Carly Telford, Chris O’Bray & Raechel Fisher. Photo by Laura-Kate Dymond.
Irrelephant Productions takes us into the mouth of the sea lion for 55 minutes of absurd sketch comedy, peppered with drag performance and social satire in the wacky, surreal Swallowed Whole, written and directed by Rachel Perry, and running at the Helen Gardiner Phelan Playhouse.
Sketch comedy trio Chris O’Bray, Raechel Fisher and Carly Telford take us through a series of comedic, sometimes bizarre, scenarios: a cooking show for poor people, hosted by O’Bray in old lady drag; and a pair of entitled, dick-obsessed slackers (Fisher and Telford in drag) get broromantic to the tune of You Don’t Bring Me Flowers—returning later with O’Bray in a three-man boy band. There’s the misadventures of Calvin (O’Bray), who finds himself trapped in the oddest places—and his pissed of (recent) ex (Fisher), Olive Garden manager (Fisher), and even his mom (Telford) and dad (Fisher) refuse to help. And then there’s the Ouija Board Dating Game, where bachelorette Demi (Fisher) poses a series of compatibility questions to three dead celebrity bachelors (Telford, O’Bray and a surprise guest).
Shouts to the cast for going all-out in their commitment to character and outrageous antics. Telford and Fisher are especially funny as the two slacker bros; and O’Bray’s cooking lady is something of a low-rent Julia Child. And nice work from the trio on the boy band harmonies!
It’s a mad, mad work of bizarre wacky times. And you can wash it all down with a Dougie Ford Buck a Beer beer while you bop your head to the music and marvel at humanity’s endless quirks.
Swallowed Whole continues at the Helen Gardiner Phelan Playhouse for two more performances: July 13 at 6:45 and July 14 at 8:00; check the show page for advance tickets.
Set mostly in 1914 Cape Breton, Tainted Justice criss-crosses time and space, taking us through memory and past events to such varied places as the Klondike and Winnipeg in the years leading up to 1914. Estranged from her mother Tena (Katherine Anne Fairfoul) and uncle Bill (Rob Candy), Pearl (Jess L. Callaghan) returns home to Cape Breton looking for answers. Haunted by the events surrounding her innkeeper father Ben’s (Dennis Mockler) death, Pearl is determined to learn the truth—especially regarding evidence brought to light during the subsequent trial against the inn’s American guest Frank (Chris O’Bray), who was defended by Pearl’s cousin Jim (Andrew Batten), a local celebrity lawyer. Frank was found guilty and executed. What was the nature of her mother’s relationship with the accused? And who was really responsible for her father’s death?
Through a series of conversations, moments and witness stand testimony, we learn that Frank wasn’t a stranger to Bill or Tena when he arrived in Cape Breton. But there are conflicting accounts of when and where they met him—and the coincidences of Frank just happening to meet up with them in various locations across the U.S. and Canada are dubious to say the least. As the story unfolds, we see a seedy, dark underbelly emerge among this close-knit family in this quiet town—revealing hidden suspicions, and hinting at forbidden relationships and dangerous desires. Only Jim’s quiet, sweet wife Maudie (Peta Mary Bailey) and the calm, steady Crown prosecutor Hearn (Rob McMullan) seem to be immune from the dark influences of lust and family loyalty at all costs.
This play has everything: greed, lust, murder, family secrets. And Shepherd and the cast do a great job weaving past and present, memory and dream, and complex relationships in this true Canadian crime drama. Stand-outs include Batten’s cocky but amiable Jim; a gifted defender and eloquent orator, Jim’s drinking habit and laissez-faire approach to life mask a deeply troubled soul. O’Bray does a lovely job, both charming us and keeping us guessing about Frank; a mercurial, cheeky and well-read man with a flair for storytelling, Frank is a teller of tall tales at best and a con man at worst. A drifter and opportunist with a non-violent criminal record and at least four wives back in the States, like Jim says, Frank’s not the kind of guy you’d want marrying your sister. But is he a murderer?
Fairfoul’s Tena is a seductive cypher, also keeping us on our toes. Intelligent and beautiful, Tena is an ambitious businesswoman whose deepest desires run beyond real estate. There’s an edgy desperate housewife vibe and a dark air mystery about her. Did she bewitch Frank into doing her bidding? And Candy’s Bill is a complex combination of affable generosity and raging jealousy. Bill clearly loves his sister Tena very much and would do anything for her, including introducing her to the man who would become her husband (the murdered innkeeper Ben). But what exactly is the nature of that relationship—and are those feelings mutual?
With shouts to the design team for their work on bringing the past and present worlds of this haunting period crime drama to life on the small Village Playhouse stage: Alexis Chubb (set), Livia Pravato-Fuchs (costume), Jamie Sample (lighting) and John Stuart Campbell (sound and music composition). And to director Shepherd for orchestrating the multiple interwoven scenes and relationships as the characters traverse time and place.
Tainted Justice continues at the Village Playhouse until March 24. Advance tickets available online or by calling 416-767-7702. In the meantime, be sure to check out the promo video on the show page, featuring director Victoria Shepherd.