NSTF: Keep calm & sing along with the timely, funny, moving Pearle Harbour’s Agit-Pop!

Steven Conway & Pearle Harbour. Lighting design by Logan Raju Cracknell. Photo by Michael Cooper.

 

Pearle Harbour pops onto the Factory Theatre Mainspace stage for Next Stage Theatre Festival with her timely, funny and moving pre-apocalyptic multimedia drag cabaret Pearle Harbour’s Agit-Pop! Written by Justin Miller and directed by Rebecca Ballarin, with music direction and live accompaniment by Steven Conway, and video design by Adam Miller, Pearle brings her wartime tragicomedienne song stylings and storytelling to explore our deepest fears.

Climate change is at a crisis point, the Doomsday Clock is at two minutes to midnight, and Australia’s on fire—but keep calm and laugh, sing, and even scream and cry, along with Pearle as she treats audiences to some music gems by the likes of David Bowie, Judy Garland, Tom Waits and more, including a different special guest artist appearance with every performance. Examining our deepest existential fears, the storytelling and song stylings switch between funny and poignant, with Pearle living up to her reputation as a wartime tragicomedienne and including some gentle, consensual audience participation.

The 1950s Bert the Turtle PSA bit on how to protect yourself in the event of a nuclear blast (duck and cover) got a bit too close to home this morning when that Emergency Alert went out to folks across Southern Ontario around 7:30AM. The vague warning, directed to folks living withing 10km of the Pickering nuclear power plant, turned out to be sent in error, but loads of questions remain as I write this.

There’s some truly frightening stuff happening out in the world right now—but, ultimately, Pearle’s message is one of awareness, engagement, hope and love. Let’s do better. Let’s reach out to each other. Let’s turn back that clock.

You have three more chances to catch Pearle Harbour’s Agit-Pop! in the Factory Theatre Mainspace until January 19; check the show page for exact dates, times and advance ticket purchase. The house was packed yesterday, so early arrival or advance booking strongly recommended.

Toronto Fringe: Channeling Diamond and Bowie to tame the beast in entertaining, uplifting Kneel! Diamond Dogs

Kneel Diamond Dogs splitThe music of two pop icons collides in mikeylikesit productions’ one-man music battle extravaganza Kneel! Diamond Dogs, starring Michael Posthumus and directed by Rosemary Doyle, and running during Toronto Fringe in the Tarragon Theatre Extraspace.

Damon MacHavoc (Michael Posthumus) is an emotionally troubled young man who can’t seem to leave the house. Haunted by dreams of a beast, he awakens to a voice – and that voice is Neil Diamond. And he becomes that voice. Things start to turn around for Damon. He gradually makes it out into the world, drawn to the local karaoke bar, where he feels compelled to sing and becomes a regular favourite. He moves out of his parents’ house, gets a job at a record store and meets the lovely Chloe. Then, without warning, another voice: David Bowie. Now home to two conflicting alter egos, Damon becomes the battle ground for the ultimate Yin vs. Yang, no holds barred sing-off battle for ultimate supremacy.

Posthumus gives a remarkable, high-energy performance, with bang-on impersonations – both vocally and physically – and even throws in a special surprise guest. Channeling both “Everyman turned up to 11” Diamond and the strange glitter chameleon Bowie, he gets every inflection, every rasp, every phrase just right.

And while one might debate as to whether Diamond jumped the shark with “You Don’t Bring Me Flowers,” we can all agree that music really does soothe the savage breast. I dare you to not sing along.

Channeling Diamond and Bowie to tame the beast in entertaining, uplifting Kneel! Diamond Dogs. See it now!

Kneel! Diamond Dogs continues at the Tarragon Extraspace until July 10. For ticket info and advance tickets/passes, check out the Fringe website.

Transformation, inspiration & glam rock in Lisa Anita Wegner’s STARDUST: Life on Jupiter? opening night

july29_lawegnerI dropped by The Black Cat Gallery (2186 Dundas Street West) last night for the Transformation at Lisa Anita Wegner’s opening of STARDUST: Life on Jupiter?, on until August 6 (no worries about what it says on the poster – I confirmed the date with Wegner).

Described as a Transformation/ Projection/Live Art Making/Live Collaboration project, here’s what the Haus of Dada Laboratory had to say about this exhibit:

A one-of-a-kind event, Stardust: Life On Jupiter? incorporates the focus on re-birth, redemption, transformation, and search for truth through the adoption of personae that has been a key part of Lisa Anita Wegner’s art practice in her journey to reclaim her life from the personal darkness into which she was plunged six years ago.

Friends, family and Ziggy fans alike hung out together in an intimate, casual atmosphere, sharing a drink and chatting as Wegner’s transformation happened in the middle of the room as Ziggy videos played on the wall behind her. The hair colour came two days earlier, the eyebrow waxing that afternoon (along with a mani-pedi). Stylist Wanda MacRae (who freelances as a makeup artist and colourist, and just got a new gig at Parlour Salon at their Queen Street East location) used a straight razor to shape Wegner’s hair into a Ziggy mullet, then hair spraying to get the volume up front on top. After a break, Wegner returned to the chair, her white lab coat now covering her costume, so Wanda could do the makeup. Hair and makeup were followed by ceremonial milk consumption and a cosmetic dusting with white face powder – a nod to Ziggy’s diet of milk and cocaine.

Then, the reveal. It’s quite remarkable how much like Ziggy she is. Confetti and noise makers announced the emergence from the transformative process.

Here are some images from the STARDUST: Life on Jupiter? opening night event, transformation process:

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Wegner will be at The Black Cat Gallery every day (from 2 – 6 p.m.) for the duration of the exhibit, as she continues to explore the project live and in real-time. The process will culminate in a closing night event (Aug 6 at 7 p.m.), featuring a special, one night only “Stardusted” version of Wegner’s Queen of the Parade installation (a collaborative work with fashion designer Vanessa Lee Wishart, which appeared during Toronto’s Nuit Blanche 2013 and ArtRageous in Motion).

In the meantime, you can also find Wegner on Facebook, Twitter and on her YouTube channel.

And check out the first interview I did with her.