SummerWorks: Death, fear & loneliness in the spine-tingling, darkly funny, Hitchcockian A Girl Lives Alone

Photo by Molly Flood.

Theatre Mischief gives us a spine-tingling, darkly funny turn—and a unique look at death, loneliness, fear and how people live together—in its SummerWorks production of Jessica Moss’s Hitchcock-inspired murder mystery comedy A Girl Lives Alone. Directed by Moss and the company, the show is currently running in the Theatre Centre’s Franco Boni Theatre.

New to her NYC apartment, Marion (Samantha Madely) returns home one night to find her fellow tenants assembled outside, their building taped off as a crime scene. A young woman in the building was murdered, at home in her apartment, the unknown perpetrator still at large. A murder mystery, Hitchcock fan obsessed with her ex-boyfriend’s classic murder mystery-inspired radio show podcast, Marion becomes hell-bent on investigating her neighbours in hopes of discovering the murderer. Gradually, she gets to know her fellow tenants: the opinionated, judgemental and fastidious Alma (Anita La Selva); the harried landlord Murray (Alexander Thomas); boyfriend/girlfriend pair the volatile Stewart (Aldrin Bundoc) and chatty Kim (Asha Vijayasingham); the nervous, quirky Janet (Jessica Moss); and the creepy, enigmatic Foley Artist upstairs (Andrew Musselman). Watching from the sidelines is the bubbly actress Grace (Tiffany Deobald), the murder victim. Grace lived alone.

The murder is a catalyst for a variety of shifting dynamics within the building; heightening suspicions, and driving self-advocacy and the realization that the tenants don’t particularly know each other that well. Their previous perceptions of safety and comfort profoundly shaken, no one in the building is the same. We see the dark and tender sides of the neighbours as the story unfolds; and everyone has their own way of coping. Janet binge-watches Friends on Netflix while others enjoy Law & Order SVU, Alma calls Murray out on a long-neglected repair to her place and Marion becomes Nancy Drew. Both terrified and fascinated by the strange Foley Artist who lives directly above her, Marion can’t stay away as he shows her the tricks of his trade, at her request, up in his place.

Outstanding work from the ensemble, riding a fine edge of comedy and psychothriller in this gripping, darkly funny tale of mystery, and dangers real and imagined. Noises in the dark—the young couple sexing or fighting, the Foley Artist at work, someone coming upon you suddenly—all take on new meaning and put everyone on edge. And some new, unexpected alliances are forged as well. What do you need to feel safe and comfortable in your own home? And how do women who live alone mitigate the risk? And how do you cope when the unthinkable happens so close to home?

With shouts to the design team for their gripping, atmospheric work on this production: composer/sound designer Richard Feren, set/costume designer Claire Hill and lighting designer Imogen Wilson.

A Girl Lives Alone has one more performance at SummerWorks: tonight (Aug 19) at 8:30 p.m.; advance tickets available online.

 

Advertisements

Toronto Fringe: Danger, romance & chimps in Adventures of a Redheaded Coffeeshop Girl

adventures_of_a_redheaded_coffeeshop_girl-web-250x250The adventures of our favourite coffeeshop girl continue in Rebecca Perry’s Adventures of a Redheaded Coffeeshop Girl, directed by Matt Bernard and running now at the Annex Theatre for Toronto Fringe.

When last we saw our intrepid Joanie Little (in Confessions of a Redheaded Coffeeshop Girl – and you needed have seen this to join in the fun of Adventures of a…), she’d just found the man (Marco) and job (interning with Dr. Jane Goodall) of her dreams. Bad news: the dream job is located at the Jane Goodall Institute in Tanzania!

Trekking from the urban jungle of Toronto to the actual jungle in Gombe National Park, Joanie joins Goodall, and other interns and staff, to study chimps in the wild and assist with preparing the sanctuary chimps for the wild. In addition to the challenges of the work and conditions, and navigating a long-distance relationship, being a pale-skinned, redhead has its own difficulties – and our feisty gal isn’t always sure she’s up to it. But if you didn’t know it already, you’ll soon learn that there’s nothing small about Joanie Little.

Masterfully shifting between multiple characters and dialects – including Goodall; Joanie’s male Scottish tent mate, also a redhead; and the African park security chief – Perry incorporates music (with live sound cues signalling character changes) and storytelling to take us on an entertaining and moving ride. And, just as she gave her human coffeeshop patrons animal attributes as she studied them from behind the counter in Confessions of a…, she anthropomorphizes her chimp charges, and discovers an interesting emerging dynamic between the dog-like Fetch and sanctuary tenant Cora.

Also a lovely crooner, Perry can serenade like nobody’s business, charming the sold out house with standards and Celtic roots-inspired ballads, accompanied by Da-Rell Clifton on percussion and Quinton Naughton on keys. Her performance of “Caledonia” is particularly beautiful and heart-wrenching.

With shouts to set/props designer Claire Hill and costume designer/makeup artist Ellie Mac.

Rebecca Perry has done it again, this time giving us danger, romance and chimps in Adventures of a Redheaded Coffeeshop Girl. Joanie Little is an anthropological warrior princess!

Perry is remounting Confessions of a Redheaded Coffeeshop Girl at Brampton’s Rose Theatre July 9-11, then taking that show to Edinburgh Fringe. You can support her efforts by purchasing a CD of songs from Confessions and Adventures, and more – available after each Fringe performance or on Bandcamp.

Adventures of a Redheaded Coffeeshop Girl runs at the Annex Theatre until July 12; check here for dates/times. Definitely pre-book your tix for this one – last night was sold out and it’s sure to sell out again.

You can also follow the Redheaded Coffeeshop Girl on Facebook, Twitter and Instagram.