Saying goodbye to the youth of Ireland in the lyrical, hopeful, entertaining Many Young Men of Twenty

Foreground: James Phelan, Tina McCulloch, Emmet Leahy and William Laxamana. Background: Martin McGuane. Set design by Tim O’Connell and Sean Treacy. Costume design by Bernadette Hunt. Lighting design by Karlos Griffith. Photo by Gregory Breen. The Toronto Irish Players take us to a time of desperate hope and dreams, leaving and staying behind, with itsContinue reading “Saying goodbye to the youth of Ireland in the lyrical, hopeful, entertaining Many Young Men of Twenty”

Hope & regret in the Village Players’ bittersweet, nostalgic The Glass Menagerie

Jacob Klick, Deena Baltman & Claire MacMaster. Set design by Alexis Chubb. Costume design by Livia Pravato-Fuchs, assisted by Marcella Pravato. Lighting design by Jamie Sample. Photo by John Ordean. The Village Players open their 2019-20 season with Tennessee Williams’ The Glass Menagerie, directed by Victoria Shepherd and running at the Village Playhouse. A deeplyContinue reading “Hope & regret in the Village Players’ bittersweet, nostalgic The Glass Menagerie”

Preview: A friend in need in Cue6’s powerful, intimate, intense Dry Land

Mattie Driscoll. Photo by Samantha Hurley. Funny how it’s easier to share a secret with someone you barely know—and ask them to help you execute a critical decision. Dora award-winning Cue6—who brought us pool (no water)—presents an intimate and intense Toronto premiere of Ruby Rae Spiegel’s Dry Land. Directed by Jill Harper, this powerful andContinue reading “Preview: A friend in need in Cue6’s powerful, intimate, intense Dry Land”

The profound cruelty & kindness of humanity in Coal Mine’s darkly funny, deeply affecting Category E

Diana Bentley, Robert Persichini & Vivien Endicott-Douglas. Set and costume design by Anna Treusch. Lighting design by Gabriel Cropley. Photo by Tim Leyes.   Coal Mine Theatre closes its 4th season with the Toronto premiere of Belinda Cornish’s horror comedy Category E, directed by Rae Ellen Bodie—opening last night to a sold out house atContinue reading “The profound cruelty & kindness of humanity in Coal Mine’s darkly funny, deeply affecting Category E”