Toronto Fringe: Coping with loss & freeing the stories in the enchanting, playful adventure Through the Bamboo

Carolyn Fe & ensemble. Set design by Nina Lee Aquino & Farnoosh Talebpour. Costume design by Farnoosh Talebpour. Lighting design by Michelle Ramsay. Photo by Lyon Smith.

 

The Uwi Collective presents a Philippine mythology-inspired adventure in storytelling in the enchanting, playful, poignant Through the Bamboo, running in the Factory Theatre Mainspace. Written by Andrea Mapili and Byron Abalos; directed by Nina Lee Aquino, assisted by Mapili; and with music direction by Maddie Bautista, we follow the reluctant hero’s journey of a young girl as she seeks to free her Lola (grandma) from a strange, faraway land ruled by Three Sisters who have outlawed storytelling.

Philly (Angela Rosete) is sad and angry; her beloved Lola (Carolyn Fe) has died and her family is packing Lola’s things all wrong. When she discovers Lola’s favourite story book Through the Bamboo, she also finds Lola’s malong (a multi-purpose Philippine garment, worn here as a sash) tucked inside. She puts the malong on, and it comes to life, whisking her away to Uwi, ruled by Three Sisters—Isa (Karen Ancheta, who also plays Philly’s mom), Dalawa (Marie Beath Badian) and Tatlo (Joy Castro)—who have banished storytelling from the land.

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Marie Beath Badian, Karen Ancheta & Joy Castro. Set design by Nina Lee Aquino & Farnoosh Talebpour. Costume design by Farnoosh Talebpour. Lighting design by Michelle Ramsay. Photo by Lyon Smith.

Upon her arrival, Philly is greeted by the villagers as the one foretold in a prophecy who will free them from their oppression at the hands of the Sisters. All she wants to do is go home, but when she visits Matalino the seer (Nicco Lorenzo Garcia) and learns that Lola is there, she partners with two stalwart allies, Giting (Lana Carillo) and Ipakita (Ericka Leobrera), to find her. Along the way, they are assisted by mythical creatures: the sea creature Koyo (Anthony Perpuse), made mute by the Sisters’ magic; and the trickster forest creature Kapre (Perpuse). And all the while, they are pursued by the Sisters’ spy, the formidable flying Ekek, and the fierce horseman solider General T (both played by John Echano). Will Philly be able to save Lola—and is she really who everyone thinks she is? Will the Sisters maintain their vice-like grip on the land, where even memories—which constitute stories—are forbidden?

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Angela Rosete, Lana Carillo & Ericka Leobrera. Set design by Nina Lee Aquino & Farnoosh Talebpour. Costume design by Farnoosh Talebpour. Lighting design by Michelle Ramsay. Photo by Lyon Smith.

It’s a big fun, fantastic ride for all ages as everyday household items and moving boxes transform into a variety of magical creature costumes, props (shouts to props master Farnoosh Talebpour) and places: tennis rackets become Ekek’s wings, a wicker rocking horse transforms into General T, and swimming noodles become bamboo stalks. And lovely, imaginative, high-energy performances from the cast as they shift from our everyday world to the magical world of Uwi.

Rosete brings a feisty fierceness to the strong-willed Philly; hurt and angry, and missing her Lola, her determination and resilience make her a true hero. Fe gives a beautiful, gentle and touching performance as Lola; at first confused and disoriented in her earthly dementia state, Lola’s memory returns, revealing great power and strength. Great comic turns from the Sisters Ancheta, Beath Badian and Castro—reminiscent of the three sisters in the movie Stardust, who age whenever they use their power. Garcia makes for a jolly wise man as Matalino, adding a playful Yoda-like quality to the wisdom. Echano is both comic and intimidating as the flying spy Ekek, bringing to mind the flying monkeys from The Wizard of Oz; then all menace as the merciless horseback soldier General T. And Perpuse is adorable and puck-like as the mute sea-dwelling Koyo, who must communicate with gestures; and as the mischievous forest-dwelling Kapre, renowned for playing tricks.

A reminder that stories are how we connect, how we remember loved ones we’ve lost—and important tools for working through the grief of that loss. You may find yourself feeling like a kid at story time, and maybe even brushing away a tear or two at the end (I know I did).

Through the Bamboo continues in the Factory Theatre Mainspace for three more performances: July 11 at 2:30, July 13 at 6:15 and July 14 at 12:00; visit the show page to book advance tickets online. Definitely book in advance, as these guys have been selling out.

Toronto Fringe: Ruminations on love, beauty and aging in the nostalgic, intimate, haunting Cheri

cheri-on-the-run-productions invites us to sit down with a former courtesan as she ruminates on love, beauty and aging in the intimate, haunting Cheri. Inspired by the novels of Colette, and written and directed by Sky Gilbert, with music composed by Dustin Peters, Cheri is currently running in the Al Green Theatre for Toronto Fringe.

A music theatre piece within a theatre piece, Cheri weaves storytelling by way of personal anecdotes and reminiscences, and songs—all presented by our hostess Lea (Theresa Tova), a retired courtesan accompanied by the beautiful pianist/singer we only come to know as Cheri (Dustin Peters). And the farther she wanders down the road of memory and loves past, the more she sees in her accompanist the face of lost love—her Cheri.

Tova gives a powerhouse performance as Lea; her elegance, moxie and nostalgic melancholy hearkens back to the golden age of vaudeville and cabaret. Passionate, playful, petulant, and filled with a lust for life and all that is elegant and lovely, Lea is a hopeless romantic with a penchant for harsh honesty. And her heartbreaking torch songs are delivered with vulnerable candor and rich, resonant vocals. As Cheri, Peters is the perfect foil; fastidious, aloof and having none of Lea’s shenanigans and flirtations, Cheri (we never do learn his real name) bears himself with directness and professionalism. Cheri’s desire for privacy and boundaries could be construed as secretive and stand-offish, but one gets the impression that it’s the armour that protects his soul against the barrage of attention his beauty garners.

The march of Time is inevitable and aging is a natural part of life. We can choose to accept ourselves at each stage of our lives and continue moving forward as we cherish our memories of younger days—or risk getting lost in the past.

Cheri continues in the Al Green Theatre until July 15; check the show page for exact times and dates.