Clockwise from top: Anand Rajaram, Rachel Cairns, Augusto Bitter & Joelle Peters. Set design by Anahita Dehbonehie. Lighting design by Kaitlin Hickey. Costume design by Jackie Chau. Photo by John Lauener. Common Boots Theatre, in association with Nightwood Theatre and Theatre Direct, explores the hope, spirit and skepticism on the ground during the 2015 CanadianContinue reading “Hope, spirit & skepticism in the vital, timely The Election”
Tag Archives: Kaitlin Hickey
The power, magic & malice of words in the fascinating, visceral, philosophical, sensual Knives in Hens
Clockwise from top: Jonathon Young, Diana Bentley & Jim Mezon. Set and lighting design by Kaitlin Hickey. Costume design by Michelle Tracey. Photo by Dahlia Katz. Coal Mine Theatre kicks off its 6th season with David Harrower’s Knives in Hens, directed by Leora Morris. Set in 15th century Scotland in the outskirts of a small,Continue reading “The power, magic & malice of words in the fascinating, visceral, philosophical, sensual Knives in Hens”
Preview: Survival, resilience & resistance in the powerful, raw, timely Four Sisters
Bea Pizano & Company. Production design by Kaitlin Hickey in collaboration with Susanna Fournier. Wardrobe and props design by Patrick Peachey Higdon. Video design by Steph Raposo. Photo by Bernie Fournier. Four Sisters is the final installment of Susanna Fournier’s Empire trilogy; produced by Paradigm Productions and commissioned by Luminato, and running this week at the Theatre Centre.Continue reading “Preview: Survival, resilience & resistance in the powerful, raw, timely Four Sisters”
Truth & reconciliation through music, one step at a time, in the inspirational, intersectional I Call myself Princess
Marion Newman & Aaron Wells. Set design by Christine Urquhart. Costume design by Snezana Pesic. Lighting design by Kaitlin Hickey. Photo by Dahlia Katz. Paper Canoe Projects and Cahoots Theatre join forces with Native Earth to present Jani Lauzon’s I Call myself Princess, directed by Marjorie Chan, with associate director Keith Barker and music directionContinue reading “Truth & reconciliation through music, one step at a time, in the inspirational, intersectional I Call myself Princess”
Magic, puppets, shenanigans & horror in spellbinding, diabolically funny The Harrowing of Brimstone McReedy
There are stranger things done in the midnight sun other than cremating Sam McGee. And there are more ways to moil for gold – some with even darker consequences. Eldritch Theatre takes us on a strange, dark and magical adventure with their production of The Harrowing of Brimstone McReedy. Created and performed by Eldritch TheatreContinue reading “Magic, puppets, shenanigans & horror in spellbinding, diabolically funny The Harrowing of Brimstone McReedy”
