A gothic fairy tale of spiritual connections, mystical protectors & escaping a monster in Brenda Clews’ gripping, magical Fugue in Green

Like a bullet in slow motion, she floated over treetops for as long as it took to blink.

A gothic fairy tale of spiritual connections, mystical protectors and escaping the clutches of a monster, this is the opening line of Brenda Clews’ mesmerizing, magical novella Fugue in Green, published by Quattro Books.

Teen siblings Steig and Curtis struggle to survive live with their cruel, controlling and abusive mother Leica while their filmmaker father Reb is away working in England. Their monster mother is a catalyst for Steig’s escapes into the woods that surround their Vermont home, where Steig finds solace in nature. It is in these moments that we learn that Steig is a magical, elemental young woman who becomes the landscape she loves and shelters in. She also sees ghosts: her grandparents and a former teacher. And the ghosts tell her things. And she has a spritely sentinel: a bird man called forth from her connection to the woods to be her guardian.

Reb lives and works with his dreams—and dreams while awake—the everyday becoming surreal, expressionist visions that surround him; a visual poet, he creates poetry with images instead of words. And what of the mysterious and angelic Clare, a magician with a camera who arrives in his life at the precise moment he needs her—both personally and professionally?

Steig’s younger brother Curtis busies himself with more traditional, earth-bound teen pursuits. While not fully immune to their mother’s unreasonable expectations, unpredictable behaviour and wrath, he bears the least of it. And when their mother goes too far with Steig one day, Curtis launches a plan to flee their mother, contact their father and join him in England. Their journey to safety is fraught with terrifying memories and shared visions, but is also protected by forest spirits.

Secrets are revealed—with devastating results. Reb had no idea about the child abuse going on in his own home; forced to move beyond his own sense of guilt of being so distant from his children, who he realizes he barely knows, he’s determined to make a safe, supportive home for them. He’s been away too much and for too long. Meanwhile, back at the family’s home in Vermont, and realizing that her children are gone, Leica flies into a spiralling, destructive rage that echoes across an ocean.

Supernatural, spiritual connections emerge and reveal themselves; the battle between order and wilderness embodied in the relationship between Steig’s mother and Steig—and even Reb. Love, family, myth and metaphysics intertwine, winding around these relationships as the two children escape the witch at home and into the arms of those who truly love them.

Magical, sensuous and seductive, Clews’ words swirl around you and draw you in; mesmerizing with evocative colours and haunting, ethereal—and sometimes disturbing—images. A short, gripping modern fairy tale, it’s perfect for curling up for an afternoon or evening read, easily finished in one sitting.

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Brenda Clews

Clews is also an artist and a poet; you can view her work on her website, and on YouTube and Vimeo. You can also connect with Clews on Twitter and Facebook.

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Second City serves up the fun with a trippy mashup of holiday classics in Twist Your Dickens

Ever wonder where the misfit toys went after Santa took them off the island? How about that original ending to A Charlie Brown Christmas that the network execs didn’t want you to see? And how Oliver Twist became an activist?

Wonder no more, my friends. For this holiday season, Second City presents Twist Your Dickens. Written by former The Colbert Report writers Peter Gwinn and Bobby Mort, and directed by Chris Earle, with music direction by Ayaka Kinugawa, it’s running right now at the Greenwin Theatre at the Toronto Centre for the Arts.

If you’re looking for a straightforward comedic retelling of A Christmas Carol, you ain’t getting it here. Starring Seán Cullen and Patrick McKenna, and featuring award-winning Second City alumni Jason DeRosse, Nigel Downer, Sarah Hillier, Karen Parker and Allison Price, Twist Your Dickens plays with sketch comedy and improv as it weaves other classic holiday favourites with Dickens’ famous Christmas tale, twisting and turning the storytelling—and the fun—in wacky, unexpected ways. Think secret Santa at the Fezziwigs’ office Christmas party; Tiny Tim’s sleepover; Oliver Twist’s orphan protest.

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Karen Parker, Sarah Hillier & Patrick McKenna in Twist Your Dickens – all photos by Paul Aihoshi

Leading this wacky band of performers, Cullen gives us a deliciously nasty and darkly funny Scrooge; callous and money grubbing, with hints of the Grinch, he has a game, child-like quality—which comes in handy on his journey with the ghosts. McKenna does a fabulous job, juggling several supporting characters, including the woebegone Jacob Marley; the chains he forged in a miserable life linked with confessions shared by audience members, inspiring a round of hilariously bizarre improv. McKenna also does a hysterically hyper-cheerful (or is he?) Fred, Scrooge’s nephew; he does a mean Jimmy Stewart George Bailey too.

Rounding out the ensemble is a fine group of sketch comedy/improv performers. DeRosse is Bob Cratchit, Scrooge’s put-upon but faithful clerk (or is he?); he gives a stand-out performance as Linus in the alternate ending for A Charlie Brown Christmas, as the gang reacts to his speech at the school Christmas pageant. Karen Parker plays Mrs. Cratchit, Bob’s supportive wife who can barely stand to tolerate Scrooge—and has some interesting suggestions on that score. And she shines with the song stylings of Ruby Santini, delivering her own personal, hilariously inappropriate take on classic Christmas songs during a recording session (featuring McKenna as her baffled, stressed out producer). Hillier plays Tiny Tim, with a decided twist; this kid may be schlepping along with an ill-fitting crutch, but he’s no wilting wallflower.

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Seán Cullen & Sarah Hillier in Twist Your Dickens

Downer calls out the show’s obvious and not so obvious anachronisms as the Heckler; and does an awesome job as the rad, energetic Ghost of Christmas Past. And Price is hilarious as the drunken party girl Ghost of Christmas Present and the prankster Ghost of Christmas Future.

With shouts to the design team Jackie Chau (set), Melanie McNeill (costume) and Christina Cicko (lighting), and stage manager Andrew Dollar.

Second City serves up the fun with a trippy mashup of holiday classics in Twist Your Dickens.

Twist Your Dickens continues in the Greenwin Theatre at the Toronto Centre for the Arts until December 30. Get your advance tix online; for group discounts (8 plus), call THE Group Tix Company 647-438-5559, outside GTA 1-866-447-7849 or visit the group box office online.