Languishing but not totally broken

A stone cemetery monument featuring a relief sculpture of a mourning woman with long flowing hair, her head bent in sorrow as she leans over an urn. Photo taken by the blogger, at St. James Cemetery, Toronto, ON. Hello! It’s been a while, I know. So much going on, collectively and personally. And, frankly, myContinue reading “Languishing but not totally broken”

Mothers, daughters & the nature of power & leadership in the electric, razor-sharp Mother’s Daughter

Shannon Taylor & Fiona Byrne. Set & costume design by Lorenzo Savoini. Lighting design by Kimberly Purtell. Photo by Dahlia Katz. Soulpepper brings the Stratford Festival production of the final installment of Kate Hennig’s remarkable trilogy—exploring the Tudor period from the perspectives of its most famous and powerful women—to the Young Centre with the electric,Continue reading “Mothers, daughters & the nature of power & leadership in the electric, razor-sharp Mother’s Daughter”

A gripping contemporary take on a classic in the powerful, chilling, resonant Julius Caesar

Dion Johnstone & Moya O’Connell. Set & lighting design by Lorenzo Savoini. Costume design by Ming Wong. Photo by Dahlia Katz.   Groundling Theatre Company joins forces with Crow’s Theatre to present a chilling modern-day take on Shakespeare’s Julius Caesar, directed by Chris Abraham, assisted by Rouvan Silogix, with additional writing by Zack Russell. GrippinglyContinue reading “A gripping contemporary take on a classic in the powerful, chilling, resonant Julius Caesar”

Relevant, urgent, hopeful—the powerful, resonant evolution of Bleeders in Lukumi

There is a buzz of excitement and anticipation, a festive feeling. Those of us among the audience who arrived early had been listening in on a final rehearsal, taking in the lush harmonies and powerful lyrics as we waited in the hallway. And when we enter the space, we are welcomed, offered something to drink.Continue reading “Relevant, urgent, hopeful—the powerful, resonant evolution of Bleeders in Lukumi”