Last call for Ale House Theatre Co.’s Twelfe Night, or what you will – one night only Thurs, July 16

Twelfe-new-photo-250x250Did you miss seeing Ale House Theatre Co.’s Original Practices production of William Shakespeare’s Twelfe Night, or what you will during Toronto Fringe?

Fear not, gentle theatre lovers! The company is doing one more, very special, performance at St. Vladimir Theatre on Thursday, July 16 at 8:00 p.m.

What’s so special about this performance, you ask? This time, the show will be Pay What You Decide.

What the heck is Pay What You Decide? The good folks at Ale House Theatre Co. explain it thusly:

... recently employed by the ARC theatre of Stockton-on-Tees, England … Patrons will have free entrance to the venue and performance. After enjoying the show, they are
free to leave as little or as much money as they decide. Ale House is calling it the “Ale
House Last Call: Free to enter; Leave what you will!” evening.

Ale House Theatre Co.’s Twelfe Night, or what you will is directed by Joshua Stodart, and features a fine ensemble cast: Hilary McCormack, Tayves Fiddis, Dan Henkel, Mitchell Janiak, Peyton LeBarr, Tim MacLean, Andrea Massoud, Matt Shaw, Kyle Shields, Tal Shulman, Chris Whidden and Jake Vanderham. I saw the production last week during Toronto Fringe; here’s the write-up.

So be of good cheer and get your butts out to St. Vladimir Theatre on Thursday, July 16 for a most delightful production of Twelfe Night, or what you will. In the meantime, give Ale House Theatre Co. a follow on Twitter to keep up with future productions.

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Wit, wonder & wisdom in The Lady’s Not For Burning @ Alumnae Theatre

Lady's Not For Burning - image only“Life, forbye, is the way

We fatten for the Michaelmas of our own particular

Gallows. What a wonderful thing is metaphor!”

– Thomas Mendip in The Lady’s Not For Burning (from director’s program notes)

Alumnae Theatre Company’s production of The Lady’s Not For Burning, directed by Jane Carnwath, brings the wit, wonder and wisdom of Christopher Fry’s play to life through sight, sound and poetic wordplay – an excellent cast and a beautiful show.

The marvelous ensemble includes some remarkable stand-outs. Chris Coculuzzi gives us a Thomas Mendip that combines the melancholy philosophy of a Jacques with the good-humoured wit of a Fool, and Andrea Brown is luminous as Jennet Jourdemayne, quirky, sharp-witted and compassionate. Together, their performances show us opposite perspectives of the all too fleeting realization of the nature of the human condition: we live, suffer out our short time in these bodies – yes – and we can choose to bemoan that fact or savour the brief moments we are given. Two sides of the same coin. Chris Whidden, as the put-upon but boyishly optimistic Mayor’s clerk, takes young Richard from boy to man as he stands up for what is right as well as for himself, with particularly sweet bashfulness in the presence of love. Paul Cotton brings to Humphrey Devize a lovely combination of wry wit and desperate longing born of boredom and ennui. Peter Higginson is adorable as the kind-hearted, thoughtful Chaplin who longs to be a musician, and Ian Orr is hilariously convincing as the drunken and disoriented Matthew Skipps.

With big shouts to the most excellent design team: Margaret Spence (costumes), Ed Rosing (set/lighting), Mike Peck (master carpenter), Angus Barlow (sound) and Razie Brownstone (props) for bringing the sights, sounds and textures of this world to life. My personal thanks to the painting crew, who assisted Ed and me with the set: Cody Boyd (who was also Ed’s design assistant), Razie Brownstone, Joan Burrows, Margot Devlin and Dorothy Wilson. And to the intrepid producer team of Barbara Larose and Ellen Green, and stage manager Margot “Mom” Devlin and ASM Tara Gostling for holding this massive production together.

A world-weary soldier longing for the noose. A bright young woman accused of witchcraft. Both eccentric in their own way, standing out from ordinary folk who don’t look beyond their own front doors. The silly superstitious collective mind of the mob. Kind spirits and good hearts. What’s not to love?

Alumnae’s production of The Lady’s Not For Burning continues on the mainstage until February 8, with a talkback with the director, cast and design team after the matinée on Sunday, February 2.

Coming soon to the cowbell blog: The Lady’s Not For Burning set comes to life. A slide show of the scenic painting process.