A topsy-turvy look at the bizarre dynamics of the corporate world in entertaining Fever/Dream

Full Cast Promo PhotoOut at the theatre one more time last night – this time, to The Jumblies Ground Floor for Seven Siblings Theatre’s Canadian premiere of Sheila Callaghan’s Fever/Dream, directed by Will King, assisted by Madryn McCabe. I saw Seven Siblings’ dramatic, violent and compelling production of Mercury Fur last year – and this exciting young company goes for the edge while venturing into the comic side of a surreal world in Fever/Dream.

An adaptation of Pedro Calderón’s Life Is a Dream, Callaghan set Fever/Dream in present-day America, where the king is President Bill Basil (Mladen Obradovic), the head of a corporate empire in his 77-foot tall office tower palace.

It is in the bowels of the tower that we first see Segis, our young protagonist (Trevor Ketcheson), seated and unconscious at his desk. His hair and beard long and unkempt, his clothing torn and filthy, he resembles a castaway more than an office worker. Prisoner, more like it. The phone receiver seems permanently attached to his hand and he is chained to the desk, his daily food rations dispensed from a trap door in the wall near the ceiling. The only words he can seem to speak are the scripted lines of apology and transfer action – he is a customer service rep. His lack of human contact becomes apparent with the arrival of Rose (Olivia Orton) and Claire (Alexandra Simpson), who’ve become lost in the building. The two girls are soon busted by the office manager Fred (Dylan Mawson) and are sentenced to working in the office.

President Bill Basil is seriously ill and has decided to retire; but instead of passing the reins to his two top managers Stella (Geneviève Trottier) and Aston (Peter Jarvis), he has decided to pass the job along to his secret son, with Stella and Aston as Plan B. Guess who the secret son is. Add to the mix a chorus of multitasking actors playing security guards, accountants and vlogging associates (Karina Bradfield, Zenna Davis-Jones and Courtney Keir), and you have a recipe for a wacky tale of chain reaction events and secrets revealed in a crazy, satirical look at corporate culture.

King and McCabe have a sharp, engaging cast for this underdog trip down the rabbit hole – or, in this case, up the office tower. Ketcheson does a marvelous job as Segis, going from a feverish grasping for language and meaning to rising up as he discovers love and purpose; lost and disoriented, he struggles to find his way even as he grapples with his own emotions in a strange new world. And is it all even real? Orton gives Rose a sharp sense a drive and commitment; wry-witted and resourceful, she too has a secret agenda and is forced to deal with a surprise discovery of her own. As Rose’s chirpy roommate Claire, Simpson does a bang-up job as the super positive and loyal sidekick, transferring these skills to her job as the perfect office temp; but when she realizes that hers is a Sisyphean task, that bubbly personality boils over. Jarvis is a slick piece of work as Aston, the classic all sizzle and no steak equation, but with people skills that complement Stella, who is more qualified but short on soft skills. Trottier shines as Stella, a brilliant but icy dragon lady, a Harvard and Wharton grad frustrated by corporate sexism, and finding herself melting into her warm feelings for the new boss. Obradovic brings a regal ruthlessness to Basil, moved by vengeance to disown and banish his own son to the basement, only to promote the unprepared Segis in an act of hubris in order to continue his bloodline. As Basil’s right-hand man Fred, Mawson is a chilling master of corporate speak, executing Basil’s every whim and cleaning up messes with clock-like precision and accuracy; but, like Stella, he is not without a soft spot.

Chorus members Bradfield, Davis-Jones and Keir are multitasking machines, executing set changes in character and shifting from security detail to accountants to vlogging 20-something associates and back again with skill and style; they may be representing the lowly drones of the business – but work doesn’t get done without worker bees. And their daily workday lives of white noise get turned up to 11 when they find inspiration in Segis.

Whether peasant or king – worker drone or president – we all must come to grips with our own mortality. Absolute power corrupts absolutely – so aptly illustrated in Segis’s caricature behaviour in his brief time as president, becoming a tyrant despite his good intentions.

With shouts to some excellent staging and design. The white, sterile set with its secret doors (Stephen King); the back scrim projections (Will King) of skyline and industrial cogs add to the surreal, industrial atmosphere; and the hopeful sound of water burbles up through white noise, and office machine lights, beeps and squeals (Parker Nowlan). The slow, romantic ocean fantasy sequences (choreographer Rosslyn King) and retirement party pandemonium (fight choreographer Annemieke Wade) are highly evocative and entertaining, moving and dream-like.

Fever/Dream is a topsy-turvy look at the bizarre dynamics of the corporate world, fueled by a fine, high-energy cast.

Fever/Dream continues at The Jumblies Ground Floor until May 31. NOTE: Jumblies is located at 132 Fort York Blvd., a bit east of Bathurst – Google searches may direct you to the Scarborough location and Google Maps shows the address as west of Bathurst (don’t go there!). You can purchase advance tix online here.

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Top 10 of 2014

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Friends & fellow artists of Nik Beat perform a track at the launch for his Famous For Falling CD @ Amsterdam Bicycle Club

Seeing as I already took a bit of a peek out of my December hiatus with the Sleepy Beauty post last weekend – and as this is the last day of 2014 – thought I’d take another peek out to post my top 10 of 2014. Here it is, from a variety of disciplines, in alphabetical order:

Nik Beat: Famous For Falling CD/chapbook launch @ Amsterdam Bicycle Club
The De Chardin Project @ Theatre Passe Muraille
Elizabeth Rex (East Side Players) @ Papermill Theatre
I Hate Todd: The Moves Pt. 1 CD launch @ The Horseshoe Tavern
Lisa MacIntosh: ASK photography exhibit @ 3030 Dundas West
Memento Mori (Tracey Erin Smith/SoulO Theatre) @ Toronto Fringe
Mercury Fur (Seven Siblings Theatre Company) @ Unit 102 Theatre
Romeo and (Her) Juliet (Headstrong Collective/Urban Bard) @ Bloor Street United Church
Jessica Speziale: Shine CD launch @ The Duke Live
Trace (Theatre Gargantua/Vertical City) @ SummerWorks

Have a big fun and safe New Year’s Eve, all. See ya’s next year! xo

Love & violence in a world gone to hell in Mercury Fur

MFUR-10Seven Siblings Theatre Company’s opened its Canadian premiere of Philip Ridley’s Mercury Fur, directed by Will King and assistant director Madryn McCabe (two of the three co-founders of Seven Siblings, along with Erika Downie), at Unit 102 Theatre last night.

Set in a post-apocalyptic city in a time very close to present day – too close for comfort – Mercury Fur reveals a world turned savage and lawless, where everyday people are forced go to extreme measures to survive roving gangs, riots and looting. Brothers Elliot (Cameron Laurie) and Darren (Andrew Markowiak) work for Spinx (Mishka Thébaud), dealing in hallucinogenic – and sometimes dangerous – drugs in the form of butterflies, sometimes purchased with stolen antiquities. For some, the virtual fantasies that play out in the mind under the influence of butterflies aren’t enough – and so Spinx and his crew also arrange “parties” for clients who play top dollar to have their deepest, darkest fantasies realized, in real time with real people.

The story that unfolds is brutal and beautiful, cruel and tender – violence and love weave in and out between the characters, some struggling to recall more decent, peaceful times while others long to forget. The language is both lyrical and extremely violent; words are both weapons and tools of seduction. Violence and sex intermingle into fetishism, and anecdotes of horrific memories are told with emotional detachment or adventure story excitement. The sharing of good memories offers a brief emotional oasis from past and present terrors.

The directing team has a very strong cast for this often intensely dark theatrical journey. As older brother Elliot, the brains and head of his fractured, broken family, Laurie does a lovely job with the complex range of emotions – by turns harsh and tender, sharply focused and hopelessly lost. Andrew Markowiak’s Darren is both comic and heartbreaking; a simple, child-like youth, broken both physically and psychologically by events and butterfly consumption. Like Darren, the brothers’ new friend and co-worker Naz is drug-addled but sweet, longing for connection and a new family to replace the one he’s lost to violence – a nicely well-rounded performance from Adrian Beattie. Eric Rich is both fiercely streetwise and warmly kind-hearted as Lola. Thébaud is compelling as the gang leader, cold and cruel, but protective of his pack – especially the Duchess. Annemieke Wade’s Duchess is beautifully fragile and damaged, struggling to hold onto some sense of gentility and grace in the wild carelessness of this horrific new world. As the Party Piece, Kenneth Collins is delicately vulnerable in the boy’s stoned and sick state. And D. Gingerich does a really nice job as the Party Guest, a repugnant and callous sociopath with friends in high places, caught between his desire for blood and the fear of a rat on a sinking ship.

Stephen King’s set, a boarded up, abandoned flat in an apartment block – with its deep red outer walls, stone centre wall with a fireplace mantle, deep brown leather furniture, and lack of electricity and hot water – shows us what urban life has come to, but also acts as a reminder of a more civilized world. A world many of us take for granted. Parker Nowlan (lighting and sound) sets the scene with an eerie, industrial soundscape and gives us a gradual sundown throughout the play, the darkening of the sky running parallel with the increasingly dark action onstage.

Seven Siblings’ production of Mercury Fur is a deeply disturbing, moving and darkly funny look at violence and love in a world gone to hell.

You can also follow Seven Siblings Theatre Company on Facebook and Twitter. Keep an eye out for this dynamic young company. Mercury Fur continues its run at Unit 102 Theatre until September 6 – click here for advance tix.