Power, identity & politics: Women come out from behind the men in the potent, thoughtful Portia’s Julius Caesar

Nikki Duval & Christine Horne. Set & costume design by Rachel Forbes. Lighting design by Jareth Li. Photo by Dahlia Katz.   Shakespeare’s women continue to take centre stage this summer—this time, with Shakespeare in the Ruff’s production of AD Kaitlyn Riordan’s Portia’s Julius Caesar, a potent and thoughtful adaptation of Julius Caesar from theContinue reading “Power, identity & politics: Women come out from behind the men in the potent, thoughtful Portia’s Julius Caesar”

Putting the spotlight on who gets to tell the story in the hilarious, gut-wrenching, deeply moving BANG BANG

Karen Robinson, Khadijah Roberts-Abdullah, Richard Zeppieri, Jeff Lillico & Sébastien Heins. Set design by Nick Blais. Costume design by Lindsay Dagger Junkin. Lighting design by Oz Weaver. Photo by Joseph Michael Photography.   What happens when a white playwright’s play, inspired by the shooting of an unarmed young Black man by a Black female cop,Continue reading “Putting the spotlight on who gets to tell the story in the hilarious, gut-wrenching, deeply moving BANG BANG”

Toronto Fringe: Two men reach out for each other in times of division & change in the intimate, tender, layered The Seat Next to the King

Tanisha Taitt directs Minmar Gaslight Productions’ run of Steven Elliott Jackson’s beautifully compelling The Seat Next to the King, winner of the 2017 Toronto Fringe Best New Play contest, now running in the Theatre Passe Muraille (TPM) Mainspace. Opening in 1964 in a public washroom in Washington, D.C., The Seat Next to the King presentsContinue reading “Toronto Fringe: Two men reach out for each other in times of division & change in the intimate, tender, layered The Seat Next to the King”