Pirates! Genies! Fishing! Wacky meta panto fun with A Ladd’n His Cat!

Red Sandcastle Theatre’s Panto Players have cooked up their most meta holiday panto ever! Written by Jane A. Shields and Red Sandcastle A.D. Rosemary Doyle, A Ladd’n His Cat! opened to an enthusiastic audience at Red Sandcastle’s storefront space at Queen St. East and Logan, Toronto last night.

Played out as a story within a story within a story, there’s a Thousand and One Nights quality to this year’s panto (the company’s 6th), with storytellers spinning tales for their lives.

It all starts on the high seas, where a pirate named Russell (Doyle, who also did the set and costumes) has taken a Lad (Ada Balon) and his Cat (Jackie English) under his wing among his band of pirates. When the Pirate King (Kristopher Bowman) becomes displeased with the Cat, the wily critter strikes a bargain to enthrall him with a story—where he must be the hero.

In the Cat’s tale, we find a hard-working, fastidious Fisherman (Brenda Somers), his wife (Susan Finlayson) and daughter Gesundheit (Jennifer Lloyd) toiling away on the water, where the Fisherman casts precisely three times a day. Catching a rusty old bottle on the third cast, Gesundheit unlocks a Genie (Kristen Foote). Extremely irate after years of captivity and thirsty for vengeance, the Genie threatens the family with death—but the quick-thinking Gesundheit makes a deal to entertain and divert her with a story in exchange for her family’s life.

And Gesundheit’s story brings us to the classic tale of Aladdin and the Magic Lamp—with a twist, of course, as this is the Panto Players, after all.

Aladdin’s mother the Widow Twankey (Adam Bonney) is beside herself with worry. She works her fingers to the bone at the family’s laundry business, but her teenaged son Aladdin (Bowman) is a lazy brat. Forced out of the house to find a job, Aladdin catches a glimpse of the fair Princess (Foote) as she takes a stroll through the market with her mother the Queen (Somers) and the court Magician (Bernie Henry), who has an upcoming marriage in the works with Handsome Prince (Balon).

Looking for big money and an easy job, Aladdin accompanies the Magician to a cave, where he finds precious jewels (Lloyd, Balon and Foote), a bat (Finlayson) and a magic lamp. Re-enter the Cat, this time as the Genie of the Lamp.

Plot upon plot upon plot later (with plots uncovered along the way), we finish where we started. And it all works out in its own implausibly plausible way.

Incorporating popular songs—from Gilbert and Sullivan to Beyoncé—and including some fabulous choreography, stunning costumes and magical set pieces, plus audience participation, A Ladd’n His Cat! is a whole lotta panto fun for kids of all ages.

Great work from the entire cast, with nearly all playing two or more roles throughout. Stand-outs include English, as everyone’s favourite pink Cat; surly and cheeky, but always lending a hand, this Cat is one smart cookie. Bowman gives great comic turns as the proud, narcissistic Pirate King (and look out for him at the Shaw Festival this coming season); and the petulant, lazy-ass Aladdin, who winds up being a hero in spite of himself.

Bonney is a riot as Widow Twankey, Aladdin’s put-upon, stressed out mother; and as a tattooed, sensitive pirate. Foote is hilarious as the fetching and enraged Genie of the Bottle; and as the self-absorbed, selfie-taking Princess. Henry is delightfully sly and manipulative as the Magician; and Balon deftly runs the gamut from the lovable, innocent Lad to the stand-offish oaf Handsome Prince.

With big shouts to stage manager Deborah Ann Frankel, keeping it all going from the booth; and Panto Players alumna Margaret Lamarre, who assisted Doyle with sewing the costumes—even on her birthday!

Pirates! Genies! Fishing! Plus our favourite pink Cat. Wacky meta panto fun with A Ladd’n His Cat!

A Ladd’n His Cat! continues at Red Sandcastle until Dec 31; reserve your spot in advance by emailing redsandcastletheatre@gmail.com or by calling 416-845-9411.

Photo: (top) Adam Bonney, Ada Balon, Jennifer Lloyd, Kristopher Bowman & Kristen Foote; (middle) Susan Finlayson & Brenda Somers; (bottom) Bernie Henry, Jackie English, Deborah Ann Frankel & Rosemary Doyle. Photo by Burke Campbell.

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Magic, puppets, shenanigans & horror in spellbinding, diabolically funny The Harrowing of Brimstone McReedy

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Eric Woolfe & something wicked in The Harrowing of Brimstone McReedy – photo by Adrianna Prosser

There are stranger things done in the midnight sun other than cremating Sam McGee. And there are more ways to moil for gold – some with even darker consequences.

Eldritch Theatre takes us on a strange, dark and magical adventure with their production of The Harrowing of Brimstone McReedy. Created and performed by Eldritch Theatre co-founder Eric Woolfe, and directed by Dylan Trowbridge, the show opened at Red Sandcastle Theatre on Thursday night; I caught the spooky fun last night.

It is 1898 and our charming host for the evening is the affable scoundrel Brimstone McReedy, who sold his soul to the Devil in exchange for that which he most desires. Armed with dark mystical objects proffered by Old Scratch himself – bell, book and candle – McReedy joins an infamous gang of grifters. Learning of the gold rush, the gang is bound for Dawson, where they plan to mine gold from the wallets and pockets of prospectors and other fortune-seekers there.

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Brimstone & Epiphany – photo by Adrianna Prosser

Things take a turn when McReedy falls for the boss’s girl, the lovely dark-haired Epiphany Blackburn, and he cheats his way into her heart. Armed with nothing but their wits and determination, they leave the gang and finish the harsh trek to Dawson, where Epiphany goes to work as a dancing girl at Belinda Mulrooney’s Fairview Hotel and McReedy gets to swindling. And it’s all jake for a while. Until jealousy rears its ugly green head and loyalties come into question, culminating in some nail-biting, life-changing matches of wits and card playing as the tale reaches its harrowing finale.

After all, magic always comes with a price and the house always wins – especially when the Devil is dealing.

Weaving the tale with magic, puppetry and a gruesome version of the shell game, Woolfe is a deft and entertaining storyteller. As McReedy, he’s a lovable scoundrel, giving us a lesson in the art of the swindle and incorporating some friendly audience participation before and during the show.

With big shouts to the design team for their work in creating this spooky, evocative period environment: Eric Woolfe (puppets), Melanie McNeill (production design), Kaitlin Hickey (lighting), Jude Haines (sound), Joanne Boland (vocals and piano music) and dark arts guide Magic Mike Segal. And to intrepid producer/box office girl Friday Adrianna Prosser and SM Sandi Becker for keeping it all together.

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Eric Woolfe as Brimstone, with puppet Brimstone – photo by Lyon Smith

Magic, puppets, shenanigans and horror in the spellbinding, diabolically funny The Harrowing of Brimstone McReedy.

The Harrowing of Brimstone McReedy continues at Red Sandcastle Theatre until Nov 13; get your advance tickets online and have yourself a spooky Halloween good time.

You can keep up with Eldritch Theatre on Twitter and Facebook.

In the meantime, check out the trailer: