Owen Fawcett. Photo by Nicholas Marinelli.
Theatre By Committee opened its production of Will Eno’s Pulitzer Prize-nominated Thom Pain (based on nothing), directed and designed by Hannah Jack, and assistant directed by Brandon Gillespie, at Hub 14 last night.
Starring Owen Fawcett, Thom Pain explores fear, loss and the profound, regret-filled sense of being alone. Speaking directly to us throughout, Thom—alone, extremely well-educated and deeply wounded—slip slides, stagger glides, and otherwise careens and halts inside his own story as he stumbles, ruminates and struggles to piece together bits of memory, personal narrative and fleeting thoughts. Philosophical, cerebral, visceral and primal, he’s an extremely intelligent guy academically but not emotionally; and there’s a poetic ferocity to his mental thrashing about, and a lost boy quality to the way he occasionally lashes out. And immediately apologizes.
Fawcett gives a compelling performance as we follow Thom down the rabbit hole of his psyche. Entertaining and charming in an awkward, quirky sort of way, Thom teases and mocks, riding the edge of cruelty without descending into it as he tells these dark stories. Stories of childhood, childhood loss and loneliness; stories of love and loss of love and aloneness. There’s an awkward poignancy to his self-conscious, self-analyzing, self-deprecating delivery—and Thoms’s weary, often distracted, journey through thoughts and memory connects and resonates in such a way that we really believe him whenever he points out that we’ve all been there. And, like him, we’ve all had moments of beauty and moments that destroyed us—and we’re all trying.
The very intimate space at Hub 14 puts the audience up close and personal with this performance; but don’t worry, Thom is respectful of your space.
Fearful and alone in loss, love and trying to find the meaning of it all in the edgy, philosophical, quirky Thom Pain.
Thom Pain (based on nothing) continues at Hub 14 (14 Markham Street, Toronto) till April 8. It’s a weekend-long run, with performances tonight (April 7) at 8:00 pm, and tomorrow (April 8) at 2:00 p.m. and 8:00 p.m. It’s also a very intimate space with limited seating. Get your advance tickets online.