Discovering & unpacking identity & marginalization in Jivesh Parasram’s entertaining, candid, mindful Take d Milk, Nah?

Jivesh Parasram. Photo by Graham Isador.

 

Pandemic Theatre and b current performing arts, with the support of Theatre Passe Muraille (TPM), present the premiere of Jivesh Parasram’s one-man show Take d Milk, Nah?, directed by Tom Arthur Davis—opening last night in the TPM Backspace.

Do you have any Indo-Caribbean friends? Do you want one? Jivesh (Jiv) Parasram will be that friend. Canadian-born with Indo-Trinidadian heritage, Jiv’s short piece about birthing a cow, coupled with experiences of growing up in Nova Scotia, and connections with family in Trinidad and Hinduism, evolved with the assistance of dramaturg Graham Isador into Take d Milk, Nah? The title is Jiv’s impression of a Trinidadian cow; cow’s don’t “moo” so much as they “nah.” Also, cows are awesome (and we’re greeted by one outside TPM).

Beginning with a hilarious prologue that introduces the show as an identity play, Jiv is as much self-deprecating as poking fun at the solo show experience. And he nails it when he points out that identity plays are an especially Canadian thing. Part stand-up, part storyteller, part teacher, Jiv weaves cultural and family history with ritual, Hindu stories and personal anecdotes—and even a trip into his mind—gently schooling us along the way with patience and good-humour.

Like when he talks about the impacts of colonialism and imperialism on occupied and/or enslaved peoples. When slavery becomes indentured servitude, and communities of former slaves are regarded with suspicion and fear of an uprising, an already oppressed people become further separated from their loved ones and even their identities. Scattered into the marginalized edges of society, how do they live with others, often in a new world far from home, and not lose their own culture?

Growing up in the East Coast of Canada, neither black nor white, and the only member of his family not born in Trinidad, Jiv relates his personal struggles in the search for identity. The birthing of the cow back in Trinidad becomes an important symbol of Indo-Trinidadian cultural identity for him—and this story is full of excitement, edge-of-your-seat veterinary drama and hilarious procedural descriptions. He also relates the personal impact of 9-11; the increase in racist remarks and treatment when he was assumed to be Muslim and therefore a terrorist. And how this led him to embrace Hinduism, thus distancing himself from ‘those bad brown people’—and stung by his response to save himself when Muslims became the target of increased oppression.

Jiv doesn’t want to start an oppression pissing contest or point fingers of blame; well-aware that mainstream education tends to leave out or gloss over the history and lived experiences of people of colour (POC), and that some white folks haven’t had the opportunity to befriend a person of colour, he’s happy to school us. And he delivers some harsh truths with a spoonful of sugar—all while recognizing his own privilege as a straight, cisgender male with a microphone. But, then, this can get exhausting—for anyone who identifies as POC. The extra time and effort spent providing basic background information of cultural history and lived experience isn’t something that people who enjoy white privilege have to do. And important, nuanced and deeper conversations may have to be delayed or put aside in the process.

Hilariously entertaining and insightful, Jiv is a sharp and engaging storyteller. Playful and candid as he chats with us—including some gentle, fun audience participation—he is respectful and inclusive, even when pointing out our differences. Because, after all, as he aptly points out, identity is an illusion—and we are all the same.

Informative and uplifting, Jiv’s show may inspire you to learn more, or check your way of thinking about and treating those who aren’t like you. And you may wind up leaving the theatre asking yourself how you hold privilege, and if/how you are marginalized.

Discovering and unpacking the intersectionality of identity and marginalization through storytelling and ritual in the entertaining, candid, mindful Take d Milk, Nah?

Take d Milk, Nah? continues in the TPM Backspace until April 22; get advance tickets online or by calling the TPM box office at: 416-504-7529. Advance booking strongly recommended.

The run includes a Relaxed Performance on Saturday April 14, 2018 at 2pm; an ASL Performance on Friday April 20, 2018 at 7:30pm; and an Audio Described Performance on Saturday April 21, 2018 at 2pm.

Check out the trailer:

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Identity, community & calling shenanigans on BS in the raw, real, nostalgic Situational Anarchy

 Graham Isador in Situational Anarchy

 

Pressgang Theatre joins forces with Pandemic Theatre to present Graham Isador’s one-man work of creative non-fiction Situational Anarchy, direction/dramaturgy by Tom Arthur Davis and Jivesh Parasram, and opening last night at Stop Drop N Roll.

Autobiographical, with an altered timeline and an amalgamation of several bands that were seminal in Isador’s life, Situational Anarchy is part self-discovery, part confession, and part ‘fuck you’ to betrayal and bullshit.

From the thoughtful, curious 11-year-old whose mind is blown when his mum gets real about his grade 6 music performance, to the awkward, large and bullied kid stumbling onto puberty, Graham is searching for meaning and desperate to belong. Try as he may, he can’t seem to find his place and almost checks out—then he discovers the punk band Against Me and its lead singer Laura Jane Grace, who later transitioned from male to female. Beyond the music, the social activism and humanity of this world resonate strongly.

His joy at discovering the music and the message increases when he finds community in the band’s online chatroom—and the cool, fun, smart Mouse, who lives in LA and steals his heart. Things fall apart when he gets caught up in Mouse’s unhealthy body image lifestyle and Against Me signs with Warner Music—which he views as a sell-out, as Warner also owns CNN—and he loses that online community and Mouse. Things come to a violent head when he drops by a local punk bar. It’s definitely not the community he knows and loves. Drafting a letter to Laura Jane Grace throughout, his correspondence serves as a framework for his story. And he’s calling bullshit on her. Years later, he takes a job interviewing her. So much to say.

Staged with multiple microphones, Situational Anarchy is a punk rock solo theatre piece. Isador’s performance is genuine, raw and personal, revealing a dark, edgy sense of humour and a profound longing to connect and belong. Weaving stories of coming of age, body image, homophobia, music and activism, he opens and closes his heart and mind to us in a funny and heart-breaking, at times violent, misfit’s journey of storytelling—reminding us of the power of music and message to inspire and unite.

With shouts to the design/running team: Ron Kelly (sound), Laura Warren (lighting/projection) and Heather Bellingham (stage manager).

Identity, community and calling shenanigans on bullshit in the raw, real, nostalgic Situational Anarchy.

Situational Anarchy continues at Stop Drop N Roll (300 College St., Toronto—above Rancho Relaxo) until June 3. Tickets at the door are Pay What You Want; advance tickets available online for $15. Heads-up: Seating very limited; only 25 seats per night.

All proceeds from the show (after expenses) will be donated to Trans Lifeline [US: (877) 565-8860 Canada: (877) 330-6366] and Gender is Over.

The closing performance will be followed by a set from Stuck Out Here.

NSTF: Story time for grown-ups with three solo tales—and one is a big fat lie—in the funny, frank Two Truths & a Lie

Pressgang Theatre serves up some storytelling meets game show fun with Two Truths and a Lie, created by and featuring Graham Isador, Helder Brum and Rhiannon Archer, and directed by Tom Arthur Davis. The action is happening at the Toronto Fringe Next Stage Theatre Festival (NSTF), upstairs in the Factory Theatre Antechamber.

Think you’re good at spotting a tall tale that’s way too unbelievable to be true? Test your skills and enjoy some good times as Archer, Brum and Isador share personal anecdotes. Two of them are telling the truth and one is lying to your face.

Over the course of 30 minutes, each storyteller serves up a hilarious, supposedly true, story of determination, patience and heartache. Each performer has a distinct presence and delivery style. Archer is a high-energy delight and an unapologetically ambitious firecracker in her story. Brum is endearingly self-deprecating and hilariously frank as he takes us on his journey. And Isador has a wry, introspective, edgy energy as he delivers his personal tale of experience and growth. And one lucky audience member has a chance to win a prize if he/she can determine who’s lying.

Storyteller Jillian Welsh will be joining the gang at the end of the run, on Jan 13-15.

Story time for grown-ups with three solo tales—and one is a big fat lie—in the funny, frank Two Truths and a Lie.

Two Truths and a Lie continues in the Factory Theatre Antechamber until Jan 15. Get your advance tix and passes online; and check out the full NSTF schedule.

Photo: Graham Isador – by Tanja-Tiziana