Scenes of the evolution of Henry (Geoff Mays) and Jane’s (Mish Tam) relationship weave in and out of the aftermath of a life-altering traumatic experience that changes their lives forever. As much as Henry resists help from his psychology-spouting parole officer Jonas (Philip Cairns), it’s his 10-year-old neighbour Sushanna (Aviv Cohen) who appears to be getting through. Running through Henry’s story, we also see the recovery process of two support group members (Fraulein Almariego and Shobba Hatte).
Mays gives a nice, multi-faceted performance as Henry; a sharp cynic with a serious drinking problem, he’s also a romantic at heart with a deep love of words. Tam is adorably bubbly as Jane; a vibrant spirit who loves books, and revels in performing choice quotes and pieces of poetry. Cairns gives a solid, layered performance as Jonas, the wry-witted and wise parole officer who executes his job with a no-nonsense brand of tough love, and struggles with the clients who don’t make it. Cohen is a treat as Sushanna; a wise guy herself, she shares Jane’s love of books and has an insatiable – and sometimes inappropriate – curiosity. And really nice work from Almariego and Hatte as two women in different stages of recovery.
The stages of grief and struggle for recovery injected with humour in the moving To Jane with Love.
Alumnae Theatre Company’s got its dancing shoes on as it mounts its retrospective production for the 2015-16 season: Richard Harris’s Stepping Out (originally produced by Alumnae in 1989), which opened on the main stage to a packed house last night. Directed by Executive Producer Brenda Darling, assisted by Liz Best, and choreographed by Alyssa Martin and Jessica Westermann (Act I), with support from dance coach Sandra Burley.
Set in 1980s London in a local church hall, Stepping Out takes us on the year and a half-long journey of one of Mavis’s (Jessica Westermann) tap dance classes, accompanied by pianist Mrs. Fraser (Jeanette Dagger). The class includes seven women and one man: Lynne (Mish Tam), a cheerful and sensitive nurse; Dorothy (Kay Randewich), the sweet, mousy, bicycle-riding mensch of a social services worker; Maxine (Lisa Kovack), a vivacious saleswoman; Andy (Rebecca Grenier), introverted and painfully awkward, but committed to learn; Rose (Linette Doherty), the wry-witted Trini wife and mother run ragged looking after everyone but herself; Sylvia (Felicia Simone), the outspoken, genuine and irreverent youngster; Geoffrey (Scott Turner), the quiet, gentle widower; and newcomer Vera (Alyssa Quart Cartlidge), the wealthy, prim Stepford wife meets Martha Stewart housewife who lacks an internal editor.
The cast does a lovely job telling the stories of this class and these characters. Stand-outs include Westermann (also the cast dance captain), who brings a warm, saint-like patience and nurturing quality to Mavis, a woman struggling to make ends meet and supporting an unemployed boyfriend; she’s an extremely talented hoofer with broken dreams of her own. Dagger is deliciously abrasive as Mrs. Fraser, the dance class’s stern and fastidious accompanist; a mother figure to Mavis who helps with the administration of the classes, there’s more to her piano talents than just tinkling the ivories for dance students. Kovack’s Maxine is an extroverted gal-on-the-go and former child performer with a can-do attitude; struggling at home with an unruly stepson and absent husband, she too is clearly dancing as fast as she can to beat the blues. As for Grenier’s Andy, still waters run deep; the shy, submissive and plain exterior belies a deep inner strength, fierceness and beauty. And beneath the tough-talking cockiness and everyday vanity, Simone’s Sylvia is a tired young wife who wants a break – and to feel beautiful again.
Ultimately, for everyone involved in the class, it’s not just about dancing – it’s about filling an empty place inside, and finding family and a sense of belonging.
With shouts to the design team: Doug Payne (set designer/lead carpenter), Bill Scott (lighting), Bec Brownstone (costumes), Razie Brownstone (props) and Rick Jones (sound assembly).
Happy feet and hopeful hearts in Alumnae Theatre’s delightful, poignant production of Stepping Out.
Stepping Out continues on the Alumnae main stage until Feb 6. You can get advance tickets online or by calling the box office: 416-364-4170; or you can purchase in person (cash only) at the box office one hour before show time. Special events include a pre-show panel discussion on Sun, Jan 24 from 12:30-1:30pm: “Stepping Out Through the Arts” Can the Arts heal? And on Sat, Jan 30 at 8pm: 80s Dress-Up Night – Should blue eye shadow be banned?