Toronto Fringe: Telling stories in the darkly funny, quirky, satirical News Play

Clockwise from bottom: Andrew Cromwell, Rouvan Silogix, Greg Solomon, Madeleine Brown & Charlin McIsaac. Photo by Graham Isador.

 

Theatre ARTaud and Lal Mirch Productions, in association with Prairie Fire, Please give us a dark satirical look at storytelling and journalism in Madeleine Brown’s sharply funny, quirky, edgy News Play, directed by Aaron Jan and running at the Annex Theatre.

Brother and sister children’s book team, illustrator Phoebus (Greg Solomon) and writer Joy (Charlin McIsaac), have hit a wall in their career; the fire woman superhero featured in their books is scaring kids and making them feel bad about themselves. When they return to their hometown Peterborough to visit their cousin Winny (Madeleine Brown), a troubled pyromaniac since the death of her parents in a fire when they were all kids—and the inspiration for their work—they find themselves suddenly becoming journalists. Winny’s recent fire escapade accidentally killed two Peterborough Examiner reporters, and Editor in Chief Art (Andrew Cromwell), former classmate and school bully, blackmails them into working for him in exchange for not suing Winny. The goal: sell 100 papers.

The siblings’ first assignment is producing an exciting piece about a local natural landmark—a big rock. They strike gold when Winny injures her hand while punching it, spinning the event into a story of significant bravery and resilience, while also making the town’s “crazy fire girl” look good in the media. This inspires local charity organizer Lyle (Rouvan Silogix) into inviting Winny to be the torch putter-outer at an upcoming event supporting those who’ve soldiered through personal injury.

Things go from crazy to bad to worse when Joy decides to take things to the next level. How far will she go for subject matter that people will want to read? Will her relationship with her brother, who’s against her increasingly extreme methods, be the same? And will their cousin Winny survive it all?

Great work from the cast is this sharp satirical trip. McIsaac and Solomon are great foils as the positive, cheerful Joy and the cynical, edgy Phoebus. Brown gives a lovely vulnerable performance as the shy, awkward Winny, who really does have reserves of strength that largely go unnoticed; still living in a town where everyone thinks she’s crazy, Winny perseveres because it’s her home. Cromwell plays the edge of menacing bully and charming manipulator as Art; you can tell immediately that Art was the school bully, and he’s desperate and amoral enough to go along with whatever scheme will sell newspapers. And Silogix gives lovely comic turns as the clueless, enthusiastic charity organizer Lyle and the gruff Greyhound bus driver.

Telling stories, making up stories and reporting stories—sometimes, they can overlap and get all mixed up. Are we fetishizing personal injury in our news media and charities? And is fake news, however small and local, ever harmless?

News Play continues at the Annex Theatre until July 13; check the show page for exact dates/times and advance tickets.

Toronto Fringe: Party like a sumo wrestler with Robin F*cking Black in the gutsy, inspirational Enjoy the Hostilities

Robin Black. Photo by John Laszlo Bruce.

 

Pressgang Theatre takes us on a wild, wisdom-filled storytelling ride with its Toronto Fringe production of Enjoy the Hostilities, written by Robin Black and Graham Isador, directed by Isador and performed by Black—running now at The Bovine.

Part personal journey, part edgy TedTalk, the storytelling is frank, unapologetic and authentic as the hard-working, hard-drinking, hard-partying Black takes us from his life as the frontman of the glam rock band Robin Black and the Intergalactic Rockstars, to fighting in the UFC cage, to becoming a professional MMA fight analyst. Turning his life around from a deadly diet of drugs and alcohol after waking up to a drug-induced seizure, Black set his sights on becoming a professional fight commentator—but, first, he had to become a fighter. Knowing full well that larger goals are made up of smaller goals (a system of goal achievement he learned from his dad), this meant training, studying—and overcoming his previous reputation as an eyeliner-wearing rocker with big hair and tight pants, to gain respect in the cage.

Black’s determined, fighter spirit goes super nova in this gutsy, inspirational solo show—and there’s genuine gratitude, joy and excitement to be making a living doing what he loves.

Enjoy the Hostilities has one more performance at the Bovine: July 15 at 6 pm. Last night’s show was jam-packed, so advance booking strongly recommended.

Want to check if the show you want to see is sold out? The Toronto Fringe folks have set up a page for sold-out shows, updated daily.