The Hogtown Experience is the bee’s knees!

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Laura Larson (as Anastasia Petrov), Dov Mickelson (as Tracey Doyle) & Aisha Jarvis (as Sally Styles) – photos by Joseph Hammond

Better late to the party than never – I finally got out to see the Hogtown Experience at Campbell House Museum last night. And what a party it was!

Written by Drew Carnwath and Sam Rosenthal, and directed by Rosenthal, assisted by Nicola Pantin, the Hogtown Experience is an immersive, site-specific theatrical event that puts you in the middle of the action, which includes over 30 actors and live music, as you rub elbows with politicians, union muscle, gangsters, speakeasy girls, temperance ladies, party girls, moonshiners, a lady doctor and a baseball star.

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David Rosser as Sam McBride

When you arrive at Campbell House (I’d suggest getting there half an hour before show time), you may wander the grounds and the house. Catch some jazz in the basement speakeasy or get an early introduction to some of the characters on the front lawn, where the Temperance ladies are protesting the evils of drink, and mayoral candidate Sam McBride (David Rosser) and his wife Fanny (Kirstin Rae Hinton) are greeting and glad-handing, and the small-town Busch brothers (Matthew Bradley and Tim Ziegler) are anxiously anticipating a meeting with Delacourt to pitch their moonshine. Or wander towards the back, where the Schwartz brothers (Scott McCulloch and Jorge Molina) talk business and the wily, opportunistic Tracey Doyle (Dov Mickelson) inspects his girls before they start their shift – one of which (Anastasia, played by Laura Harding in last night’s performance) makes an appointment with the friendly, socially aware local doctor Libby Prowse (Lori Nancy Kalamanski) for her friend/co-worker Maddy (Lea Beauvais). And there’s a rambunctious, playful and strange little girl (Claire Frances Muir) running around there too.

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Dana Fradkin (as Ronnie McBride) & Drew Carnwath (as Ben Stein)

Newspaper man Ben Stein (Carnwath), who’s dating the McBride’s daughter Ronnie (Sappho Hansen Smythe,* who has been playing the role this summer), gives us an introduction and some ground rules. We are here for a party at the home of union boss Bob Delacourt (David Keeley) on the night before the 1926 municipal election, where the conservative, tee-totalling, penny-pinching incumbent Mayor Thomas Foster (Jerome Bourgault) is up against the more progressive, alcohol-friendly and forward-thinking McBride. From there, the audience is divided into three groups, and each group is guided to a room in the house to start their rotation of three scenes. You may speak to the characters, but only when spoken to.

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Jerome Bourgault as Thomas Foster

My group was first taken upstairs to the ballroom, to a meeting of the Christian Women’s Temperance Union, led by the imperious President Mary O’Grady Hunt (Tara Baxendale), where we hear anecdotes of personal family tragedy that resulted from intoxication. We were then treated to a lively and intense dining room scene, where the McBrides and their supporters – including Delacourt, who remained eerily silent and stone-faced – toasted their good fortune, and a surprise guest made an appearance, decidedly spoiling the good cheer. Then it was down to the games room, where our cheeky hostess Katie (Siobhan Richardson) took all bets, including one from the jovial Police Chief Draper (Robert Clarke); and over to the speakeasy for drinks (cash bar, where you can order wine in a teacup or a can of beer in a paper bag) and music, overseen and kept running smoothly by the tough, but gentleman-like Donato Granta (Conrad Bergschneider).

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David Keeley as Bob Delacourt

From there, where you go and what you see is up to you. You are encouraged to give rein to curiosity and follow characters, open doors – and see what you may find. Young love. Backroom deals upon backroom deals. Desperate, last-ditch efforts to win a race. One of the speakeasy girls in trouble. You won’t be able to catch everything, and you may want to see the show more than once; to this end, keep your program (handed out as you leave) and that will serve as your discount voucher for your next visit. And with all the election and boozy shenanigans – not to mention the red hot jazz – you may want to take them up on that deal.

An outstanding ensemble and fabulous music, creating a unique, intriguing and engaging theatrical experience, and a colourful taste of 1920s Toronto. This humble scribe had a marvelous time at the pre-election soiree at Campbell House last night. The Hogtown Experience is the bee’s knees – go see it!

The Hogtown Experience runs until August 28 at Campbell House Museum; performance info and advance tickets here; otherwise, it’s cash only at the gate.

In the meantime, you can keep up with Hogtown on Twitter and Facebook; and check out the show trailer:

* Department of Corrections: The role of Ronnie McBride, previously attributed to Dana Fradkin, was actually played by Sappho Hansen Smythe. Due to the scope of the show and the size of the ensemble, there is a rotating cast, so some characters are played by different actors, depending on when you see the show.

Toronto Fringe NSTF: An intense, startling & thought-provoking look at sexual violence in DINK

DINK-250x250Theatre-a-go-go explores the themes of sexual violence, society’s response and the celebrity of the villain in Caroline Azar’s DINK, on at the Factory Theatre Mainspace for the Next Stage Theatre Festival.

Inspired by the real-life case of former Canadian Forces Colonel Russell Williams, as well as incidents of missing/murdered women from marginalized communities/ethnicities, and the societal/social media bullying and shaming of victims and the families of the accused, DINK (the acronym for Double Income No Kids) is part drama/part musical/part social commentary, with songs by Azar, S. Lewis and sound designer Richard Feren.

Over lunch, a workout and shopping at Holt’s, sisters Lolly (Christy Bruce) and Deb (Sharon Heldt) talk about Lolly’s recent home security measures as daughter Bethany (Jasmine Chen) is being stalked, while Deb is up to her eyeballs with home renovation and contractors. Deb’s husband Bill (David Keeley) is a proud military man who’s served in Afghanistan, a sweetheart with his wife, but under investigation by homicide detective Matt De Souza (Kris Siddiqi) over two missing/murdered women who served under him: soldier Danielle (D.T.) Bryce (Andrea Brown) and Tim Hortons server Izzy Melisano (Lise Cormier).

The action shifts between present-day scenes in multiple scenarios and flashbacks from the past, as well as musical numbers featuring various characters, but mainly the two murder victims Danielle and Izzy (where the song breaks work best). The effect is disturbing, distracting and disorienting.

DINK highlights how victimization goes beyond the missing/murdered women to take in their families, the families of the predator (who are often blamed for not seeing what was going on and failing to blow the whistle) and the investigators. The play also sets out to raise up the victims of sexual violence – including moments of empowerment, some imaginary – and put the predator down. The serial killer, while his actions are monstrous, is not a monster – just a man. A very sick man and, in the end, a pathetic man lost in his revolting and dangerous obsessions and desires. The celebrity of the serial killer – and real-life villains in general – is a symptom of social illness.

Excellent work from the cast. Bruce brings a jaded, tired quality to Lolly, a fiercely protective mother with a wry wit, and an ineffective husband (invisible to us, but present in scenes of one-sided conversation). Heldt’s Deb is brash, irreverently funny and creative, an adoring wife throwing her energy into creating the perfect oasis at home. Keeley does a very nice job with Bill’s double life: a sweet and attentive husband at home; a misogynistic, homophobic bully of a commanding officer on the job, covering even darker activities in his personal time. Siddiqi brings a nicely layered quality to Detective De Souza, a good cop struggling with his personal, if not questionable, relationship with Izzy as he conducts the investigation. Brown’s Danielle is strong, cocky and direct, a woman of courage and conviction; and Cormier brings an intelligent, precocious charm to the adventurous Izzy. Chen does a lovely job with Bethany’s conflicted responses to her situation; a smart, imaginative and energetic teen – but, like her mother and aunt, the pressure of pretending that everything is alright becomes too much to bear and boils over.

DINK is an intense, startling and thought-provoking piece that reminds us to put our focus on the victims and their families – and cautions us on how we respond to the perpetrators and their families.

DINK continues its run until Sun, Jan 18 – book advance tix here.