Fear, loathing & melancholy at an office party in the razor-sharp, edgy, timely Casimir and Caroline

Hallie Seline, Cameron Laurie & Alexander Crowther. Set & costume design by Ken MacKenzie. Lighting design by Jareth Li. Photo by Dahlia Katz. The Howland Company presents the North American premiere of their adaptation of Ödön von Horváth’s Casimir and Caroline, based on the original translation by Holger Syme, and adapted by Paolo Santalucia, HolgerContinue reading “Fear, loathing & melancholy at an office party in the razor-sharp, edgy, timely Casimir and Caroline”

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FireWorks Festival: Fairy tale favourites collide with a contemporary feminist twist in the hilariously charming, bawdy If the Shoe Fits

Erik Mrakovcic & Marina Gomes. Set design by Teodoro Dragonieri. Costume design by Margaret Spence. Lighting design by Liam Stewart. Photo by Bruce Peters. Alumnae Theatre launches the final week of its FireWorks Festival with Genevieve Adam’s If the Shoe Fits, directed by Heather Keith—opening last night in Alumnae’s Studio Theatre. Fairy tale favourites collide, withContinue reading “FireWorks Festival: Fairy tale favourites collide with a contemporary feminist twist in the hilariously charming, bawdy If the Shoe Fits”

Waiting for the American Dream in the provocative, disturbing, razor-sharp Pass Over

Kaleb Alexander & Mazin Elsadig. Set design by Julia Kim. Lighting design by Chris Malkowski. Costume design by Vanessa Fischer. Photo by Cesar Ghisilieri. Obsidian Theatre takes us to the edge of the world in an urban Black neighbourhood in America with its provocative, mind-blowing production of Antoinette Nwandu’s Pass Over, directed by Philip Akin,Continue reading “Waiting for the American Dream in the provocative, disturbing, razor-sharp Pass Over”

SummerWorks: Pick-up artistry meets consent culture in the hilarious, disturbing, eye-opening Safe and Sorry

Lauren Gillis. Photo by Peter Demas.   Lester Trips Theatre presents a provocative multimedia workshop production of the hilarious, disturbing, eye-opening Safe and Sorry. Co-created and performed by Lauren Gillis and Alaine Hutton, co-performed and choreographed by Angela Blumberg, and directed by Chelsea Dab Hilke, we’re invited into the world of Keith Much, who leadsContinue reading “SummerWorks: Pick-up artistry meets consent culture in the hilarious, disturbing, eye-opening Safe and Sorry”

Toronto Fringe: Into the mouth of the sea lion with the absurd surreal sketch comedy of Swallowed Whole

Carly Telford, Chris O’Bray & Raechel Fisher. Photo by Laura-Kate Dymond.   Irrelephant Productions takes us into the mouth of the sea lion for 55 minutes of absurd sketch comedy, peppered with drag performance and social satire in the wacky, surreal Swallowed Whole, written and directed by Rachel Perry, and running at the Helen GardinerContinue reading “Toronto Fringe: Into the mouth of the sea lion with the absurd surreal sketch comedy of Swallowed Whole”

Toronto Fringe: Fear & loathing in the workplace in the razor-sharp, brutally honest dark comedy The Huns

Breanna Dillon, Cass Van Wyck & Jamie Cavanagh. Set & costume consulting by Alexandra Lord. Photo by Steven McLellan.   One Four One Collective presents The Huns, a razor-sharp, timely new play by Michael Ross Albert, directed by Marie Farsi and running in the Streetcar Crowsnest Guloien Theatre. It’s all hands on deck, after aContinue reading “Toronto Fringe: Fear & loathing in the workplace in the razor-sharp, brutally honest dark comedy The Huns”

Hearts & minds poisoned to a tragic conclusion in Shakespeare BASH’d powerful, intimate, thought-provoking Othello

Front: E.B. Smith & Catherine Rainville. Back: James Graham. Photo by Jonas Widdifield.   Toronto favourite Shakespeare BASH’d continues its 2018-19 season with a deep-dive into one of the most complex, messily human plays in the Shakespeare canon: Othello. Directed by James Wallis, assisted by Olivia Croft, and featuring a stellar cast, Othello opened lastContinue reading “Hearts & minds poisoned to a tragic conclusion in Shakespeare BASH’d powerful, intimate, thought-provoking Othello”