her own; and Cleland’s John is nicely understated as her supportive and struggling husband, spending as much time and energy trying to get Jessie to confront her mental health issues as he does on quashing his own anger and sense of futility.

Beyond the personal experience of coping with the loss of a loved one, Piece by Piece is about how those who are left behind lose themselves in the process – bit by bit, they change and nothing will ever be the same. It’s about finding support and community in order to move on. Each feels alone in his/her pain, but they can’t – and must not – get through it alone.

Piece by Piece is a deeply moving, interwoven look at the many faces of loss and coping.

Piece by Piece runs until Sun, Jan 18 – you can book tix ahead online.