SummerWorks: Reaching back through time & memory in search of home in the endearing, poignant hiraeth

Mandy E. MacLean. Lighting design by Logan Raju Cracknell. Photo by Matt Carter.   The hiraeth collective’s hiraeth, created and performed by Mandy E. MacLean, and directed for this SummerWorks production by Leah Holder, takes the audience on an intimate solo show personal history tour of teenage memories, with a longing for identity and aContinue reading “SummerWorks: Reaching back through time & memory in search of home in the endearing, poignant hiraeth”

Love & hate, abandonment & connection in the searing, electric Fool for Love

Cara Gee & Eion Bailey. Set design by Lorenzo Savoini. Costume design by Shannon Lea Doyle. Lighting design by Simon Rossiter. Photo by Dahlia Katz.   Soulpepper Theatre presents a searing, electric production of Sam Shepard’s Fool for Love, directed by Frank Cox-O’Connell and running at the Young Centre. The shifting temperatures of love/hate andContinue reading “Love & hate, abandonment & connection in the searing, electric Fool for Love”

Toronto Fringe: Getting in & out of Scientology in the hilarious, heartbreaking, irreverent Squeeze My Cans

Cathy Schenkelberg. Sound & production design by Victoria (Toy) Deiorio. Photo by Michael C. Daft.   Squeeze My Cans presents Squeeze My Cans, the true story of Cathy Schenkelberg’s indoctrination into and exit from Scientology—a multimedia solo show trip that is by turns hilarious, heartbreaking, irreverent, infuriating and terrifying. Written and performed by Schenkelberg, andContinue reading “Toronto Fringe: Getting in & out of Scientology in the hilarious, heartbreaking, irreverent Squeeze My Cans”

Toronto Fringe: Reaching back & out to overcome loneliness in the entertaining, heart-wrenching The Big House

Tracey Erin Smith. Set and lighting design by Steve Lucas. Photo by Dahlia Katz.   There’s nothing like a family dinner to bring out the best and the worst in us; and maybe even an insight or two on the nature of loneliness. SOULO Theatre founder/A.D. Tracey Erin Smith takes us on her deepest, most personalContinue reading “Toronto Fringe: Reaching back & out to overcome loneliness in the entertaining, heart-wrenching The Big House”

A family slogs through the fallout of mental illness & tragedy in the brutally honest, wry-witted And So It Goes

Left: Deborah Drakeford & Scott McCulloch. Right: Tyshia Drake & Dan Willmott. Set & costume design by Kelly Wolf. Scenic art by Ksenia Ivanova. Lighting design by Chin Palipane. Photos by John Gundy.   Kyanite Theatre presents George F. Walker’s And So It Goes, directed by Walker, assisted by Martha Moldaver—running in the Pia BoumanContinue reading “A family slogs through the fallout of mental illness & tragedy in the brutally honest, wry-witted And So It Goes”

Memory, loss & insight—true stories of living with mental illness in the funny, poignant Stories Like Crazy double bill

After launching Stories Like Crazy with their inaugural podcast at the beginning of Mental Health Week, Adrianna Prosser and Lori Lane Murphy finished off the week with two real-life solo shows that “stomp on stigma and set fire to adult colouring books”: Lane Murphy’s Upside Down Dad and Prosser’s Everything but the Cat. The doubleContinue reading “Memory, loss & insight—true stories of living with mental illness in the funny, poignant Stories Like Crazy double bill”

An entertaining, poignant love letter to roots, family & father in Paolozzapedia

    Why Not Theatre’s 2015 edition of the RISER Project continued the final leg of its programming last night at the Theatre Centre with the opening performances of Mahmoud (which I saw on Wed. night – see the post here) and Paolozzapedia. Written and performed by Adam Paolozza, who co-directed with Daniele Bartolini, andContinue reading “An entertaining, poignant love letter to roots, family & father in Paolozzapedia”