Coming soon: SOULO Theatre pop-up show The Return of Superlady!

Hey, kids! A new superhero is coming to town. It’s Superlady!

A pop-up show hosted by SOULO Theatre presents a new dark comedy (with hints of light): The Return of Superlady. Written by Katie Ford and directed by Anita La Selva, the show features Tracey Erin Smith, Christopher Sawchyn, Caitlin B. Driscoll and Savoy Howe.

I asked playwright Katie Ford how The Return of Superlady came about. Here’s what she had to say:

The Return of Superlady, I wrote about eight years ago originally. A friend of mine, Andrea Bendewald, showed up to lunch wearing aviator sunglasses. She struck me as looking like a superhero. And, in that moment, I wrote the play—of the everywoman as superhero. Superhuman strength and human weakness… and a cool pair of aviators.

Andrea and I worked on it, but never developed it fully. Then … I was meditating about a month ago and it came to me to give it to Tracey [Erin Smith]. The goddess and superhero, and gal’s gal. Tracey is so electric onstage, and her work is full of humor and compassion—I thought she is the superhero for our times. A super lady in comfortable pants.

Here’s the synopsis from the production:

Superhuman strength and human weakness, it’s a screw over, says Cherie (Superlady). Born into a small town with no idea of her destiny, Superlady has been fighting foes, evil and her own neurotic family for years—and now she’s done. She longs for home but fights for humanity. One more quest before she can go back—if a major super villain or working on intimacy with her family doesn’t kill her first.

The Return of Superlady runs March 29 to April 2 (Wed – Sat @ 9pm and Sunday @ 4pm & 8pm) at Red Sandcastle Theatre; advance tix available online.

What are you waiting for? Get your cape and aviators on—and fly on over!

 

 

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A marvelous evening @ Mini-Soulo Festival, ft. Bits & Pieces by Diane Flacks & Katie Ford

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Diane Flacks & Katie Ford (front), Tracey Erin Smith (back) – photo by Shy Alter

Last night’s program for Tracey Erin Smith and SoulOTheatre’s Mini-Soulo Festival at Buddies in Bad Times Theatre was a multipurpose, big fun event that combined theatre fundraiser, love-in and new solo works.

Smith played auctioneer throughout the evening, calling out fabulous items that included a ukulele lesson from Jodi Pape (who serenaded us before the festivities began), one night’s rental at Red Sandcastle Theatre, a photo shoot with Shy Alter and a surprise last-minute offering of a year’s membership at Toronto Newsgirls Boxing Club, courtesy of Savoy Howe.

Solo show class student Sara Armstrong kicked off the night’s performances with her show Tripping on the Way out of Town. Featuring personal stories of her life, spanning childhood memories to experiences of sexuality, and bookended with camel rides, Armstrong’s show is unflinchingly frank, and a strong commentary on the assumptions and expectations of others. Peppered with humour and dance breaks, the serious subjects are matter-of-fact and avoid the slide into maudlin. Funny and poignant, keep an eye out for Armstrong and this piece.

For the main event, Diane Flacks and Katie Ford performed a reading of their two-person solo show Bits and Pieces, which received dramaturgical support from Smith. Part stand-up, part monologue, part dialogue between two good friends, Flacks and Ford take us on a trip of life, love and resilience.

From the opening back and forth on everyday things we should just stop doing, to personal experiences of fear and courage, the piece is equal parts autobiographical, inspirational and motivational. Whether performing in character, like Flacks’ hilarious self-involved but present hot yoga instructor, or presenting personal anecdotes – Ford’s musings about a fledgling relationship and whether to keep it at a safe arm’s length or dive right in, and both share heart-wrenching accounts of experiences with death – Flacks and Ford make us laugh, cry and think.

Ultimately, Bits and Pieces is about finding your authentic self, getting back up when you get knocked down – and just staying present. Life really is too short after all. And what if, like Ford’s dog Ollie, you thought the whole world was your friend?

Bits and Pieces is a funny, moving, joyful ride through life’s experiences, and a reminder to stay present and not give up. A work in progress, I look forward to see where Flacks and Ford go with this piece. In case you missed it, check out the cowbell interview with Flacks and Ford.

The Mini-Soulo Festival wraps up this afternoon (Sun, Nov 30) with workshops and a public reading at Red Sandcastle Theatre. Congrats to Smith and SoulOTheatre for winning NOW Magazine’s Reader’s Choice Award for Best Small Theatre Company!

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Interview with Diane Flacks & Katie Ford – coming to Mini-Soulo Festival with Bits & Pieces

LobsterComing soon to several theatre spaces around Toronto: Tracey Erin Smith and SoulOTheatre present the Mini-Soulo Festival (Nov 27-30), with workshops at Red Sandcastle Theatre, and performances at Factory Theatre, Panasonic Theatre and Buddies in Bad Times Theatre.

Featuring in the Mini-Soulo Festival on Nov 29 at Buddies in Bad Times is a staged reading of the play Bits and Pieces, written and performed by Diane Flacks and Katie Ford, with dramaturgical support from Smith.

Emmy, Gemini and Dora-nominated writer/performer Diane Flacks is no stranger to writing and performing in solo shows (her own shows Myth Me, By a Thread, Random Acts, and Bear With Me, as well as writing Luba, Simply, Luba for Luba Goy) or intimate two-handers (her work with Richard Greenblatt on Sibs and Care). Flacks is also a featured parenting columnist in the Toronto Star and The Globe and Mail, as well as on CBC radio, and her book Bear With Me, What They Don’t Tell You About Pregnancy and New Motherhood was adapted into a solo show, which she toured across Canada and performed at the Winnipeg Comedy Fest. Most recently, she’s been working as a writer/producer on the critically acclaimed NBC/Global sitcom Working the Engels. Flacks is Nightwood Theatre’s 2014 playwright in residence, developing Unholy, a play about women and religion; and her new two-act drama Waiting Room will have its world premiere at Tarragon Theatre January-February, 2015.

Best known for her work on hits like the film Miss Congeniality and TV sitcom Family Ties, writer/producer Katie Ford more recently wrote the Emmy-nominated TV movie Prayers for Bobby. Starting out as a stand-up comic at Yuk Yuk’s in Toronto, Ford went on to become a playwright – and her play Out in America was produced in New York and Los Angeles, where it was voted as one of the best plays of the year by the L.A. Times. Ford is currently the executive producer of Working the Engels.

I had the opportunity to interview Flacks and Ford about Bits and Pieces – here’s what they had to say:

LWMC: Hi, Diane and Katie. Thanks so much for taking the time to chat with me about Bits and Pieces, and its upcoming reading at the Mini-Soulo Festival.
KF: My pleasure.
DF: Me too!
LWMC: Bits and Pieces is described as a “two-person, one-person show.” What is the show about?
DF: We’re calling it a theatrical conversation. Two stories that echo and reflect each other, and end up pushing each other to reveal something unexpected. Just like one of those great, surprising conversations with a good friend.
LWMC: And what can you tell us about the genesis of Bits and Pieces, and how the two of you came to work together on it?
KF: Diane and I are good friends and when I moved back to Toronto a couple of years ago, I wanted to write a show for her to do – a one-person show. At the same time, I started performing again (I had been a stand-up at the beginning of my career at Yuk Yuk’s in Toronto). Diane and I both performed onstage for a benefit and each did a monologue about ‘fighting;’ it was so fun to be onstage with her – there was such an ease and camaraderie there, I for sure wanted more of that. So we just started developing pieces – writing separate pieces for ourselves that we would read the other and then the other one of us would develop a piece that would be compatible.
DF: And I adore Katie’s writing and performing voice, and wanted to see more of that! We have a unique chemistry and we both are interested in similar themes. We are both provocateurs, but funny. And nerds. It’s such a joy to share a stage with someone you admire and who has your back.
LWMC: Diane, you’ve written and/or performed in several solo shows over the years, as well as some lovely two-handers and intimate smaller cast shows, including a very successful run of Lois Fine’s Freda and Jem’s Best of the Week at Buddies recently. How has that experience informed the storytelling for Bits and Pieces?
DF: A friend of mine says that he always ends up writing to his obsessions. After all these years, I still write and act about the things that obsess, outrage or tickle me. When normal people are disturbed by something, they go to therapy or directly try and resolve it. People like me try and make art out of it. Or at least make people laugh.
LWMC: Katie, you’re more known for your work behind the scenes, creating, writing and producing for some notable hits in film, television and theatre. What’s it been like for you as you prepare to act in this piece?
KF: I know – it has been a lot of years writing/producing and not stepping on stage. But it has been great – having spent many years doing stand-up, when I got back on stage it felt like home. I also took an improv class with Kate Ashby, which was amazing – worked with great women in that class. Bold, funny and they have your back – what more could you want? So it’s been nice. It’s not really acting, as I don’t consider myself an actor, it’s more stand-up pieces with a literary bent.
LWMC: Writing and performing a piece can be a challenge in terms of division of labour, time and energy. Have the two of you been continuing to write and re-write as you rehearse – or are you focusing more on performance at this point? How has the process unfolded as you create this piece?
DF: We’re constantly re-writing! It’s really fun to approach this both as writers and performers at the same time. And of course, it’s much easier to have perspective on someone else’s work than your own. And since these two pieces are echoes or reflections of each other, in a way, when we help re-write each other, we help ourselves, if that makes a weird kind of sense. We really don’t have to worry about division of labour. It’s a labour of love.
KF: True dat.
LWMC: And how did you come to join forces with Tracey Erin Smith and SoulOTheatre?
KF: Tracey came to see us do the first performance of this piece. And she was so amazing and so receptive, and really saw what we were trying to do.
DF: She’s also fascinated by solo performance and stretching the boundaries – this is a pretty good example of that. She’s got great vision and is so generous.
LWMC: Is there anything else you’d like to share about Bits and Pieces?
KF: Really just that I can’t wait to share it. And share the stage with Diane. And that it is a work in progress…but fun, hopefully.
DF: I have a feeling there might be snacks…
LWMC: Anything else you’d like to shout out?
KF: I love the name of your blog/mission statement of “Life with more cowbell.” Nice.
LWMC: Thanks! And thanks again for chatting with me. All the best with your final prep for this performance of Bits and Pieces – and break legs at the reading!

mini-soulo festYou can register for the Mini-Soulo Festival workshops online and follow SoulOTheatre on Twitter.