Hey all—I can’t believe it’s December already!
That means it’s time for the cowbell blog’s annual December (pseudo) hiatus.
I say “pseudo” because, as usual, I’ll be seeing and reviewing a few holiday shows this month. In the spirit of holiday surprises, I won’t say what shows—but I will say there will be some holiday-themed/panto fun and shenanigans. So stay tuned later this month!
Happy holidays to you and yours—and all good things for 2020! It’ll be a brand new decade, with fresh opportunities and developments on the horizon.
Hey all—It’s that time of year again!
A many of you probably already know, every June the cowbell blog and I take a month off for a bit of R&R before some big fun, busy times at Toronto Fringe.
This year—with the exception of a few shows I’ve already committed to reviewing—I’ll be taking the month of June off (hence, the “pseudo” hiatus). This will be some real time off, as the March-April hiatus from the blog was replaced with work rehearsing/performing The Sad Blisters. (Thanks again to Sam Mooney at Mooney on Theatre for the lovely review/shout-out!)
Stay tuned for a few reviews coming up in June. I’ll be back full force in July for Toronto Fringe (check out the program guide for the 2019 line-up).
In the meantime, enjoy the end of Spring and the beginning of Summer—and make sure to get out to support local theatre!
As promised, I’ve got some news, including an accompanying Spring hiatus for the blog…
Back in January, I was invited to join the cast of an indie production of The Sad Blisters, a new play by Andrew Batten, directed by Victoria Shepherd. It’s a quirky, funny, poignant family dramedy with an all-female cast—so, of course, I loved the script immediately. Our first read-through is tomorrow!
It’s been almost 11 years since I performed in a theatre production (Wit at Alumnae Theatre); I’ve done staged readings, stand-up and singing performances in the meantime, as well as seeing/reviewing a lot of theatre. So I’m very excited to be returning to the stage—and working with this team!
Since we’ll be rehearsing and performing on weeknights and weekends, I’ll be putting the blog on a two-month hiatus for March and April so I can focus time and energy on the play. I’ll still be seeing a few shows—and shouting out shows on social media—just not reviewing or interviewing.
The Sad Blisters runs April 12-27 at The Commons—so save the dates! Stay tuned to Facebook, Twitter, etc. for details, including performance dates/times and advance ticket purchase info. I’ll be posting info here on the blog as well.
Happy March! Here’s hoping Spring arrives soon.
Holy cow, it’s that time of year again! Time to get the holiday activities into high gear, with shopping and social events taking over the calendar.
This also means it’s time for the cowbell blog’s annual December hiatus. This gives me a chance for some R&R after a very busy Fall theatre season, and to take some time with friends and family.
As usual, I’ll be covering some holiday shows: two next week and one during the last week of December. Also keep an eye out for my Top 10 Theatre of 2018 list at the end of December.
In the meantime, I wish you and yours love and joy this holiday season—and all good things for 2019!
Can’t believe it’s the last day of May already! That means tomorrow marks the first day of the cowbell blog’s annual June hiatus (there’s also one in December). I’ll still be seeing some shows, and shouting stuff out on social media; just not covering them on the blog.
Have a lovely June! See y’all in July.
Okay, so not really gone fishin’ this time.
As you may have heard, I started a new job this month, joining Nightwood Theatre as its new Marketing & Outreach Coordinator. I spent the first week of July training with Nightwood’s former Director of Communications and Outreach, Taylor Trowbridge, who will be performing in Lewis Black’s play One Slight Hitch at Upper Canada Playhouse this summer, then heading off to York University to do her MFA in theatre. And, now, I’m it.
I’m very excited to be working with Nightwood; there’s a lot to learn and do—and I’m happy to be working with this amazing, creative group of women.
In order to focus time and energy on the new position, I’m putting the blog on hiatus again. I’ll still be seeing shows, and shouting them out on social media, but not posting on the blog for a while. Once I get a better handle on my schedule, I’ll be back with a scaled-down life with more cowbell blog.
Till then, enjoy all the amazing arts events this big, beautiful City of Toronto has to offer—and please support local artists.
And, while you’re here on the Interweb, give Nightwood Theatre a like and a follow on Facebook, Twitter and Instagram.
Hi all. Have some news before coming out my annual June hiatus next week—and before we head out for the long weekend.
As many of you know, life with more cowbell is a one-person, unpaid, part-time passion project; this means I support myself with a day job. My previous full-time position was phased out in May 2016; and I’ve been job searching, networking and freelancing ever since, as well as doing voice-over auditions since I signed on with VOX Talent in March.
I’ve been invited to a number of awesome Fringe shows this year. In previous years, I was able to take a week off to cover 20 shows. That’s not possible this year, as I’ll be starting a new job on Tuesday (yay! details to come). As a result, I’ve set up an abbreviated Fringe schedule for cowbell—covering fewer shows (I’ve booked 10) and writing shorter blog posts.
I want to thank all the Fringe productions that invited me to their shows. If I don’t get to your show, it’s not a reflection on your company or your play—it’s just that I wasn’t able to fit it in (I’ll also be covering the opening of Hogtown and a matinée of Billy Bishop Goes to War in mid-July). Even if I’m not able to see your show, I’ll do my best to shout it out on social media.
Have a great long weekend and happy Fringing! Please support local theatre and artists all year round.