Suffrage, prohibition, love & puppets in Driftwood’s charming, timely, re-imagined Rosalynde (or, As You Like It)

Ximena Huizi & Sochi Fried. Production design by Sheree Tams. Photo by Dahlia Katz. Driftwood Theatre Group puts a beloved Shakespearean heroine’s name back on the marquee with its charming, timely 2018 Bard’s Bus Tour production of the re-imagined Rosalynde (or, As You Like It), directed by AD D. Jeremy Smith. It’s 1918; and women’s suffrage,Continue reading “Suffrage, prohibition, love & puppets in Driftwood’s charming, timely, re-imagined Rosalynde (or, As You Like It)”

Lust, corruption & the pursuit of justice in Shakespeare BASH’d sharply funny, timely Measure for Measure

Sochi Fried & Geoffrey Armour. Scenic design by Caitlin Doherty. Photo by Kyle Purcell.   Shakespeare BASH’d returns to a Toronto pub to present one of the less produced plays of the canon: Shakespeare’s Measure for Measure, directed by Catherine Rainville and opening last night at Junction City Music Hall. Given the current #MeToo climate,Continue reading “Lust, corruption & the pursuit of justice in Shakespeare BASH’d sharply funny, timely Measure for Measure”

Taming the Shrew like it’s 1989 in sharply witty, playfully bawdy, LGBTQ+ Bard’s Bus Tour

Driftwood Theatre Group launched its annual Bard’s Bus Tour earlier this month, this time with a 1980s Toronto Pride take on William Shakespeare’s The Taming of the Shrew, directed by Driftwood Artistic Director D. Jeremy Smith and running this week at Toronto’s Withrow Park. A challenging play to produce for modern-day audiences, given its dynamicContinue reading “Taming the Shrew like it’s 1989 in sharply witty, playfully bawdy, LGBTQ+ Bard’s Bus Tour”