Trippy, quirky, thought-provoking mind-f*ck of a good time in The Summoned

The Summoned, Tarragon Theatre
Fabrizio Filippo in The Summoned – photos by Cylla von Tiedemann

If it can be done it will be done.

Static for a time, then appearing as if being typed by an unseen hand, there is a quasi-religious elegance to these words. God meets science.

This is how the stage is set for Tarragon Theatre’s world premiere of Fabrizio Filippo’s The Summoned, directed by Richard Rose, assisted by Joel Bernbaum – currently running in the Mainspace.

Tech giant Khan (one name, like Cher, chosen himself) is dead and his executor has called an assembly of the important figures in his life for the reading of his will at a shitty airport hotel in Toronto, run by his former partner/ex Annie (Maggie Huculak) and her son Aldous (Fabrizio Filippo). The hotel was set up as a safe house for the world’s intellectual elite, and the guests are transported to the location with impressive precision and secrecy by Khan’s security chief Quentin (Tony Nappo). Company president Gary (John Bourgeois) and lawyer Laura (Kelli Fox), and flight attendant and Aldous’s sort of girlfriend Isla (Rachel Cairns) round out the guest list. Instructions are relayed to Quentin via Walkie Talkie (Alon Nashman).

Aldous also serves as our narrator, setting the scenes and introducing the players, and we learn about Khan via flashback scenes, where we see how a young Khan (Filippo) meets a young Annie (Cairns), and get glimpses into their work together and the genesis of his empire. It appears obvious to everyone except Aldous that Khan is his father. And, of course, the reading of the will is largely Khan’s way of messing with his dearly beloved from beyond the grave. And it all gets emotional and weird. Really weird.

The Summoned, Tarragon Theatre
Kelli Fox, Rachel Carins, John Bourgeois, Maggie Huculak, Tony Napppo & Fabrizio Filippo in The Summoned

I effing love this cast. This is a wild, entertaining, high-energy ride – and this ensemble isn’t afraid to give ‘er. Playwright Filippo is a multitasking machine onstage, playing two very different characters. As Aldous, he brings an unflappable, almost eerie, sense of detachment and calm; minimally communicative and eschewing physical contact, there’s an Asperger’s quality to his relationship with the world. As Khan, he’s an impish, big personality; a mercurial and diabolically brilliant tech maestro with a lascivious appetite and flexible morals, he takes and uses what he wants, when and how he wants.

Huculak brings a lovely, layered sense of desperation and control to Annie; a brilliant, groundbreaking tech mind in her own right, her life forever changed by motherhood. Long estranged from Khan, she got the kid and he got the company, and she’s kept one foot in their once shared world by running the hotel safe house, perpetually longing for a connection with her son. Cairns is a kooky delight as Isla, the flight attendant who lives a seemingly charmed life; always living in the present, she is super spontaneous, hilariously irreverent and refreshingly honest. Nappo is a loveable combination of efficiency and wackiness as the cellphone snapping, air freshener spraying security guy Quentin; a schlub in a uniform, he also appears to be a narcoleptic, but this doesn’t stop him from executing his duties with tight-lipped, covert expertise. Bourgeois’ Gary is a great combo of funny and intimidating; an imposing corporate badass, Gary is entitled and cynical, and we see his soft underbelly emerge during the reading of the will. And Fox’s Laura is a gorgeous, ballsy 21st century Rosemary Clooney; pragmatic, but warm, she’s a sharp no-nonsense professional – and a woman with a confession to make.

The Summoned, Tarragon Theatre
Seated: John Bourgeois, Fabrizio Filippo & Maggie Huculak, with Kelli Fox on the floor

On the serious side, The Summoned is an exploration of the history and evolution of tech, and its applications and implications for our lives. If it can be done it will be done. Forever and ever, Amen.

With shouts to the design team, especially Jason Hand (lighting and set) and Kurt Firla (video) for the minimalist, multimedia environment; the playing space has a crisp, sleek quality to it – making you expect to see Steve Jobs walk out to launch a new iPhone. (Yes, I know, he’s dead.)

A trippy, quirky, thought-provoking mind-f*ck of a good time in The Summoned.

The Summoned continues in the Tarragon Mainspace until May 29; get your tix in advance, kids – this show is packing the house.

In the meantime, check out this Theatromania interview with playwright/actor Filippo.

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When Richard met Mimi – all the nerves, humour & excitement of a first date in magical, sassy Blind Date

BlindDate_Final_webAfter recently seeing Rebecca Northan perform her solo show Troublemaker at this year’s Soulo Theatre Festival, at long last, I got to see the full-length version of her play Blind Date at the Tarragon Theatre Mainspace last night. I’d fallen in love with Northan’s character Mimi and the show when I saw its 10-minute premiere at The Spiegeltent at Harbourfront Centre during World Stage in 2007, but the 90-minute version had eluded me. Well, no more my friends. And it was marvelous, brave, sexy and inspiring.

Blind Date begins in the lobby before the house opens, as Mimi circulates among the incoming audience members in search of her date. There are information alerts in the program and on signage regarding “consent to be romanced” – audience participation in the show, especially the individual chosen and his loved ones – and “consent to be videotaped/recorded.” The atmosphere of anticipation starts well before the show gets under way, as we wait and chat with our drinks, receiving welcome and a slip of paper containing a compliment from our handsome and affable scenographer/host (Kristian Reimer), and our lovely and attentive scenographer/server (Christy Bruce). Who will Mimi choose?

Blind Date goes beyond your standard on-the-fly improv show in that Mimi’s date is selected from the audience – a civilian, if you will. Oh, yeah – and Mimi is a clown. Not a circus clown, but a sexy French lady clown in a red dress and fishnets; a clown from the classical school of clown. Some stupid bastard has stood her up, leaving her waiting alone at the restaurant for two hours – and being the resourceful and proactive gal that she is, she finds herself a replacement date.

Last night’s selected date was Richard, a fit, married, 70-ish tax planner and South African by birth who likes to work out and once raced sports cars. His wife wasn’t with him last night, but he and the two friends who came with him were sure that she’d be okay with him going on this imaginary blind date. Before they get started, Mimi instructs him about the world of the play and the time-out space (either Mimi or her date can call a time out and move to a taped off corner of the stage to take a break from the world of the play, ask questions or strategize). She also tells him that, other than pretending to be single, he is to be himself. Blind Date may be a play of make-believe and improv, but it is rooted in truth and honesty.

Throughout the course of the date, we learn more about him as Mimi gently encourages him to share things about himself. A man who likes to live life on the edge, though not for some time, he espouses the philosophy that one must live life to the fullest. Mimi is extremely adept at coaxing information out of Richard, but far from a one-sided dynamic of sharing, Mimi also speaks of her life – real-life moments gleaned from Northan’s own life. In this case, some delightful coincidences emerge – just like in a real date. Mimi is charming, sassy, gently seductive and vulnerable. And truthful and honest, and very attentive to the comfort of her date.

Rebecca Northan as Mimi in Blind Date
Rebecca Northan as Mimi in Blind Date

The date travels from the restaurant to Mimi’s car (her uncle’s vintage car, actually) and an eventful and hilarious drive to her place (featuring a very funny performance by Reimer) to the condo (also her uncle’s) where she’s staying. At one point, Richard is left alone in the living room while Mimi goes to freshen up; he takes the opportunity to explore while he waits, and finds a copy of Henry and June, as well as some interesting items in a decorative box, on a side table. Game and a bit bashful at times, Richard did a marvelous job onstage. Who among us would be brave enough to kiss a stranger in front of a theatre full of strangers? And Mimi’s astute observation that he deflects uncomfortable moments with humour was spot on, as was her noting that this kind of response indicates that he was emotionally moved somehow in that moment.

They only took one time out. In this case, it was called by Mimi in order to set up how they were going to proceed: continue with the date or jump five years into the future. This choice is left up to the audience, who overwhelmingly choose the five-year jump, a choice that has been consistent throughout the seven-year, 400+ dates run of the show. Five years later, Richard and Mimi are living together, but not married – and she has a surprise for him.

A remarkable, entertaining, gutsy and moving piece of theatre. My friend Daria and I had a blast, and had a chance to chat with Northan after the show, where we found her chatting with a group of delighted Tarragon Theatre subscribers (the bar re-opens after Friday night performances, giving audience members the opportunity to chat with the cast). Blind Date always has Mimi paired with a male date (and there are five women trained to play Mimi now, including one who identifies as lesbian). Who knows? If Buddies in Bad Times decided to do a run of Blind Date – in Tallulah’s, say – Mimi would have the chance to kiss a girl. And she might like it.

With shouts to the design team of Brandon Kleiman (designer) and Jason Hand (lighting designer); and to SM and sound improviser Jamie Northan, and the lighting crew.

When Richard met Mimi. All the nerves, humour and excitement of a first date and beyond in Rebecca Northan’s magical Blind Date.

Blind Date continues on the Tarragon Mainspace till October 4 – check here for the full schedule and tickets. Christy Bruce, who also acts as the Mimi alternate, will take on the role of Mimi during weekend matinées, with Northan acting as the scenographer/server. Also please note some special events corresponding with the show: Blind Date Talkback Week (Sept 15-20) and Tarragon Tasting Night (Sept 25).

You can follow Blind Date on Facebook and Twitter, and check out the trailer on YouTube and the CTV interview with Northan.

Go see this – and see it again. It will never be the same show twice. Take a look at some audience reaction from opening night: