A photo album of family, love & memento mori in the profoundly moving, nostalgic, candid Dividing Lines/Líneas Divisorias

Beatriz Pizano & Julia (projected photo). Scenography by Trevor Schwellnus, with associate lighting designer Rebecca Vandevelde. Costume design by Andjelija Djuric. Photo by Jeremy Mimnagh.   “They say blood is thicker than water — I say, love is thicker than blood.” Aluna Theatre premieres Beatriz Pizano’s Dividing Lines/Líneas Divisorias, a photo album of family, love andContinue reading “A photo album of family, love & memento mori in the profoundly moving, nostalgic, candid Dividing Lines/Líneas Divisorias”

The bittersweet rhythms of life in the wistful, nostalgic, entertaining Dancing at Lughnasa

Opening its 2018-19 season at Alumnae Theatre last night, the Toronto Irish Players take us to 1936 Donegal, and the rural home of the Mundy family as they struggle with life, love and changing times, in their wistful, nostalgic and entertaining production of Brian Friel’s Dancing at Lughnasa, directed by David Eden. A bittersweet memoryContinue reading “The bittersweet rhythms of life in the wistful, nostalgic, entertaining Dancing at Lughnasa”

Fond & fierce dreams in poignant 73H Productions’/Howland Company’s modern-day reflection on The Glass Menagerie

73H Productions, with the support of The Howland Company, opened its production of Tennessee Williams’ The Glass Menagerie, directed by Philip McKee, in the Theatre Centre Incubator space last night. Set in St. Louis, Amanda Wingfield (Tracey Hoyt) lives in a cramped apartment with her two young adult children Tom (James Graham) and Laura (HannahContinue reading “Fond & fierce dreams in poignant 73H Productions’/Howland Company’s modern-day reflection on The Glass Menagerie”