A gripping contemporary take on a classic in the powerful, chilling, resonant Julius Caesar

Dion Johnstone & Moya O’Connell. Set & lighting design by Lorenzo Savoini. Costume design by Ming Wong. Photo by Dahlia Katz.   Groundling Theatre Company joins forces with Crow’s Theatre to present a chilling modern-day take on Shakespeare’s Julius Caesar, directed by Chris Abraham, assisted by Rouvan Silogix, with additional writing by Zack Russell. GrippinglyContinue reading “A gripping contemporary take on a classic in the powerful, chilling, resonant Julius Caesar”

Pride & BLM divide between friends in the provocative, fierce, meta Every Day She Rose

Adrian Shepherd-Gawinski & Monice Peter (as Mark and Cathy-Ann). Set design by Michelle Tracey. Costume design by Ming Wong. Lighting design by Rebecca Picherack. Photo by Cylla von Tiedemann. Nightwood Theatre continues its 40th season with the premiere of Andrea Scott and Nick Green’s Every Day She Rose, co-directed by Andrea Donaldson and Sedina Fiati,Continue reading “Pride & BLM divide between friends in the provocative, fierce, meta Every Day She Rose”

Gender power dynamics get a table flip in the provocative, timely Beautiful Man

Foreground: Ashley Botting, Mayko Nguyen & Sofía Rodríguez. Background: Jess LaVercombe. Set design by Gillian Gallow. Costume design by Ming Wong. Lighting design by Jason Hand. Photo by Joseph Michael Photography.   Factory Theatre closes its 2018-19 season with Erin Shields’ Beautiful Man. Directed by long-time Shields collaborator Andrea Donaldson (now the new AD atContinue reading “Gender power dynamics get a table flip in the provocative, timely Beautiful Man”

The struggle for normalcy in the wake of a horrific past in the haunting, disturbing Strangers, Babies

Jeff Lillico & Niki Landau in Strangers, Babies—photo by Neil Silcox Theatre PANIK presents its immersive production of Linda McLean’s Strangers, Babies, directed by Paul Lampert, assisted by Sadie Epstein-Fine, this past week. A Canadian premiere, the show opened this past week at Artscape Sandbox. As we enter the space, projected text welcomes us andContinue reading “The struggle for normalcy in the wake of a horrific past in the haunting, disturbing Strangers, Babies”

Delightfully vicious melodramedy with laughs that bite in Creditors

First trip out to The Coal Mine Theatre last night to see the company’s production of August Strindberg’s Creditors, adapted by David Greig and directed by Rae Ellen Bodie. An intimate space (at 798 Danforth Ave., below the Magic Oven), Coal Mine is a storefront-style space – in this case, the black box has beenContinue reading “Delightfully vicious melodramedy with laughs that bite in Creditors”