FireWorks Festival: Fairy tale favourites collide with a contemporary feminist twist in the hilariously charming, bawdy If the Shoe Fits

Erik Mrakovcic & Marina Gomes. Set design by Teodoro Dragonieri. Costume design by Margaret Spence. Lighting design by Liam Stewart. Photo by Bruce Peters. Alumnae Theatre launches the final week of its FireWorks Festival with Genevieve Adam’s If the Shoe Fits, directed by Heather Keith—opening last night in Alumnae’s Studio Theatre. Fairy tale favourites collide, withContinue reading “FireWorks Festival: Fairy tale favourites collide with a contemporary feminist twist in the hilariously charming, bawdy If the Shoe Fits”

Desperation, desire & cruelty in the ferocious, electric, heart-breaking A Streetcar Named Desire

Amy Rutherford and Mac Fyfe. Set design by Lorenzo Savoini. Costume design by Rachel Forbes. Lighting design by Kimberly Purtell. Photo by Dahlia Katz. Soulpepper sets the stage on fire with a slow burn of desperation, desire and cruelty in its ferocious, electric, heart-breaking production of Tennessee Williams’ A Streetcar Named Desire, directed by ADContinue reading “Desperation, desire & cruelty in the ferocious, electric, heart-breaking A Streetcar Named Desire”

Questions of perception, assumption & expectation in the powerful, riveting, provocative Actually

Tony Ofori & Claire Renaud. Set design by Sean Mulcahy. Costume design by Alex Amini. Lighting design by Steve Lucas. Photo by Joanna Akyol.   The Harold Green Jewish Theatre Company, in association with Obsidian Theatre, opens its 13th season with Anna Ziegler’s Actually, directed by Philip Akin, assisted by Kanika Ambrose; and running inContinue reading “Questions of perception, assumption & expectation in the powerful, riveting, provocative Actually”

Sharply funny, moving, candid looks at LGBTQ lives in 7th annual Gay Play Day

Gay Play Day—an annual festival of short, new plays written by LGBTQ playwrights and their allies—returns to the Alumnae Theatre Studio for two days only. This is the 7th year of the fest for founding AD Darren Stewart-Jones and the GPD team, which this year includes technical director Johnny Salib and Henry Keeler on frontContinue reading “Sharply funny, moving, candid looks at LGBTQ lives in 7th annual Gay Play Day”

Hamlet as you’ve never seen it in the haunting, beautiful ASL/English adaptation Prince Hamlet

Christine Horne as Hamlet in Prince Hamlet—photo by Bronwen Sharp   Why Not Theatre mounts Ravi Jain’s exciting bilingual (ASL and English) adaptation of Shakespeare’s Hamlet with its production of Prince Hamlet, directed by Jain; and currently running at the Theatre Centre. This production has already been garnering some well-deserved buzz. Not only does PrinceContinue reading “Hamlet as you’ve never seen it in the haunting, beautiful ASL/English adaptation Prince Hamlet”

SummerWorks: Debating feminism & privilege in provocative, sharply funny Don’t Talk to Me Like I’m Your Wife

Traitorous whore spy? Feminist? Sexually liberated opportunist? The gloriously notorious Mata Hari gets look through 21st century eyes in Call Me Scotty Production’s premiere of Andrea Scott’s Don’t Talk to Me Like I’m Your Wife, directed by Andrew Lamb and opening last night in the Theatre Centre Mainspace as part of this year’s SummerWorks program.Continue reading “SummerWorks: Debating feminism & privilege in provocative, sharply funny Don’t Talk to Me Like I’m Your Wife”