The Real Housewives meets Molière in GBTS’s hilariously delightful The Learned Ladies

Ensemble. Set & costume design by Brandon Kleiman. Lighting design by Siobhan Sleath. Photo by Cylla von Tiedemann.

 

The George Brown Theatre School (GBTS) graduating class opened its 2019-20 season at the Young Centre this week with a hilariously delightful take on Molière’s The Learned Ladies, translated by Richard Wilbur, directed by Sue Miner and choreographed by Bob McCollum. It’s The Real Housewives of Paris meets Molière as the translated text combines with a contemporary backdrop in a razor-sharp send-up of attention-seeking celebrity rich people and the famous poseur artists they fawn over. Plus ça change…

We are introduced to the characters in etalk red carpet style, complete with director (a hyper-efficient, clipboard-bearing Amelia Ryan), and self-involved celebrity hosts Joshua (sunglasses-wearing cock of the walk Jack Copland) and Salique (Siobhan Johnson, with runway model fetching fierceness). The parade of artifice and authenticity gives us a glimpse at the nature of the people we’re about to meet as they walk, stroll and pose across Brandon Kleiman’s colourful pink explosion of a set (think Barbie meets Dr. Seuss).

Left behind the glamourous clamour is the bespectacled, introverted Clitandre (an adorkably sweet turn from Barry McCluskey), trying to catch up with his sweetheart and intended bride Henriette (played with vulnerable resilience and independence by Cait MacMullin). When Henriette meets with her more popular older sister Armande (a hilariously vain and self-absorbed performance from Hannah Forest Briand) in a café, we learn that Clitandre was once smitten with Armande, who has sworn off traditional relationships like marriage in the interests of academic and artistic learning, and rejected his love.

Of course, the young intended couple have barriers to overcome, chiefly Henriette’s overbearing, judgmental mother Philaminte (a domineering Kardashian-esque philosopher turn from Jessica Pellicciotta), who boasts a small army of “learned ladies” in a self-directed academy of their own making: Arganiette (wacky, woo bottle carrying Ilona Gal), expert in Health and Health Trends; Violette (an imperious, verbally agile Renisha Henry), expert in Government and Justice; Dorimene (a fastidious, unforgiving librarian-esqe Amy Leis); and Lucillia (a spacy, star-gazing Lauren Merotto), expert in Stars and Other Worldly. They are joined by Philaminte’s sister-in-law (her husband Chrysale’s sister), self-proclaimed heart-breaker Aunt Belise (played with outrageously funny, delusional panache by Jane Neumier).

On Henriette and Clitandre’s side are her brow-beaten father Chrysale (played with goofy cowardly lion kindness by Kareem Mark Vaude) and his other sister, lawyer Aunt Ariste (Nastasia Pappas-Kemps, with brilliant, level-headed good sense and wide-eyed energy). Rounding out the group are Chrysale and Philaminte’s household servants: Martine the maid (a cheeky, forthright and irreverent Iris Hallman) and Butler Lepine (Ian Williams, with a combination of uptight decorum and the enthusiasm of one who’s swallowed the poseur Kool-Aid).

Philaminte has other plans for Henriette, choosing celebrity boy wonder poet Trissotin (a hysterically classic, physical poseur artist turn from Brian Le) as husband for her youngest daughter. Trissotin has his eye on someone else; and problems of his own, when his talent and reputation are challenged by poetry performance power couple, lovers Vadius (Sansom Marchand, in a proud, haughty cypher turn) and Mademoiselle Fosina (an intimidating, sensual turn from Jacqueline JD Plante). Adding insult to injury, Philaminte gives her blessing when the jealous, attention-seeking Armande decides she wants Clitandre back!

Finally finding the gumption to stand up to his bossy wife, Chrysale hatches a plan with his sister Ariste to make it right for Henriette and Clitandre. And, as this is Molière, things have a way of working out—in some unexpected, surprising and wacky ways.

The Learned Ladies, George Brown
Ensemble. Set & costume design by Brandon Kleiman. Lighting design by Siobhan Sleath. Photo by Cylla von Tiedemann.

The razor-sharp satire pokes great fun at the fond and foolish rich people who become celebrities for no apparent reason other than for their over-the-top antics and ridiculous wealth; and those among the art and media glitterati who achieve fame with their mannequin good looks and artiste du jour popularity. And it rips into those who are slavishly and superficially dedicated to learning, their noses stuck in books and their heads up their asses—intolerant of and excluding those who don’t meet their unforgiving, idiotic standards. Through the red carpet galas; spa days; poetry tableaux; and yoga classes that are part yoga, part Tai Chi, part voguing—we see how artificial and disingenuous these idle rich folk are. Thankfully, authenticity, acceptance and inclusion win the day.

The Learned Ladies continues at the Young Centre until November 16; advance tickets available online or by calling the box office at 416-866-8666 or 1-888-898-1188.

Check out GBTS’s 2019-20 season, and keep up with this year’s graduating class on Facebook.

 

Saturday = Artaday

Yesterday was a day of art and friends – “Artaday,” as my partner in creative crime Lizzie Violet coined it – as we attended two art exhibit openings and a very unique haunted house experience. Here are some highlights, as well as the details, of these events.

5 By 5 exhibit at the Gladstone Hotel Art Bar Gallery features five local artists, who have joined forces for a collaborative painting exhibit:

Jacques Albert uses a mostly subdued palette of earth tones, creating organic, flowing pieces featuring nature and figures that are both moving and haunting.

Brenda Clews combines text and figures using a vibrant primary palette for a series of electric works.

Jennifer Hosein’s beautiful paintings are sometimes disturbing, sometimes ethereal, and water colour-like in a striking use of blues and greens.

Anna Karoliina Koskinen’s works include some lovely snapshot moments of human and animal subjects, the images of people capturing a second’s worth of joy and pensiveness.

Greg Nordoff’s paintings have a sharp photographic quality to them, with images of mysterious, sexy women, as well as finely detailed architecture and portrait work.

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5 By 5 – Brenda Clews performs some of her poetry.
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5 By 5 – Lizzie & Laurie take in Jennifer Hosein’s work.
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5 By 5 – Opening reception guests mingle, with Greg Nordoff’s work in the background.
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5 By 5 – Guests chat, with Jacques Albert’s and Anna Karoliina Koskinen’s work in the background.

5 By 5 closes on October 26, so get on over to the Gladstone Art Bar Gallery.

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Kill Joy’s Kastle – The tour waiting area aka “the Womb”
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Kill Joy’s Kastle – The larger than life Goddess figure.
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Kill Joy’s Kastle – The Carpet Muncha installation.
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Kill Joy’s Kastle – The Hall of Straw Feminists (Liz Lemon & Margaret Thatcher).

Kill Joy’s Kastle at 303 Lansdowne Ave. is a scary fun haunted house trip into women’s studies, feminist thought and gender fluidity. Our tour guide Keith Ann McWoman, a prof at McMaster U., leads us through the space, which features thought-provoking, spooky and humourous images and installations. Totally destroys the stereotypes of joyless, humourless feminists and lesbians by giving these preconceived notions a good send-up. On until October 30 – 4 till 8 p.m. daily or by appointment. Take the alleyway on the south east side to get to the entrance.

Urban Federation of Artists at Gallery Catalyst is a remarkable, edgy and eclectic multi-artist show. Here are some artists that stood out for me:

Nik Beat’s work is a selection of darkly whimsical multi-media collage pieces, featuring images of pop culture and famous musicians.

Dr. Seuss – yes, that Dr. Seuss – unique drawing style is on display, and for sale, in numbered prints of illustrations from some of his most beloved books.

Tanja-Tiziana gorgeous black and white photographs combine nostalgia, memory and iconic architecture.

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Urban Federation of Artists – Opening reception guests mingle & view the art at Gallery Catalyst.
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Urban Federation of Artists – Lizzie Violet & artist Nik Beat.
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Urban Federation of Artists – Nik Beat’s and Alice Zilerberg’s art on display, with pieces & prints available for purchase in the trays below
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Urban Federation of Artists – A live model in full body paint stands in the front window.

Alice Zilerberg’s stunningly beautiful altered photographic images are where dream meets nightmare meets fairy tale.

What art has inspired you recently?