Preview: A friend in need in Cue6’s powerful, intimate, intense Dry Land

Mattie Driscoll. Photo by Samantha Hurley.

 

Funny how it’s easier to share a secret with someone you barely know—and ask them to help you execute a critical decision. Dora award-winning Cue6—who brought us pool (no water)—presents an intimate and intense Toronto premiere of Ruby Rae Spiegel’s Dry Land. Directed by Jill Harper, this powerful and timely story of female friendship, abortion and perseverance previewed to a packed house at The Assembly Theatre last night and opens tonight.

Set primarily in the girls’ locker room of a Florida high school, we witness the evolution of the relationship between swim teammates Amy (Veronica Hortiguela) and new girl Ester (Mattie Driscoll). Both grappling with issues of sexuality, identity and the future, the tough-talking, sexually experienced, popular Amy and the introspective, naïve, socially awkward Ester are an unlikely pairing, to say the least. But Amy can’t bring herself to tell her mother or even her BFF Reba (Reanne Spitzer) about her unwanted pregnancy, so she turns to the new girl for help. Meanwhile, Ester is facing the pressures of being scouted by a university swim team—and dealing with her own desires and demons as she makes decisions about her future.

The stakes go up with each strategy Amy concocts, with Ester acting as a sounding board, personal assistant and devil’s advocate. Compelling, layered performances from both Driscoll and Hortiguela in this odd couple friendship. Driscoll rounds out the mousy Ester with hidden reserves of strength, determination and chutzpah; and Hortiguela deftly navigates the conflicted Amy, who masks her profound sense of vulnerability with cruelty and a “slut” image. Amy pushes Ester away when things get too real, too close—and only in the end does Amy realize how much she cherishes the relationship.

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Mattie Driscoll, Reanne Spitzer & Veronica Hortiguela.

Spitzer gives us a great comedic turn as Reba; a bubbly, irreverent and sharply observant gossip queen, Reba’s presence adds some much needed comic relief. The two male characters—university student Victor (played with likeable, awkward affability by Jonas Trottier), the son of a friend of Ester’s mother who hosts her during her university try-out, and the high school Janitor (Tim Walker, in a nicely understated, protectively watchful and largely silent role)—are secondary witnesses and assistants to the events that unfold. Amy and Ester are in the driver’s seat for their actions and the trajectory of their future—and the tight friendship that unfolds between them proves that old proverb “a friend in need is a friend indeed.”

With women’s reproductive rights constantly being challenged south of the border; and the sex ed curriculum here in Ontario being knocked back into the previous century, Dry Land is a candid, timely look at some serious feminist issues—particularly those facing women in their teens.

Dry Land continues at The Assembly Theatre until September 22; get advance tickets online or at the door (cash or credit card).

In partnership with Planned Parenthood Toronto, Cue6 will be presenting two post-performance talkbacks on September 13 and 20 to discuss the play and how it relates to sexual health challenges faced by youth in our current climate.

 

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Getting to the other side of a childhood memory in the poignant, playful A Mickey Full of Mouse

3 days •2 thousand miles • 1 secret family

Dawna Wightman brings her thoughtful dramedy shenanigans to Buddies in Bad Times with her remount of A Mickey Full of Mouse, directed by Rory Starkman, and featuring Wightman and Louise Lupo.

Margaret (Dawna Wightman) has a surprise for her friend Anna (Louise Lupo): a magical snow globe that can take them back in time to relive a childhood memory. The catch: they need to get through it to get back to the present.

Spun back into their past, Anna is now 10 years old, living in a raucous, dishevelled household with her mother, siblings, grandmother and an absent father. Neglected and largely left to her own devices, she has a rich inner world despite the economic and emotional poverty that surrounds her. Always the last in line for the shared bath water and a single, soaked towel, Anna savours the warmth of their yellow kitchen and the aroma of all the yummy meals that are prepared there.

Then, an adventure: Momma (Wightman) announces that her dad is taking the two of them to Disney World in Florida! Over the moon at the prospect, Anna is less than thrilled that they’re picking up “retard” Margaret up on the way. Family road trip from hell—from Montreal to Orlando, Florida—ensues, revealing family secrets and memories best forgotten. Except for one: a reminder of how Anna and Margaret became friends.

Moments of unbridled joy and heartbreaking disappointment highlight this wistfully nostalgic, childlike and thoughtful romp; featuring lovely, evocative work from Wightman and Lupo. As Margaret, Wightman is frozen in childhood; slow to communicate but quick to love and comfort, Margaret is a sweet, misunderstood woman doing the best she can to live in an impatient, sometimes harsh, world. She brings a melancholy sense of defeat and disillusionment to the chain smoking Momma; on the verge of a nervous breakdown, and self-medicating with rum and coke, and prescription drugs, she just wants her husband to stay home and be with her and the family. And she’s hilariously inept as the ineffectual, but friendly, Disney World security guard Candy.

Lupo gives a great, multi-layered performance as Anna. A cynical and abrasive adult—and lawyer by trade—she’s there for Margaret, but reluctantly so and hotly resentful about it. As a child, we see Anna before her world took the shine out of her—something that Margaret never quite lost. Somewhere under that beaten down soul is a rambunctious, brave and hopeful human being. And maybe reliving that fateful road trip was just what she needed to be reminded of that.

With shouts to director Starkman for doing double duty as production stage manager.

Getting to the other side of a childhood memory in the poignant, playful A Mickey Full of Mouse.

A Mickey Full of Mouse continues at Buddies until April 8 on the following dates/times:

Saturday April 1 @ 8:00 PM
Sunday April 2 @ 2:00 PM
Friday April 7 @ 8:00 PM
Saturday April 8 @ 8:00 PM

Book advance tix online or call: 416-975-8555. You can follow A Mickey Full of Mouse on Facebook.