Languishing but not totally broken

A stone cemetery monument featuring a relief sculpture of a mourning woman with long flowing hair, her head bent in sorrow as she leans over an urn. Photo taken by the blogger, at St. James Cemetery, Toronto, ON. Hello! It’s been a while, I know. So much going on, collectively and personally. And, frankly, myContinue reading “Languishing but not totally broken”

All the feels

Photo of a pink neon heart, shining from an apartment window, by Valerie Gow. Happy really belated New Year! It’s been a while since I posted here. Like many of you, I’ve been taking some time for self-care and reflection as we transition into 2021. I celebrated the holidays this year, a year unlike anyContinue reading “All the feels”

Safe & happy holidays

And, suddenly, it’s December. It’s Winter Solstice today, and the final weeks of the holiday season are unfolding unlike any other before. Many of us are in, or about to go into, lockdown. Favourite holiday traditions, family gatherings, shopping and outings have had to be cancelled or rearranged to follow public health protocols and localContinue reading “Safe & happy holidays”

Mental health takes centre stage in the mercurial, heart-wrenching, provocative adaptation Hamlet(s)

Skipping Stones Theatre gives us a new, contemporary take on the Shakespeare classic brings mental health front and centre with its mercurial, heart-wrenching, provocative adaptation Hamlet(s), directed by Sean O’Brien, supplemented by additional Shakespearian text; and opening last night to a sold out house at b current Studio in Artscape Wychwood Barns. Here, we haveContinue reading “Mental health takes centre stage in the mercurial, heart-wrenching, provocative adaptation Hamlet(s)”

Power, connection & identity in the potent, magical, eye-opening Watah Theatre Double Bill

“A world without fairy tales and myths would be as drab as life without music.”—The Watah Theatre The Watah Theatre presents a Double Bill of biomythographies, including an excerpt reading of d’bi.young anitafrika’s Once Upon A Black Boy and the world premiere of Najla Nubyanluv’s I Cannot Lose My Mind, running in the Studio at Streetcar Crowsnest.Continue reading “Power, connection & identity in the potent, magical, eye-opening Watah Theatre Double Bill”