Remembering Nonnie Griffin

Photo from Bluffs Monitor.

 

Nonnie Griffin and I became mutual fans, from opposite sides of the stage, while working on two different productions at Alumnae Theatre in 2008: she as the formidable Irish matriarch in Lucy Brennan’s Daughter of the House and I as the compassionate, no-nonsense oncology nurse in Margaret Edson’s Wit.

I had the pleasure of seeing and reviewing Nonnie’s work in the years that followed; and particularly enjoyed her own one-woman shows Sister Annunciata’s Secret and Marilyn—After, both brave, resonant portraits of older women navigating life’s joys and heartbreaks. And she came out with two friends to see me perform in The Sad Blisters this past April (on Easter Sunday); she enjoyed the show very much and sent me a lovely email, along with a big virtual hug.

Nonnie was to launch her new one-woman show, Before Scarlett—about the creation of Gone with the Wind, told from the perspective of author Margaret Mitchell—for one performance at the Heliconian Hall on June 19. Now that she’s gone, we’ll be celebrating her life and work instead.

She was a classy, brave and frank professional; funny and insightful—and supportive of fellow artists. Her candid, creative spirit will be missed.

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