Sharply funny, moving, candid looks at LGBTQ lives in 7th annual Gay Play Day

Gay Play Dayan annual festival of short, new plays written by LGBTQ playwrights and their allies—returns to the Alumnae Theatre Studio for two days only. This is the 7th year of the fest for founding AD Darren Stewart-Jones and the GPD team, which this year includes technical director Johnny Salib and Henry Keeler on front of house. The 2018 edition includes two programs, each featuring four short plays: the Lavender Show and the Pink Show. I caught both at opening night last night; here they are, in order of appearance.

THE PINK SHOW (approx. 75 minutes)

Fade to Black. Written/directed by Darren Stewart-Jones. Old Hollywood meets 21st century fandom when aging former Hollywood icon Bedelia Blake (Nonnie Griffin) finds an unexpected #1 fan when she meets Jamie (Nathaniel Bacon), a young gay man volunteering for Meals on Wheels. Largely secluded from the world for some time, Bedelia finds renewed public interest in her life and career as that first meeting evolves into friendship. Also featuring Philip Cairns as Mr. Johnson. Tender and nostalgic; featuring lovely, layered performances from Griffin and Bacon, as Bedelia and Jamie open up and feel at home enough to be their true selves with each other.

Labels. Written/directed by Erika Reesor. Lesbian couple Danny (Leigh Patterson) and Mia (Emily Schooley) live with Danny’s mom and are preparing for her birthday. Already stressed about the situation, when Mia finds a prescription for testosterone in Danny’s jeans, Danny has some serious explaining to do—sparking a series of confessions and revelations about their relationship and beliefs about gender. A funny, poignant and real two-hander; with grounded, engaging performances.

Diamonds on Plastic. Written/directed by Philip Cairns. Doris (Margaret Lamarre), a straight married spitfire of a southern lady of a certain age confides in us about her love of shopping and all things that sparkle—and goes on to open up about a blossoming affair with a childhood friend, also a straight married woman. Confessions of a shopaholic who adores jewels, shoes and surprisingly more; and a hilarious and entertaining performance from Lamarre, who also gives an LOL turn as Doris’s husband.

Point and Click. Written/directed by Steven Elliott Jackson; stage manager/producer Winston Stilwell. Gossiping away on his cellphone, the arrogant, catty photographer Andre (Adam Bonney) talks trash about friends and colleagues while waiting for a male model to arrive at his studio, virtually ignoring Shannon’s (Jim Armstrong) arrival. A sharply funny look at the perceptions of beauty, with schooling on fat shaming and body image; nicely paired casting, with spot on comic timing from Armstrong.

THE LAVENDER SHOW (approx. 65 minutes)

I’ve Just Seen a Face. Written/directed by Kris Davis. Charlie (Sav Binder) and their friend Mel (Chantel Marostica) attend a queer date/games night, hosted by Sage (Kasden Leo Indigo). While Mel gets to know Sage, Charlie has a near miss with Annie (Rose Tuong), but finds an opportunity for a meet cute at the Knit Café, where Annie works and teaches knitting workshops. Charlie is smitten, but how do they tell Annie that they have facial blindness? A sweet queer rom-com vibe; with hilarious, entertaining performances—particularly Marostica’s cynical, edgy comic Mel, and Binder’s adorkably awkward romantic Charlie.

Missed Connections. Written/performed by Mark Keller; directed by Nick May. Single and alone for the past two years after a break-up, a 30-something gay man surfs the Internet for missed connections, in desperate hopes that someone’s noticed him. Beginning to question his own sanity, he reminisces about his past love as he tries to find the courage to find a new one. Full of LOLs and deeply poignant moments that resonate with any lonely soul who’s had their heart broken.

The End is the Beginning. Written by Tina McCulloch; directed by Josh Downing. The relationship dynamics between Elena (Devon Hubka), Vivian (McCulloch) and LeeAnne (Kelly-Marie Murtha) play out in reverse in this brief, dramatic, time-shifting look at the nature of love and alternatives to traditional monogamy. A candid, deconstructed look at coupling in the face of an ongoing relationship; nicely present, intimate work from the cast.

Coming Clean. Written/performed by Laura Piccinin. Part stand-up, part personal storytelling, Piccinin stands behind a mic and tells us her coming out stories (yes, there’s more than one). Sharply observed, tightly delivered—and finding laughter in the pain—for an entertaining and insightful, out and proud ride.

Missed last night? No worries! Gay Play Day runs for two days, continuing today (Saturday, September 8) up in the Alumnae Theatre Studio: the Lavender Show at 3pm and 7pm; the Pink Show at 5pm and 9pm. Get advance tickets online or at the door (cash only).

And keep up with all things Gay Play Day on Facebook and Twitter.

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SummerWorks: Memory, nostalgia & queer men longing to connect in the quirky, charming, poignant Box 4901

Thirteen letters responding to a 1992 gay personals ad sit in a box unanswered. What does the recipient say to these men 26 years later? Memory, nostalgia, connection and hindsight figure prominently in timeshare productions’ SummerWorks presentation of novelist Brian Francis’ autobiographical Box 4901; directed by Rob Kempson and running on the Theatre Centre’s Incubator stage.

Long before the age of smartphones and Grindr, a 21-year-old Francis—then a student at the University of Western Ontario—posted a personals ad in The London Free Press looking for a connection in the small LGBTQ world of conservative London, Ontario. Of the approximately two dozen letters he received, 13 went unanswered and were discovered years later. Francis narrates and responds as 13 queer actors perform each letter.

Featuring actors Bilal Baig, Hume Baugh, Keith Cole, Izad Etemadi, Daniel Krolik, Michael Hughes, Tsholo Khalema, Eric Morin, G Kyle Shields, Chy Ryan Spain, Jonathan Tan, Chris Tsujiuchi and Geoffrey Whynot, the responses to the ad range from the bashful to the pornographic. Coming from a variety of men—ranging in age from high school senior to father figure—from various walks of life (“regular guy,” teacher, farmer, jock, “straight-acting,” leather community), the letters are sassy, charming, eloquent and humourous. The replies are frank, witty, sharply observational; and tempered with kindness, and the hindsight of age and wisdom.

There are some missed chances and missed bullets. All of these men share the same desire to reach out; longing for connection and a cure for aloneness, there’s a vulnerable authenticity in even the cockiest of responses. And the fear of being outed to family or housemates is as palpable and strong as the excitement and anticipation of a new connection.

Box 4901 has one more SummerWorks performance at the Theatre Centre on Aug 19 at 4:45 p.m.; it’s already sold out, but you can try your luck by arriving early to see if there are any no-shows.