Hot damn, that was one fine Queer Slam!

Hot damn, that was one fine Queer Slam! I had the great honour – and pleasure – of being on the judging panel at last night’s Queer Slam at Supermarket. Hosted by hot damn slam poet Cathy Petch, with assistance from Brock Hessel, last night’s festivities included performances by Petch and Hessel, and fellow judges David Bateman and Duncan Armstrong, and a feature set from Regie Cabico – with sponsors Canadian Cancer Society, who reminded us to Get Screened, and LGBTOUT, who lead us in an acknowledgment of World AIDS Day, which was marked earlier this week on December 1. The fabulous Lizzie Violet and a trio of guys dubbed “The Cutie Patooties” rounded out the judging panel.

Sharply attired in a fedora and mustache, Petch (who also performs with Bateman and Cabico in The Dildettes) is an awesome fun host, cheeky and frank, and making sure everyone was included and appreciated. She read a piece from David Wojnarowicz’s Close to the Knives: A Memoir of Disintegration (Part 1) and Brock shared AID/I/SAPPEARANCE by Joan Retallack.

David Bateman gave a sardonically edgy, darkly comic scathing social commentary in his performance of “What’s it Like?” – a piece about the experience of living with HIV, and dealing with the insensitivity and dumbassery of the curious.

Duncan Armstrong – who really does have the best t-shirts in the business – performed three of his pieces: a rhythmic and comic piece about getting it on; “Last Will and Testament,” a moving and pointed piece inspired by his experiences as a palliative caregiver of HIV/AIDS patients; and a sharply funny commentary on the art world with “Art Abstracted.”

To kick off the slam portion of the evening, Petch played the queer national anthem on the saw: “Somewhere Over the Rainbow,” then introduced a sacrificial slam performer (to give the judges a baseline score to work with for the competition). Shouts to Barbara Erochina, who gave us a raw, real and humourous confession of youthful desire set in a religious camp.

Three performers came forward to compete in last night’s two-round slam – the winner moves on to the finals in the spring, for the ultimate battle for the prize spot in Capturing Fire, Regie Cabico’s queer summit and slam in Washington, D.C.:

Tanya Neumeyer is a mercurial, rhythmic performer, playing with the ideas of experiencing the body – one’s own and that of others – and the dichotomy of desiring closeness and space in her first piece; and a socio-political, historical, philosophical queer anthem in the second round.

Mind the Gap has a quirky, fun nerd girl vibe – riffing on falling in love with straight girls and unrequited feelings in round one, and a quick futuristic, playful narrative in round two.

Jed Mimnagh-Kennific is an adorable baby slam performer, serving up a sweet, funny and lyrical love remembrance for her first piece. She brought a more complex narrative arc in her second piece, opening with the first flutterings of attraction, Catholic school sex ed, Bible readings and the message that the body is a temple, then shifting into a heart-wrenching account of childhood abuse – taking the audience along on this emotional journey.

Feature performer Regie Cabico is where stand-up meets spoken word in slammin’ fabulousness. Combining the divine and profane, he gave us a sensual and sexual observational piece featuring the sense of smell, an ode to an older lover from his younger days (which included a Fosse dance pose break) and an irreverent fun tale of Lucifer doing stand-up (inspired by an early morning stand-up gig after a very late night of debauched fun). And he does a wicked Tina Turner. Several of us were trying to convince him to move to Toronto; he lives in Washington, D.C., loves T.O. and visits regularly.

Results from the slam: Mind the Gap took third place, as well as the Queirdo prize for the weirdest poem; Neumeyer placed second and Mimnagh-Kennific took first place. With shouts to our score keeper Michelle Darby.

Big fun times was had by all. Look out for the next Queer Slam event next month – at Glad Day Bookshop. In the meantime, you can check out some pix I took at last night’s event:

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Upcoming music, theatre & spoken word awesomeness

It was some big fun, not to mention a great pleasure, as I worked the door at Lizzie Violet’s Cabaret Noir (LVCN) last night, with feature artists Andrea Thompson, Frenchie Fatale and Hugh Wilson. It was LVCN’s first night at its new home at The Central – and the place was packed, with an incredibly engaged audience.

There’s still all kinds of awesome goodness coming up in T.O. this month, my friends. Here is just a small sample of what’s happening on the small stage and indie scene:

David Hustler & the Trustworthy EP release – Wed, Sept 11 @ Horseshoe Tavern @ 8:30 p.m. – $5 cover

Songwriters Circle of Jerks – Thurs, Sept 12 @ 8:30 p.m. @ Free Times Café, featuring Hugh Wilson and Nick Verona from Big Name Actors (among others), Nelson Sobral from Melting Pot and I Hate Todd, and David Hustler of David Hustler & The Trustworthy, with guest Meghan Morrison – PWYC

Eclectic – September Group Exhibit – opening Thurs, Sept 12 from 6-8 p.m. and running till Sept 29 @ Fran Hill Gallery

Jeff Cottrill’s tour fundraiser show Keep Calm & Get Rid of Jeff – Sun, Sept 15 @ 7:00 p.m. @ Black Swan, with a whole line-up of music & spoken word guests – $10 cover

Studio BLR punk rock production of A Streetcar Named Desire – The House Show – Sept 19 – Oct 5 @ 8:00 p.m. – show starts in Dragon Alley at the northwest corner of College/Dufferin

Alumnae Theatre production of The Underpants – Sept 20 – Oct 5 on the Alumnae Theatre main stage

Anglewalk Theatre production of tick, tick… BOOM! – Sept 21 – Oct 6 @ Toronto Centre for the Arts Studio

The Beautiful & the Damned – Thurs, Sept 26 @ 7:00 p.m. @ The Central, hosted by Duncan Armstrong, and featuring Heather Babcock, Brock Hessel & Nelson Sobral

Matt Gerber CD release – Sat, Sept 28 @ Tranzac, doors @ 7:00 p.m. – $15 cover

Look out for Big Name Actors and I Hate Todd as the play various dates and venues around the city.

Words, music & dance collide @ Smash Words

Last night, I had the pleasure of attending Smash Words at the Press Club (http://www.thepressclub.ca/) for an evening of queer poetry and cabaret, with a great group of friends. The evening included poetry, spoken word, music and dance, featuring readings and performances by David Bateman, Philip Cairns (who was also our hostess with the mostess), Kirk DeMatas, Brock Hessel, Frank Hull, Kat Leonard, DM Moore and Lizzie Violet. An incredible evening of friends and art. Here are some impressions and photos from the evening, in alphabetical order.

David Bateman – travels and travails with mother, beautiful imagery, with extremely funny and moving moments.

Philip Cairns – a connoisseur of beautiful young men, we’re invited along on his flights of fancy and moments of joy, as well as the darker corners of life as a gay artist/performer.

Kirk DeMatas – poetry of a young man of colour’s struggle, anger and navigating a narrow-minded, racist society – with pride and voice emerging. 

Brock Hessel – funny and insightful stand-up bits, and spoken word – raw and real observations on life as a young gay man. Pride impressions duet read with DM Moore.

Frank Hull – beautifully choreographed dance performed by a man who just happens to be dancing in a wheel chair. Expressive, imaginative and moving.

Kat Leonard (aka Kat and the MP3) – hilarious and heartfelt tunes from her one-woman show A Depper Kind of Love, as well as her personal anthem (till somebody writes her a song) “Asshole” – ‘cuz nobody likes a cake waster.

DM Moore – dark vignettes of how assisting dear friend dying of AIDS helped her come to the realization that she was dying, slowly, from alcoholism. Fond, painful and hilarious memories, personal redemption and tribute to a friend’s spirit.

Lizzie Violet – poetry inspired by mom, friends, love of zombie lore, indefinable relationships and erotic moments. Naughty haiku included.

David Bateman
Philip Cairns
Kirk DeMatas
Brock Hessel
Frank Hull
Kat Leonard
DM Moore
Lizzie Violet