Toronto Fringe: Conflict, family & connection in the compelling, moving Checkpoint 300

Back: Brittany Cope. Front: Ori Black & Lizette Mynhardt. Photo by Adrianna Prosser.

 

Tamaya Productions, this year’s winner of Fringe’s First Play Competition, presents Checkpoint 300, written and directed by Michelle Wise, assisted by Duncan Rowe, and running in the Factory Theatre Mainspace. A tragic incident at the Israel-Palestine border involving the first female soldier assigned to a checkpoint brings two women from opposite sides together as the soldier deals with the aftermath and a reporter looks for answers in this compelling, moving story.

Shiri (Lizette Mynhardt), a young Israeli soldier, has just completed punishing training and rigourous testing in order to be the first female soldier assigned to an Israel-Palestine border checkpoint. Her mother Tivka (Jorie Morrow) is concerned but supportive, and her father Benny (Geoff Mays) worries and wonders why she couldn’t have aimed for a safer office position. Shiri’s commanding officer Shay (Ori Black) is taken aback by the posting, but takes it in stride, acknowledging that she’s passed the same training and testing the male soldiers have, and makes a place for her on the team.

On the Palestinian side, reporter Amelie (Brittany Cope) leaves her family home for Paris, for a life away from the oppressive environment of constant policing, control and monitoring. Her gentle, easy-going father Bashir (Mays) and mother Nabila (Morrow) want her close to home, and on a more traditional path, including a husband and family. Her younger brother Walid (Amir Pour) works with their father as a mechanic when he’s not playing soccer.

Amelie and Shiri are brought together following a tragic incident at the checkpoint, where an Israeli soldier and a Palestinian man were killed—the latter a terrorist suspect. Shiri refuses to speak of the incident to anyone, and her mother arranges a meeting with Amelie in the hopes that Shiri will get to tell her side, and achieve some closure and relief. And as the story unfolds, Shiri and Amelie’s personal connections to the incident are revealed.

Lovely work from the cast in this often intense tale of conflict, family and connection; and where everyday life proceeds with humour and a sense of pragmatism, coloured by which side of the border one lives on. Mynhardt’s Shiri is a tightly coiled combination of determined ambition and nervous anticipation; Shiri wants to do something that makes a difference, but is all too aware of the many eyes on her with this historic posting. Cope’s performance as Amelie reveals a sense of resilience, drive and heart; like Shiri, Amelie is an ambitious, hard-working professional in a male-dominated field—and must now navigate personal feelings as she seeks to find the truth.

Black is a likeable, irreverent, and highly skilled leader as Shay; not too sure how this girl at the checkpoint thing is going to work, Shay takes a professional attitude and becomes a mentor to the rookie Shiri. Pour brings a sense of fun and mischief to the cocky youth Walid; clocking time at the shop with his father, he dreams of a life away from there—and glory on the soccer pitch. The casting of Morrow and Mays as both sets of parents is both fitting and poignant here, as it serves to highlight the commonalities on opposite sides of the border. Parents worry and try to usher their children toward what they think is best for them. And, no matter where they are, they want much the same thing: for their families to be safe and for their children to have a good future.

Even in an environment of conflict, opposing sides always have something in common—a way to connect. But easier said than done when fear and mistrust run so deep and for so long. Can hope and love have a chance?

Checkpoint 300 continues in the Factory Theatre Mainspace for two more performances: July 13 at 10:15 and July 14 at 4:00; check the show page for advance tickets.

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Toronto Fringe: The stages of grief & struggle for recovery injected with humour in the moving To Jane with Love

to_jane_with_love_web-250x250Promise Productions explores addiction and grief in their production of Deon Denton’s To Jane with Love, directed by Denton and running at the Al Green Theatre during Toronto Fringe. The show will also be featured in the Midtown International Theater Festival in New York later this month.

Scenes of the evolution of Henry (Geoff Mays) and Jane’s (Mish Tam) relationship weave in and out of the aftermath of a life-altering traumatic experience that changes their lives forever. As much as Henry resists help from his psychology-spouting parole officer Jonas (Philip Cairns), it’s his 10-year-old neighbour Sushanna (Aviv Cohen) who appears to be getting through. Running through Henry’s story, we also see the recovery process of two support group members (Fraulein Almariego and Shobba Hatte).

Mays gives a nice, multi-faceted performance as Henry; a sharp cynic with a serious drinking problem, he’s also a romantic at heart with a deep love of words. Tam is adorably bubbly as Jane; a vibrant spirit who loves books, and revels in performing choice quotes and pieces of poetry. Cairns gives a solid, layered performance as Jonas, the wry-witted and wise parole officer who executes his job with a no-nonsense brand of tough love, and struggles with the clients who don’t make it. Cohen is a treat as Sushanna; a wise guy herself, she shares Jane’s love of books and has an insatiable – and sometimes inappropriate – curiosity. And really nice work from Almariego and Hatte as two women in different stages of recovery.

The stages of grief and struggle for recovery injected with humour in the moving To Jane with Love.

To Jane with Love continues at the Al Green Theatre until July 10. For ticket info and advance tickets/passes, check out the Fringe website.