Toronto Fringe: An intersectional heart-to-heart on the state of manhood in the candid, funny, brave We The Men

Sunday Muse, Mercy Cherian, Rachel Brophy & Sundance Nagrial. Photo by Dahlia Katz.

Sam’s having the guys over at his cottage—and we’re all invited!

The back room stage of the Cadillac Lounge is transformed into the living room of Sam’s cottage as Soulo Theatre takes us behind the scenes of a heart-to-heart gathering on the state of manhood with its Toronto Fringe production of We The Men. Co-created by director Tracey Erin Smith and an ensemble of Dude for a Day workshop participants, and inspired by hearing men’s stories during Soulo Theatre’s Step To The Line events, women portray male characters—and the sexes come together from the other side of the gender divide in the hopes of bridging the gap and coming to a greater understanding.

The storytelling, which includes stories that emerged from male Step To The Line participants, draws on important and timely ongoing issues: Debates about complicity—direct or indirect—in #MeToo scenarios; societal, familial and cultural challenges and pressures; physical abuse and bullying; and struggles with identity, sexuality, loneliness and finding love. Heartfelt anecdotes and confessions emerge from the cocky, fart-filled party atmosphere as the men confront themselves and each other with their experiences, beliefs and perceptions—giving us a fly-on-the-wall perspective of men’s lives. And one is struck that, while women will naturally open up and have these kinds of conversations—revealing shame, vulnerability and confusion—it’s maybe not so easy or as common for men. And we all need to have those conversations.

Featuring energetic, entertaining and poignant performances from Rachel Brophy, Mercy Cherian, Jacqueline Dawe, Savoy Howe, Sunday Muse, Sundance Nagrial, Silvi Santoso, Savannah Binder and Todd, We The Men is a candid, funny and brave intersectional exploration of what it means to be a man in the 21st century.

We The Men continues at the Cadillac Lounge until July 15; check the show page for exact dates and times. For the inside scoop on the inspiration and creative process, check out this great interview with Tracey Erin Smith by She Does the City. And check out the show’s Facebook event page for bios and character descriptions.

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Love in all its complex, messy, glorious forms in Love Between the Lines

Chelsea Riesz, Lisa Alves, Courtney Lamanna, Joella Crichton, Mercy Cherian & Cathy Huang—rehearsal photo courtesy of Jenna Borsato

 

HERstory Counts opened its second season at Red Sandcastle Theatre last night with Love Between the Lines, written and performed by the ensemble, and directed by Co-Artistic Producer/Co-Artistic Director Jennifer Neales, assisted by Ellie Posadas, with dramaturgy by Co-Artistic Producer/Co-Artistic Director Evangelia Kambites.

For those of you not familiar with HERstory Counts, it’s a company that produces true stories, performed by the creators themselves, offering a space to challenge and push past the ideals of the status quo. We feature and celebrate female-identified womyn of all backgrounds, all ages, all races, all histories, all sizes, all sexual orientations, and all abilities.”

Featuring autobiographical storytelling from six writer/performers, Love Between the Lines is an examination of love in its various forms and incarnations, each story weaving seamlessly in and out of the other. Joella Crichton’s exploration of the stages of grief following a break-up; Chelsea Riesz discovering sins of the father in her relationship dynamics; Cathy Huang’s love letter to a kindred spirit grandmother; Lisa Alves navigating identity and the complicated, close-knit ties with her mother; Courtney Lamanna connecting the dots as she recognizes and strives to break the cycle of abusive relationships; and Mindy Kaling doppelganger Mercy Cherian’s undying love for a dying, ever protective father.

Told with vulnerability, humour and courage, the storytelling is up close and personal—candidly revealing all the maddening, heartbreaking, messy struggle, comfort and elation of these relationships. Incorporating memory, personal insight and even confession, each actor plays out her truth on a bare stage; her story animated by the other actors, who deftly transform into parents, lovers, inner selves, a tarot card reader and even—most hilariously—goofy, fiercely protective street dogs in India. These stories move you to laughter, tears and even maybe your own a-ha moment. These stories resonate.

With shouts to Stage Manager Mariah Ventura, Creative/Production Assistant Robin Luckwaldt and Production Manager Jenna Borsato for their work on this production.

Love in all its complex, messy, glorious forms in Love Between the Lines.

Love Between the Lines continues at Red Sandcastle, with performances tonight, Saturday and Sunday night at 7:30pm, and a 2:30pm matinee on Sunday. Get your advance tickets online or purchase at the door half an hour before show time. Advance booking recommended; it’s an intimate space and last night’s opening was a packed house.

Keep up with HERstory Counts on Facebook, Twitter and Instagram.

Toronto Fringe: Beautiful slow dance of intimacy & memory in Ninety

William MacDonald & Nicole Fairbairn in Ninety - photo by Dahlia Katz
William MacDonald & Nicole Fairbairn in Ninety – photo by Dahlia Katz

Saw another lovely two-hander at Toronto Fringe yesterday: Naked Goddess Productions’ Canadian premiere of Ninety, written by Joanna Murray-Smith and directed by Mercy Cherian – running at the Theatre Passe Muraille (TPM) Mainspace.

Isabel (Nicole Fairbairn, also the show’s producer) and William (William MacDonald) meet for 90 minutes in Isabel’s flat before William leaves to get remarried. Former lovers, now divorced, they meet to say the things previously left unsaid – and as they do, we witness them relive key moments in their lives together through shared memories, happiness and tragedy. It is erotic, funny and heartbreaking to watch them run out the clock in the final moments together.

Tender and passionate performances from Fairbairn and MacDonald. Fairbairn’s Isabel is crazy vivacious, sexy and creative – and extrovert who lives life at full speed ahead and loves to tease, playfully torment, even. Working at restoring a painting, she has a patient appreciation for the painstaking process, noting the evolution of the image as the couple on the canvas becomes clarified and more vivid. Rather like the unfolding of this meeting with William. MacDonald’s William is a cocky, charming extroverted introvert, an actor and former drama teacher who’s hit the big time on the small screen. Compelling chemistry between these two actors as they play out the love, loss and reunion of these characters struggling for closure and forgiveness.

With shouts to Lisa Sciannella’s set and costume design.

Ninety is a beautiful slow dance of intimacy and memory, featuring lovely performances from Fairbairn and MacDonald.

Ninety has two more performances at the TPM Mainspace: July 9 at 7:30 p.m. and July 11 at 12:00 p.m.