SummerWorks: Forgotten women’s voices emerge from the asylum in the remarkable, haunting Audible Songs from Rockwood

Simone Schmidt. Photo by Jeff Bierk.   Fiver brings a remarkable piece of musical storytelling to the stage with Audible Songs from Rockwood, written by Simone Schmidt, created by Schmidt, Shannon Lea Doyle and Frank Cox-O’Connell, and directed by Cox-O’Connell—running in the Franco Boni Theatre at The Theatre Centre. Based on the album of theContinue reading “SummerWorks: Forgotten women’s voices emerge from the asylum in the remarkable, haunting Audible Songs from Rockwood”

A lesser known perspective of WWI in the compelling, eye-opening, thought-provoking Gods Like Us

Zazu Oke & Vince Deiulis. Set construction by Erica Causi. Lighting design by Wes Babcock. Photo by Kelsi Dewhurst.   Theatre Nidãna challenges what we think we know about WWI as it commemorates the 100th Anniversary of the Armistice of the First World War, giving us a little known perspective with the world premiere ofContinue reading “A lesser known perspective of WWI in the compelling, eye-opening, thought-provoking Gods Like Us”

Truth & reconciliation through music, one step at a time, in the inspirational, intersectional I Call myself Princess

Marion Newman & Aaron Wells. Set design by Christine Urquhart. Costume design by Snezana Pesic. Lighting design by Kaitlin Hickey. Photo by Dahlia Katz. Paper Canoe Projects and Cahoots Theatre join forces with Native Earth to present Jani Lauzon’s I Call myself Princess, directed by Marjorie Chan, with associate director Keith Barker and music directionContinue reading “Truth & reconciliation through music, one step at a time, in the inspirational, intersectional I Call myself Princess”

Discovering & unpacking identity & marginalization in Jivesh Parasram’s entertaining, candid, mindful Take d Milk, Nah?

Jivesh Parasram. Photo by Graham Isador.   Pandemic Theatre and b current performing arts, with the support of Theatre Passe Muraille (TPM), present the premiere of Jivesh Parasram’s one-man show Take d Milk, Nah?, directed by Tom Arthur Davis—opening last night in the TPM Backspace. Do you have any Indo-Caribbean friends? Do you want one?Continue reading “Discovering & unpacking identity & marginalization in Jivesh Parasram’s entertaining, candid, mindful Take d Milk, Nah?”

Fire & water in magical, sensuous & moving She Mami Wata & The Pussy WitchHunt

d’bi.young anitafrika’s epic exploration of the Black diaspora, activism, divinity and sexuality in The Orisha Trilogy – starting with Esu Crossing the Middle Passage – continues with The Watah Theatre’s production of She Mami Wata and The Pussy WitchHunt: The Orisha Trilogy Part 2. Directed by Blakka Ellis, assisted by Wendy Olunike Adeliyi, with choreographyContinue reading “Fire & water in magical, sensuous & moving She Mami Wata & The Pussy WitchHunt”