SummerWorks: Death, fear & loneliness in the spine-tingling, darkly funny, Hitchcockian A Girl Lives Alone

Photo by Molly Flood.

Theatre Mischief gives us a spine-tingling, darkly funny turn—and a unique look at death, loneliness, fear and how people live together—in its SummerWorks production of Jessica Moss’s Hitchcock-inspired murder mystery comedy A Girl Lives Alone. Directed by Moss and the company, the show is currently running in the Theatre Centre’s Franco Boni Theatre.

New to her NYC apartment, Marion (Samantha Madely) returns home one night to find her fellow tenants assembled outside, their building taped off as a crime scene. A young woman in the building was murdered, at home in her apartment, the unknown perpetrator still at large. A murder mystery, Hitchcock fan obsessed with her ex-boyfriend’s classic murder mystery-inspired radio show podcast, Marion becomes hell-bent on investigating her neighbours in hopes of discovering the murderer. Gradually, she gets to know her fellow tenants: the opinionated, judgemental and fastidious Alma (Anita La Selva); the harried landlord Murray (Alexander Thomas); boyfriend/girlfriend pair the volatile Stewart (Aldrin Bundoc) and chatty Kim (Asha Vijayasingham); the nervous, quirky Janet (Jessica Moss); and the creepy, enigmatic Foley Artist upstairs (Andrew Musselman). Watching from the sidelines is the bubbly actress Grace (Tiffany Deobald), the murder victim. Grace lived alone.

The murder is a catalyst for a variety of shifting dynamics within the building; heightening suspicions, and driving self-advocacy and the realization that the tenants don’t particularly know each other that well. Their previous perceptions of safety and comfort profoundly shaken, no one in the building is the same. We see the dark and tender sides of the neighbours as the story unfolds; and everyone has their own way of coping. Janet binge-watches Friends on Netflix while others enjoy Law & Order SVU, Alma calls Murray out on a long-neglected repair to her place and Marion becomes Nancy Drew. Both terrified and fascinated by the strange Foley Artist who lives directly above her, Marion can’t stay away as he shows her the tricks of his trade, at her request, up in his place.

Outstanding work from the ensemble, riding a fine edge of comedy and psychothriller in this gripping, darkly funny tale of mystery, and dangers real and imagined. Noises in the dark—the young couple sexing or fighting, the Foley Artist at work, someone coming upon you suddenly—all take on new meaning and put everyone on edge. And some new, unexpected alliances are forged as well. What do you need to feel safe and comfortable in your own home? And how do women who live alone mitigate the risk? And how do you cope when the unthinkable happens so close to home?

With shouts to the design team for their gripping, atmospheric work on this production: composer/sound designer Richard Feren, set/costume designer Claire Hill and lighting designer Imogen Wilson.

A Girl Lives Alone has one more performance at SummerWorks: tonight (Aug 19) at 8:30 p.m.; advance tickets available online.

 

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A little holiday magic with some big Foley fun in delightful It’s A Wonderful Life

Soulpepper added an extra bit of cheer to its holiday programming this year with its production of Philip Grecian’s adaptation of Frank Capra’s It’s A Wonderful Life, directed by Soulpepper Artistic Director Albert Schultz, assisted by Mumbi Tindyebwa Otu, and opening to a packed house at the Bluma Appel Theatre in the St. Lawrence Centre last night.

Set as a 1940s radio play performed on stage—with the actors playing actors playing characters in the story—this version of It’s A Wonderful Life gives us all the favourite moments of the film version, including the dialogue, with the added fun of a behind-the-scenes look at some fabulous Foley (sound effects) work, designed by John Gzowski. And last night, we had the added treat of a charming performance of “We Wish You a Merry Christmas” from the Dixon Hall Music School children’s choir.

George Bailey (Gregory Prest) has spent his entire life helping others in his small town. As a kid (Richie Lawrence) he saved his kid brother Harry (Christef Desir) and after school employer, pharmacist Mr. Gower (Diego Matamoros). And as an adult, he sacrificed college and travel to save the family building and loan business from falling into the hands of the corrupt and wealthy Mr. Potter (Matamoros). All so the hard-working, struggling folks of Bedford Falls could have a fair chance at a decent home.

Challenges aside, he’s got a pretty good life, with a lovely, supportive wife Mary (Raquel Duffy) and four sweet kids (Daniel Mousseau, Thea Lapham, Michelle Monteith and Richie Lawrence). Until one Christmas Eve Day, a banking mistake made by his absent-minded uncle Billy (William Webster) threatens to cost him everything. And in his most desperate hour, his guardian angel Clarence (Oliver Dennis) appears and sets out to show him what the world would have been like if he’d never been born.

It's a Wonderful Life, Soulpepper
Oliver Dennis & Derek Boyes – all photos by Cylla von Tiedemann

This production truly captures the spirit of this beloved holiday classic, and then some. In true radio broadcast style, the show features live commercial spots shouting out Soulpepper’s corporate sponsors and other holiday program offering, with live piano accompaniment (James Smith of Chasse-Galerie). But the biggest fun of all has to be the Foley artistry, featuring Christef Desir, Daniel Mousseau and Marcel Stewart as the soundmen (operating a neat assortment of sound-making props and gadgets, and playing multiple characters as well); with the entire ensemble creating various sound effects vocally. And at the end of Act I, aptly staged during George and Mary’s honeymoon scene, the stage goes to black as the scene continues, with lights on the vintage radio down stage left—giving us a taste of the radio drama experience.

It's a Wonderful Life, Soulpepper
Christef Desir & Michelle Fisk, with Marcel Stewart & Ellie Moon in the background

Exceptional work from this cast. Stand-outs include Prest, who brings a good-natured authenticity to George Bailey, an everyman performing everyday acts of heroism; there’s really nice chemistry with Duffy’s Mary, George’s warm but feisty perfect match. Matamoros delivers some delicious voice work, from the velvet smooth tones of the announcer, to the gravel-voiced Mr. Gower, to the malevolent, grasping villain Mr. Potter. And Dennis is adorably quaint as the underdog Angel Second Class Clarence, determined to earn his wings.

Monteith brings some great vocal chops and range, going from the slinky town party girl Violet, to the too cute for words Zuzu (George’s youngest daughter, famous for Zuzu’s petals); and Mousseau is a delight as Martini, the owner of one of the town’s favourite restaurants. And shouts to kid actors Lapham (Young Mary and George’s daughter Janie) and Lawrence (Young George and George’s son Tommy).

A little holiday magic with some big Foley fun in Soulpepper’s delightful 1940s radio play production of It’s A Wonderful Life.

It’s A Wonderful Life continues the Bluma Appel Theatre—and, good news, it’s been extended to December 31. Get your advance tix online or by calling the box office at 416-866-8666.

Check out the behind-the-scenes video for a peek at the fun in store:

And while you’re at it, check out some of Soulpepper’s other holiday treats, including its annual production of A Christmas Carol and the Family Festival programming. Here’s hoping that It’s A Wonderful Life becomes an additional holiday tradition at Soulpepper.