Neighbour vs. neighbour in the timely, poignant The Land Grabber

The Toronto Irish Players present the North American premiere of James Phelan and Edward F. Barrett’s The Land Grabber, directed by Kristin Chan and opening last night on the Alumnae Theatre mainstage. A farm in 1881 County Kerry becomes a microcosm of the social and political unrest in Ireland as The Land War between tenantContinue reading “Neighbour vs. neighbour in the timely, poignant The Land Grabber”

Head & heart, & two sisters in love in the delightful, youthful Sense & Sensibility

Photo by Dave Fitzpatrick: Conor Ling, Jackie Mahoney & Tamara Freeman Amicus Productions takes us to the early 1800s England of Jane Austen with Jessica Swale’s adaptation of Austen’s Sense and Sensibility, directed by Maureen Lukie, assisted by Ted Powers, and currently running in the Papermill Theatre at Todmorden Mills. Mrs. Dashwood (Peta Bailey) andContinue reading “Head & heart, & two sisters in love in the delightful, youthful Sense & Sensibility”

A delightful crush fest of summer love – Amicus Productions’ A Month in the Country

Spent a delightful afternoon at the Papermill Theatre at Todmorden Mills yesterday for a matinée performance of Amicus Productions’ A Month in the Country (Ivan Turgenev, translated by Constance Garnett and adapted by Christopher Douglas), directed by Maureen Lukie. Family, friends and household staff feel the heat – and, in most cases, not just theContinue reading “A delightful crush fest of summer love – Amicus Productions’ A Month in the Country”

An excavation of mothers & daughters in Midden

First off, let’s get a big question out of the way – I know it was a big one for me. What the heck is a “midden”? Director Maureen Lukie answers this question in her Director’s Notes in the Midden program: it is a “form of burial mound found in archeological digs, where you canContinue reading “An excavation of mothers & daughters in Midden”