Practising gratitude

As we head into week 17 of public health measures to protect ourselves, others and our health care system during the COVID-19 pandemic, there’s hope for a shift into stage 3, being reunited with loved ones, and looking forward—with both trepidation and excitement—to what the world will be like when we come out of this.Continue reading “Practising gratitude”

Navigating the world with OCD in the funny, poignant, enlightening Living with Olivia Cadence Donovan

Conor Ling, Gabriella Circosta, Allison Shea Reed & Tristan Claxton. Photo by Alice Xue Photography.   RedWit Theatre invites us into lived experiences of a young woman living with OCD in Allison Shea Reed’s funny, poignant, enlightening Living with Olivia Cadence Donovan, directed by Sean O’Brien and running now in the Tankhouse Theatre at theContinue reading “Navigating the world with OCD in the funny, poignant, enlightening Living with Olivia Cadence Donovan”

Toronto Fringe: The devastating ripples of the Montreal massacre in the sensitive, intimate, heartbreaking The December Man (L’homme de Décembre)

Stephen Flett, Jonas Trottier & Kris Langille. Photo by Steven Nederveen.   Theatre@Eastminster closed its sensitive, intimate and heartbreaking production of Colleen Murphy’s The December Man (L’homme de Décembre), directed by Jennifer C.D. Thomson, yesterday afternoon at Eastminster United Church. As the narrative turns back time, we witness the devastating impact of the Montreal massacre onContinue reading “Toronto Fringe: The devastating ripples of the Montreal massacre in the sensitive, intimate, heartbreaking The December Man (L’homme de Décembre)”

A family slogs through the fallout of mental illness & tragedy in the brutally honest, wry-witted And So It Goes

Left: Deborah Drakeford & Scott McCulloch. Right: Tyshia Drake & Dan Willmott. Set & costume design by Kelly Wolf. Scenic art by Ksenia Ivanova. Lighting design by Chin Palipane. Photos by John Gundy.   Kyanite Theatre presents George F. Walker’s And So It Goes, directed by Walker, assisted by Martha Moldaver—running in the Pia BoumanContinue reading “A family slogs through the fallout of mental illness & tragedy in the brutally honest, wry-witted And So It Goes”

Nostalgia meets the ghosts of memory in the funny, poignant, authentically human New Magic Valley Fun Town

Caroline Gillis, Andrew Moodie, Daniel MacIvor & Stephanie MacDonald. Set design by Brian Perchaluk. Costume design by Brenda McLean. Lighting design by Kimberly Purtell. Photo by Cylla von Tiedemann. Prairie Theatre Exchange and Tarragon Theatre join forces to present the Toronto premiere of Daniel MacIvor’s New Magic Valley Fun Town, directed by Richard Rose, assisted byContinue reading “Nostalgia meets the ghosts of memory in the funny, poignant, authentically human New Magic Valley Fun Town”

The bittersweet rhythms of life in the wistful, nostalgic, entertaining Dancing at Lughnasa

Opening its 2018-19 season at Alumnae Theatre last night, the Toronto Irish Players take us to 1936 Donegal, and the rural home of the Mundy family as they struggle with life, love and changing times, in their wistful, nostalgic and entertaining production of Brian Friel’s Dancing at Lughnasa, directed by David Eden. A bittersweet memoryContinue reading “The bittersweet rhythms of life in the wistful, nostalgic, entertaining Dancing at Lughnasa”

Looking beyond mental illness to see the person in the intense, affecting The Valley

Photo by Keagan Heathers. Graphic design by Ali Carroll.   Don’t Look Down Theatre Company, in support of CAMH, presents an intense, affecting production of Joan McLeod’s The Valley, directed by co-Artistic Director Ryan James and running in the Theatre Passe Muraille (TPM) Backspace. Inspired by the shocking 2007 tasering death of Robert Dziekanski duringContinue reading “Looking beyond mental illness to see the person in the intense, affecting The Valley”

SummerWorks: Pitching vulnerability in the frank, darkly funny, insightful …And You’ll Never Believe What Happens Next

Graham Isador. Photo by Jillian Welsh.   How do the stories we tell about ourselves reflect on us? And how do the stories we read shape how we see the world? Pressgang Theatre explores these questions, combining journalism and theatre together as playwright/performer Graham Isador takes us on a journey of personal story pitches toContinue reading “SummerWorks: Pitching vulnerability in the frank, darkly funny, insightful …And You’ll Never Believe What Happens Next”

Power, connection & identity in the potent, magical, eye-opening Watah Theatre Double Bill

“A world without fairy tales and myths would be as drab as life without music.”—The Watah Theatre The Watah Theatre presents a Double Bill of biomythographies, including an excerpt reading of d’bi.young anitafrika’s Once Upon A Black Boy and the world premiere of Najla Nubyanluv’s I Cannot Lose My Mind, running in the Studio at Streetcar Crowsnest.Continue reading “Power, connection & identity in the potent, magical, eye-opening Watah Theatre Double Bill”

Magical connections & remarkable storytelling in Sara Farb’s R-E-B-E-C-C-A

B is for “balloon,” “birthday,” “basketball,” “band-aid.” And also “bitch.” It’s also the third letter in “Rebecca,” the shared name of the two characters in playwright/performer Sara Farb’s one-woman play R-E-B-E-C-C-A, directed by Richard Greenblatt, which opened at the Theatre Passe Muraille backspace last night. The two Rebeccas are based on Farb’s younger sister Rebecca:Continue reading “Magical connections & remarkable storytelling in Sara Farb’s R-E-B-E-C-C-A”