Fond & foolish love & sport in Shakespeare BASH’d delightful, cheeky, passionate A Midsummer Night’s Dream

Julia Nish-Lapidus. Photo by Eliza Martin.   Shakespeare BASH’d opens its 2019-20 season with its own take on a magical, wacky fun Shakespeare favourite with its production of William Shakespeare’s A Midsummer Night’s Dream, directed by Catherine Rainville and James Wallis, choreographed by John Wamsley, with music composition and direction by Hilary Adams—on for a shortContinue reading “Fond & foolish love & sport in Shakespeare BASH’d delightful, cheeky, passionate A Midsummer Night’s Dream”

Suffrage, prohibition, love & puppets in Driftwood’s charming, timely, re-imagined Rosalynde (or, As You Like It)

Ximena Huizi & Sochi Fried. Production design by Sheree Tams. Photo by Dahlia Katz. Driftwood Theatre Group puts a beloved Shakespearean heroine’s name back on the marquee with its charming, timely 2018 Bard’s Bus Tour production of the re-imagined Rosalynde (or, As You Like It), directed by AD D. Jeremy Smith. It’s 1918; and women’s suffrage,Continue reading “Suffrage, prohibition, love & puppets in Driftwood’s charming, timely, re-imagined Rosalynde (or, As You Like It)”

Lust, corruption & the pursuit of justice in Shakespeare BASH’d sharply funny, timely Measure for Measure

Sochi Fried & Geoffrey Armour. Scenic design by Caitlin Doherty. Photo by Kyle Purcell.   Shakespeare BASH’d returns to a Toronto pub to present one of the less produced plays of the canon: Shakespeare’s Measure for Measure, directed by Catherine Rainville and opening last night at Junction City Music Hall. Given the current #MeToo climate,Continue reading “Lust, corruption & the pursuit of justice in Shakespeare BASH’d sharply funny, timely Measure for Measure”

Foul treachery, sweet slithering manipulation in Shakespeare Bash’d compelling, accessible Richard III

James Wallis in Richard III. Photo by Kyle Purcell.   Shakespeare Bash’d opened its 2018 season to a sold-out house at the Monarch Tavern last night with a classic tale of murderous machinations and royal double-crosses with its production of Shakespeare’s Richard III, directed by Julia Nish-Lapidus with associate director Megan Miles. For those not familiar withContinue reading “Foul treachery, sweet slithering manipulation in Shakespeare Bash’d compelling, accessible Richard III”

Power, plots & passion in the compelling, intimate & deftly performed Caesar

Kevin Kashani as Marc Antony and Melanie Leon as Julius Caesar in Caesar—photo art by Joseph Hammond   Wolf Manor Theatre Collective continues its 2016-17 season of startling, up close and personal theatre with its production of William Shakespeare’s Caesar, directed by Dylan Brenton and opening last night to a packed house in Kensington Hall.Continue reading “Power, plots & passion in the compelling, intimate & deftly performed Caesar”

Toronto Fringe: Mistaken identities. Jealous love. All in good fun in hilarious, high-energy The Comedy of Errors

Shakespeare BASH’d bids a fond farewell to the Victory Café with their hilarious, high-energy Toronto Fringe production of William Shakespeare’s The Comedy of Errors, directed by Julia Nish-Lapidus, assisted by Megan Miles. Twin sons (Kelly Penner) of a nobleman (David Mackett) and their twin servants (Tim Welham) are separated from each other, then their parents.Continue reading “Toronto Fringe: Mistaken identities. Jealous love. All in good fun in hilarious, high-energy The Comedy of Errors”